Fleeing Nazi Germany in 1936, the Schwarts immigrate to a small town in upstate New York. Here the father—a former high school teacher—is demeaned by the only job he can get: gravedigger and cemetery caretaker. When local prejudice and the family's own emotional frailty give rise to an unthinkable tragedy, the gravedigger's daughter, Rebecca heads out into America. Embarking upon an extraordinary odyssey of erotic risk and ingenious self-invention, she seeks renewal, redemption, and peace—on the road to a bittersweet and distinctly “American” triumph.

“A Digger must not refuse a request from the Dead." —Rule Five of the Gravedigger’s Code Ian Fossor is last in a long line of Gravediggers. It’s his family’s job to bury the dead and then, when Called by the dearly departed, to help settle the worries that linger beyond the grave so spirits can find peace in the Beyond. But Ian doesn’t want to help the dead—he wants to be a Healer and help the living. Such a wish is, of course, selfish and impossible. Fossors are Gravediggers. So he reluctantly continues his training under the careful watch of his undead mentor, hoping every day that he’s never Called and carefully avoiding the path that leads into the forbidden woods bordering the cemetery. Just as Ian’s friend, Fiona, convinces him to talk to his father, they’re lured into the woods by a risen corpse that doesn’t want to play by the rules. There, the two are captured by a coven of Weavers, dark magic witches who want only two thing—to escape the murky woods where they’ve been banished, and to raise the dead and shift the balance of power back to themselves. Only Ian can stop them. With a little help from his friends. And his long-dead ancestors. Equal parts spooky and melancholy, funny and heartfelt, The Gravedigger’s Son is a gorgeous debut that will long sit beside Neil Gaiman’s The Graveyard Book and Jonathan Auxier's The Night Gardener.

In her first work of fiction in more than a decade, award-winning novelist Hilma Wolitzer brilliantly renders the intimate details of ordinary life and exposes a host of hidden truths. The Doctor’s Daughter is a haunting portrait of a woman coming to terms with her family history and the fallibility of memory. One morning, Alice Brill awakes with a sudden awareness that something is wrong. There’s a hollowness in her chest, and a sensation of dread that she can’t identify or shake. Was it something she’s done, or forgotten to do? As she scours her mind for the source of her unease, she confronts an array of disturbing possibilities. First, there is her marriage, a once vibrant relationship that now languishes stasis. Then there’s her idle, misdirected younger son, who always needs bailing out of some difficulty. Or perhaps Alice’s trepidation is caused by the loss of her career as an editor at a large publishing house, and the new path she’s paved for herself as a freelance book doctor. Or it might be the real doctor in her life: her father. Formerly one of New York’s top surgeons, he now rests in a nursing home, his mind gripped by dementia. And the Eden that was Alice’s childhood–the material benefits and reflected glory of being a successful doctor’s daughter, the romance of her parents’ famously perfect marriage–makes her own domestic life seem fatally flawed. While struggling to find the root of her restlessness, Alice is buoyed by her discovery of a talented new writer, a man who works by day as a machinist in Michigan. Soon their interactions and feelings intensify, and Alice realizes that the mystery she’s been trying to solve lies not in the present, as she had assumed, but in the past–and in the secrets of a marriage that was never as perfect as it appeared. Like the best works of Anne Tyler, Sue Miller, and Gail Godwin, The Doctor’s Daughter is private yet universal, luminous and revelatory–and marks the reemergence of a singular talent in American writing.

In Edwardian England, is love powerful enough to cross the class divide? When Daniel Davenport saves Maddie Lockett and her young brother, Tom, from drowning, an immediate bond is forged between them. But Daniel is an aspiring doctor and son of a wealthy manufacturer, while Maddie is a potter’s daughter from a poverty-stricken background. Even a friendship between the two could be frowned upon, let alone anything more . . . But Maddie and Daniel want more, and as they grow closer, gossip and prejudice look set to spoil their blossoming romance. Does the young couple stand a chance when there are those who would stop at nothing to keep them apart?

Daughter of the King, was written to encourage and inspire women and even teens that have found themselves in a "hopeless" situation. Daughter of the King will open your mind, your eyes and your heart to Jesus. After reading this book you will find yourself grabbing hold of "Faith" as never before, saying.... God I Trust You!

A woman faces life-changing decisions in post–World War I London from the “master storyteller” and bestselling author of The Illusionists (Cosmopolitan). In Daughter of the House, Rosie Thomas returns to the marvelous Wix family. Nancy Wix, daughter of the stage impresarios Eliza and Devil, must find a way to keep London’s Palmyra theatre afloat, and to entertain audiences who have lost husbands and sons in the First World War. Nancy is a born performer, but she is set apart—even from her beloved brothers—by her psychic gifts. She must harness her troubling powers to keep her family and the theatre intact. It is a dangerous path and a lonely one, but Nancy’s bold choices lead her to love, and to the recognition of what it takes to become a modern woman. As another war begins to threaten the world, she is forced into a final, fateful confrontation with her demons, and must marshal both her ingenuity and her mysterious talents to fight for the survival of friendship, independence, and family. “Brilliantly bring[s] to life the end of the music hall era and the rise of spiritualism in the 1920s. I highly recommend this smart, gothic, and romantic page-turner.” —Historical Novel Society “[Thomas] creates a dynamic protagonist involved in an uncertain romance, and her other principal characters are equally well-rounded.” —Kirkus Reviews “A long, appealing yarn of a story, Daughter of the House is a sequel to the author’s earlier The Illusionists but is eminently readable as a stand-alone novel.” —Booklist