This book explores in depth the origins, development, and prospects of outlawry and of the relationship of outlaws to the social conditions of changing times. Throughout American history you will find larger-than-life brigands in every period and every region. Often, because we hunger for simple justice, we romanticize them to the point of being unable to separate fact from fiction. Frank Richard Prassel brings this home in a thorough and fascinating examination of the concept of outlawry from Robin Hood, Dick Turpin, and Blackbeard through Jean Lafitte, Pancho Villa, and Billy the Kid to more modern personalities such as John Dillinger, Claude Dallas, and D. B. Cooper. A separate chapter on molls, plus equal treatment in the histories of gangs, traces women's involvement in outlaw activities. Prassel covers the folklore as well as the facts, even including an appendix of ballads by and about outlaws. He makes clear how this motley group of bandits, pirates, highwaymen, desperadoes, rebels, hoodlums, renegades, gangsters, and fugitives—who stand tall in myth—wither in the light of truth, but flourish in the movies. As he tells the stories, there is little to confirm that Jesse and Frank James, Butch Cassidy and the Sundance Kid, the Daltons, Pretty Boy Floyd, Ma Barker, Clyde Barrow and Bonnie Parker, Belle Starr, the Apache Kid, or any of the so-called good badmen, did anything that did not enrich or otherwise benefit themselves. But there is plenty of evidence, in the form of slain victims and ruined lives, to show how many ways they caused harm. The Great American Outlaw is as much an excellent survey on the phenomenon as it is a brilliant exposition of the larger than-life figures who created it. Above all, it is a tribute to that aspect of humanity that Americans admire most and that Prassel describes as a willingness "to fight, however hopelessly, against exhibitions of privilege."

By reading two bodies of literature not normally read together - the outlaw literature and espionage literature - Conor McCarthy shows how these genres represent and critique the longstanding use of legal exclusion as a means of supporting state power. Texts discussed range from the medieval Robin Hood ballads, Shakespeare's history plays, and versions of the Ned Kelly story to contemporary writing by John le Carre, Don DeLillo, Ciaran Carson and William Gibson.

A Companion to the American West is a rigorous, illuminating introduction to the history of the American West. Twenty-five essays by expert scholars synthesize the best and most provocative work in the field and provide a comprehensive overview of themes and historiography. Covers the culture, politics, and environment of the American West through periods of migration, settlement, and modernization Discusses Native Americans and their conflicts and integration with American settlers

This thoroughly researched and vivid account examines a murderous spree by one of the West’s most notorious outlaw gangs and the consequences for a small Mormon community in Arizona’s White Mountains. On March 27, 1900, Frank LeSueur and Gus Gibbons joined a sheriff’s posse to track and arrest five suspected outlaws. The next day, LeSueur and Gibbons, who had become separated from other posse members, were found brutally murdered. The outlaws belonged to Butch Cassidy’s Wild Bunch gang. Frank LeSueur was the great uncle of the book’s author, Stephen C. LeSueur. In writing about the Wild Bunch, historians have played up the outlaws’ daring heists and violent confrontations. Their victims serve primarily as extras in the gang’s stories, bit players and forgotten names whose lives merit little attention. Drawing upon journals, reminiscences, newspaper articles, and other source materials, LeSueur examines this episode from the victims’ perspective. Popular culture often portrays outlaws as misunderstood and even honorable men—Robin Hood figures—but as this history makes clear, they were stone-cold killers who preferred ambush over direct confrontation. They had no qualms about shooting people in the back. The LeSueur and Gibbons families that settled St. Johns, Arizona, served as part of a colonizing vanguard for the Church of Jesus Christ of Latter-day Saints, popularly known as Mormons. They contended with hostile neighbors, an unforgiving environment, and outlaw bands that took advantage of the large mountain expanses to hide and escape justice. Deprivation and death were no strangers to the St. Johns colonizers, but the LeSueur-Gibbons murders shook the entire community, the act being so vicious and unnecessary, the young men so full of promise. By focusing the historian’s lens on this incident and its aftermath, this exciting Western history offers fresh insights into the Wild Bunch gang, while also shedding new light on the Mormon colonizing experience in a gripping tale of life and death on the Arizona frontier. Praise for Life and Death on the Mormon Frontier: "Stephen LeSueur takes the reader on a ride into the dark, murderous world of the Wild Bunch in the Mormon settlements of the Utah-Arizona frontier. A compelling, deeply researched, and well-written study that will grab the attention of Old West historians." — Daniel Buck, co-author of The End of the Road: Butch Cassidy and the Sundance Kid in Bolivia "Stephen LeSueur unearths the circumstances that led a gang of outlaws to kill Frank LeSueur (the author’s great-uncle) and Gus Gibbons near St. Johns, Arizona, in 1900. LeSueur punctures popular myths about the Wild Bunch, but the true history of poverty, faithfulness, criminality, and family is more compelling and just as wild. It's a hard book to put down." — John G. Turner, author of Brigham Young: Pioneer Prophet "Unlike romanticized versions of Western bandits, Life and Death on the Mormon Frontier portrays a grittier, authentic Old West in a manner that draws the reader into another era. As a descendant of one of the many victims of Butch Cassidy's Wild Bunch, LeSueur thoroughly and compellingly recounts the murder and its devastating effect on the family—something often overlooked. In the current climate of winking at contemporary scofflaws, it is good to be reminded that character still counts—and that its opposite still destroys.” — Gregory A. Prince, author of David O. McKay and the Rise of Modern Mormonism and Leonard Arrington and the Writing of Mormon History

DIVRide with author John Hall into the turbulent world of 1960s bike club culture, from his beginnings at an upstart motorcycle club to his rise to the Long Island chapter president of the Pagans, a club that the FBI called “the most violent criminal organization in America.� Follow him into the Pagan heartland of Pennsylvania where he fell in love, got in a roadhouse brawl over a honky-tonk angel, and eventually went to jail for “takin’ care a club business.� Now after a career as a journalist and college professor, he returns to the violent days of his youth and smashes up stereotypes like he once smashed up bars, resurrecting long-dead brothers in a style reminiscent of Jack Kerouac and Mark Twain. Hall presents them as they really were: hard living, hard loving, hard drinking, hard fighting rebels, but also hardworking, patriotic, loyal, and lovable characters. Outlaws, yes, but outlaws as American as apple pie./div

The Oxford Handbook of the Literature of the U.S. South brings together contemporary views of the literature of the region in a series of chapters employing critical tools not traditionally used in approaching Southern literature. It assumes ideas of the South--global, multicultural, plural: more Souths than South--that would not have been embraced two or three decades ago, and it similarly expands the idea of literature itself. Representative of the current range of activity in the field of Southern literary studies, it challenges earlier views of antebellum Southern literature, as well as, in its discussions of twentieth-century writing, questions the assumption that the Southern Renaissance of the 1920s, 1930s, and 1940s was the supreme epoch of Southern expression, that writing to which all that had come before had led and by which all that came afterward was judged. As well as canonical Southern writers, it examines Native American literature, Latina/o literature, Asian American as well as African American literatures, Caribbean studies, sexuality studies, the relationship of literature to film, and a number of other topics which are relatively new to the field.

This biography of the life--and controversial death--of Robert LeRoy Parker, a.k.a. Butch Cassidy, is a journey across the late-nineteenth-century American West as we follow the exploits of this surprisingly affable outlaw. More important, this book answers the question of whether Butch Cassidy survived his alleged death at the hands of Bolivian soldiers in 1908 and returned to friends and family in the US.