From later antiquity down to the close of the eighteenth century, most philosophers and men of science and, indeed, most educated men, accepted without question a traditional view of the plan and structure of the world.In this volume, which embodies the William James lectures for 1933, Arthur O. Lovejoy points out the three principles—plenitude, continuity, and graduation—which were combined in this conception; analyzes their origins in the philosophies of Plato, Aristotle, and the Neoplatonists; traces the most important of their diverse samifications in subsequent religious thought, in metaphysics, in ethics and aesthetics, and in astronomical and biological theories; and copiously illustrates the influence of the conception as a whole, and of the ideas out of which it was compounded, upon the imagination and feelings as expressed in literature.

Paper mosaics, silk screen prints, fold-outs, silhouettes, and other types of cards to make yourself.

Originally published in 1956, The Great Chain of Life brings a humanist’s keen eye and ear to one of the great questions of the ages: “What am I?” Originally a scholar of literature and theater, toward the end of his career Joseph Wood Krutch turned to the study of the natural world. Bringing his keen intellect to bear on the places around him, Krutch crafted some of the most memorable and important works of nature writing extant. Whether anticipating the arguments of biologists who now ascribe high levels of cognition to the so-called lower animals, recognizing the importance of nature for a well-lived life, or seeing nature as an elaborately interconnected, interdependent network, Krutch’s seminal work contains lessons just as resonant today as they were when the book was first written. Lavishly illustrated with thirteen beautiful woodcuts by Paul Landacre, an all-but-lost yet important Los Angeles artist whom Rockwell Kent called “the best American wood engraver working,” The Great Chain of Life will be cherished by new generations of readers.

This is arguably the seminal work in historical and philosophical analysis of the twentieth century. Originally delivered for the William James lecture series at Harvard University in 1932-33, it remains the cornerstone of the history of ideas. Lovejoy sees philosophy's history as one of confusion of ideas, a prime example of which is the idea of a "great chain of being"--a universe linked in theology, science and values by pre-determined stages in all phases of life. Lovejoy's view is one of dualities in nature and society, with both error and truth as part of the natural order of things. The past reminds us that the ruling modes of thought of our own age, which we may view as clear, coherent and firmly grounded, are unlikely to be seen with such certainty by posterity. The Great Chain of Being is an excursion into the past, with a clear mission--to discourage the assumption that all is known, or that what is known is not subject to modifi cation at a later time. Lovejoy reaffirms the "intrinsic worth of diversity," as a caution against certitude. By this he does not mean toleration of indiff erence, or relativity for its own sake, but an appreciation of mental and physical process of human beings. As Peter Stanlis notes in his introduction: "Faith in the great chain of being was fi nally largely extinguished by the combined infl uences of Romantic idealism, Darwin's theory of evolution, and Einstein's theory of relativity." Few books remain as alive to prospects for the future by reconsidering follies of the past as does Lovejoy's stunning work.

“Order, by itself, normally wants to eliminate any disorder and diversity creating a narrow and cognitive rigidity in both people and systems. Disorder, by itself, closes us off from any primal union, meaning, and eventually even sanity in people and systems. Reorder, or transformation of people and systems, happens when both are seen to work together” – from the preface. Through time, a universal pattern can be found in all societies, spiritualities, and philosophies. We see it in the changing seasons, the stories of Scripture in the Bible, the life, death, and resurrection of Jesus Christ, the rise and fall of civilizations, and even personally in our lives. In this updated version of one of his earliest books, Father Richard Rohr clearly illuminates how understanding and embracing this pattern can give us hope in difficult times and the courage to push through disorganization and even great chaos to find a new way of being in the world. “We are indeed 'saved' by knowing and surrendering to this universal pattern of reality. Knowing the full pattern allows us to let go of our first order, trust the disorder, and, sometimes even hardest of all—to trust the new reorder. Three big leaps of faith for all of us, and each of a different character.” —from the introduction.

Yujin Nagasawa presents a new, stronger version of perfect being theism, the conception of God as the greatest possible being. Although perfect being theism is the most common form of monotheism in the Judeo-Christian-Islamic tradition its truth has been disputed by philosophers and theologians for centuries. Nagasawa proposes a new, game-changing defence of perfect being theism by developing what he calls the 'maximal concept of God'. Perfect being theists typically maintain that God is an omniscient, omnipotent, and omnibenevolent being; according to Nagasawa, God should be understood rather as a being that has the maximal consistent set of knowledge, power, and benevolence. Nagasawa argues that once we accept the maximal concept we can establish perfect being theism on two grounds. First, we can refute nearly all existing arguments against perfect being theism simultaneously. Second, we can construct a novel, strengthened version of the modal ontological argument for perfect being theism. Nagasawa concludes that the maximal concept grants us a unified defence of perfect being theism that is highly effective and economical.

A prize-winning poet argues that blackness acts as the caesura between human and nonhuman, man and animal. Throughout US history, black people have been configured as sociolegal nonpersons, a subgenre of the human. Being Property Once Myself delves into the literary imagination and ethical concerns that have emerged from this experience. Each chapter tracks a specific animal figure—the rat, the cock, the mule, the dog, and the shark—in the works of black authors such as Richard Wright, Toni Morrison, Zora Neale Hurston, Jesmyn Ward, and Robert Hayden. The plantation, the wilderness, the kitchenette overrun with pests, the simultaneous valuation and sale of animals and enslaved people—all are sites made unforgettable by literature in which we find black and animal life in fraught proximity. Joshua Bennett argues that animal figures are deployed in these texts to assert a theory of black sociality and to combat dominant claims about the limits of personhood. Bennett also turns to the black radical tradition to challenge the pervasiveness of antiblackness in discourses surrounding the environment and animals. Being Property Once Myself is an incisive work of literary criticism and a close reading of undertheorized notions of dehumanization and the Anthropocene.