Unlike most 12 year-olds, Maya Clayton is desperate to go to bed early. Falling asleep is the only chance she has to save her dad - the brilliant but slightly odd Professor Dexter. The Professor invented a device that allows you to visit other people's dreams. But the devious Lilith Delamere has trapped him inside a nightmare and Maya and the mysterious Dream Bandits must find a way to rescue him before it's too late! Maya will face a dangerous journey and some difficult choices. But sometimes all you need is a dream . . . and a bit of courage. Featuring a hospital heist, some banana-loving llamas and a talking cat called Bin Bag, this is one mind-bending adventure you won't want to wake up from.

In this absorbing new book, David Farber gives us the history of our collective and individual memories of the 1960s: the brilliant colors of revolt and rapture, of flames and raised fists, of napalm and tear gas, of people desperate to make history even as others fought fiercely to stop them. More than thirty years after the assassination of John F. Kennedy, this book grounds our understanding of the terrible events of that era by linking them to our country's grand projects of previous decades: the forging of a national system of social provision in the New Deal; our new agenda as global superpower after World War II; the creation of the national security state; and the maturation of a national consumer-driven mass-mediated marketplace. Farber's account, based on years of research in archives and oral histories as well as in the historical literature, deals in full not only with nation building in Vietnam, the 1964 Civil Rights Act, the 1965 Watts riot, and the War on Poverty, but with the entertainment business, the drug culture, and much more.

The idea of "the great American novel" continues to thrive almost as vigorously as in its nineteenth-century heyday, defying 150 years of attempts to dismiss it as amateurish or obsolete. In this landmark book, the first in many years to take in the whole sweep of national fiction, Lawrence Buell reanimates this supposedly antiquated idea, demonstrating that its history is a key to the dynamics of national literature and national identity itself. The dream of the G.A.N., as Henry James nicknamed it, crystallized soon after the Civil War. In fresh, in-depth readings of selected contenders from the 1850s onward in conversation with hundreds of other novels, Buell delineates four "scripts" for G.A.N. candidates. One, illustrated by The Scarlet Letter, is the adaptation of the novel's story-line by later writers, often in ways that are contrary to the original author's own design. Other aspirants, including The Great Gatsby and Invisible Man, engage the American Dream of remarkable transformation from humble origins. A third script, seen in Uncle Tom's Cabin and Beloved, is the family saga that grapples with racial and other social divisions. Finally,mega-novels from Moby-Dick to Gravity's Rainbow feature assemblages of characters who dramatize in microcosm the promise and pitfalls of democracy. The canvas of the great American novel is in constant motion, reflecting revolutions in fictional fashion, the changing face of authorship, and the inseparability of high culture from popular. As Buell reveals, the elusive G.A.N. showcases the myth of the United States as a nation perpetually under construction.

Our dreams give us insights into hidden truths and guide us to solutions to our problems. In Have A Great Dream: Decoding Your Dreams To Discover Your Full Potential, dream expert Layne Dalfen gives readers an in-depth look at how to recognize and use dream decoding to achieve our maximum potential in every area of our lives.Layne's approach is unique, combining insights from Freud, Adler, Jung, and Gestalt schools. Packed with dream charts, journaling techniques, and fascinating true success stories of people who have worked with this system, Have A Great Dream will transform-for the better-the life of every dreamer.

1899 As far back as history goes, evidences are found of a belief in Dreams. Not only are the ancient books of the Greeks, Romans and Hindoos filled with allusions to the importance of Dreams, but the Bible contains many a startling instance of the real.

Between 1921 and 1955, Italian immigrant Simon Rodia transformed broken glass, seashells, pottery, and a dream to "do something big" into a U.S. National Landmark. Readers watch the towers rise from his little plot of land in Watts, California, through the eyes of a fictional girl as she grows and raises her own children. Chronicled in stunningly detailed collage that mimics Rodia's found-object art, this thirty-four-year journey becomes a mesmerizing testament to perseverance and possibility. A final, innovative "build-your-own-tower" activity makes this multicultural, intergenerational tribute a classroom natural and a perfect gift-sure to encourage kids to follow their own big dreams.

In these seventeen stories, Sam Shepard taps the same wellspring that has made him one of America's most acclaimed playwrights: sex and regret; the yearning for a frontier that has been subdivided out of existence; the anxious gulf that separates men and women; the even deeper gulf that separates men from their true selves. A fascinated boy watches the grim contest between a 'remedy man' - a fixer of bad horses - and a spectacularly bad-tempered stallion, a contest that mirrors the boy's own struggle with his father. A woman driving her mother's ashes back east for burial has an oracular run-in with an injured hawk. Two old men, who have lived together companionably since their wives died or left them and their children scattered to 'silicon computer hell', are brought to grief by a waitress at the local Denny's. Filled with cruelty, sorrow and flinty humour, Great Dream of Heaven is Shepard at his best, exercising his gifts for diamond-sharp physical description and effortless dialogue in stories that recall the themes he has explored with such ferocity and lyricism in his work for the theatre.