This is a spellbinding expose of the major art scandal of the century, implicating many galleries and dealers as well as famed artist Salvador Dali. Veteran journalist Lee Catterall introduces the reader to what he calls the "netherworld of art"--a newly-sprung huge industry preying upon amateur art collectors. Duotone photos.

This book describes the collisions between the art world and the law, with a critical eye through a combination of primary source materials, excerpts from professional and art journals, and extensive textual notes. Topics analysed include + the fate of works of art in wartime, + the international trade in stolen and illegally exported cultural property, + artistic freedom, + censorship and state support for art and artists, + copyright, + droit moral and droit de suite, + the artist's professional life and death, + collectors in the art market, + income and estate taxation, + charitable donations and works of art, and + art museums and their collections. The authors are recognised experts in the field who have defined the canon in many aspects of art law.

“Must reading for any true-crime fan . . . [a] diverse, colorful crew of art-gallery grifters and scammers . . . Highly recommended!” —Howie Carr, New York Times–bestselling author Art scams are today so numerous that the specter of a lawsuit arising from a mistaken attribution has scared a number of experts away from the business of authentication and forgery, and with good reason. Art scams are increasingly convincing and involve incredible sums of money. The cons perpetrated by unscrupulous art dealers and their accomplices are proportionately elaborate. Anthony M. Amore’s The Art of the Con tells the stories of some of history’s most notorious yet untold cons. They involve stolen art hidden for decades; elaborate ruses that involve the Nazis and allegedly plundered art; the theft of a conceptual prototype from a well-known artist by his assistant to be used later to create copies; the use of online and television auction sites to scam buyers out of millions; and other confidence scams incredible not only for their boldness but more so because they actually worked. Using interviews and newly released court documents, The Art of the Con will also take the reader into the investigations that led to the capture of the con men, who oftentimes return back to the world of crime. For some, it’s an irresistible urge because their innocent dupes all share something in common: they want to believe. “An engrossing read about brazen, artful scams.” —Kirkus Reviews “A riveting, fast-moving account of shameless fraudsters who wreak havoc on the art world. A must read!” —Brian T. Kelly, former Assistant United States Attorney

The goal of this unique manual is to arm criminal investigators with tools and weapons that are suitable and effective against art theft and forgery. The author, with over 25 years' experience in the art theft investigation field, presents comprehensive techniques, tips, and ideas to help dimish the level of frustration experienced by criminal investigators required to handle the growing number and magnitude of art crimes. The structure of the manual is simple and direct. The first part guides the reader in the use of the text and introduces the art world environment. The second part discusses the investigator's interaction with the victim, including interviewing, crime scene investigation, and identifying and developing suspects. Part three deals with offenders and covers such topics as art theft methods, forgery techniques, methods of distribution, and investigative countermeasures. The final section presents a comprehensive review of solutions and recoveries, including chapters on legal weapons, insurance and rewards, the use of experts, universal and variable contact group classifications, object bulletins, art criminal photo albums, informant development, undercover methods, unidentified victims, and recovery and seizure of stolen or fake art. In addition, the book is complemented by an extensive glossary and bibliographic resources. This exceptionally unique manual is intended to function at an intensely practical level and is intended for both study and immediate reference.

A technical expert and a lawyer provide practical approaches for IT professionals who need to get up to speed on the role of an expert witness and how testimony works. Includes actual transcripts and case studies.

In Cultures of Forgery, leading literary studies and cultural studies scholars examine the double meaning of the word "forge"-to create or to form, on the one hand, and to make falsely, on the other.

The new edition of this insightful work begins with a critical reexamination of the rival Greek and British claims to the Elgin Marbles. That case study identifies the questions that continue to dominate the growing international debate about cultural property policy and which are subsequently explored in a newly expanded array of essays. The work goes on to pay particular attention to the law and policy relating to cultural property export controls and the evolution and development of the 1995 UNIDROIT Convention on the Return of Stolen and Illegally Exported Cultural Property. The second part of this highly regarded book addresses a number of contemporary art law issues in essays on counterfeit art, the moral rights of artists, the artist's resale right (droit de suite),the litigation over the Mark Rothko estate, and problems of museum trustee negligence, conflict of interests, and misuse of inside information.