In the mid twentieth century the philosopher Ludwig Wittgenstein famously asserted that games are indefinable; there are no common threads that link them all. "Nonsense," says the sensible Bernard Suits: "playing a game is a voluntary attempt to overcome unnecessary obstacles." The short book Suits wrote demonstrating precisely that is as playful as it is insightful, as stimulating as it is delightful. Suits not only argues that games can be meaningfully defined; he also suggests that playing games is a central part of the ideal of human existence, so games belong at the heart of any vision of Utopia. Originally published in 1978, The Grasshopper is now re-issued with a new introduction by Thomas Hurka and with additional material (much of it previously unpublished) by the author, in which he expands on the ideas put forward in The Grasshopper and answers some questions that have been raised by critics.

Bronson's fascinating book about grasshoppers and other related insects--crickets and katydids--reveals how they are equipped for life and how they act from birth to death. Particularly interesting are the incidents and examples that are drawn from his observation of his own insect collection.

“They have sent me here because of what happened on the pylon.” When Clodagh Brown writes these words at the age of nineteen, she believes that she is leaving behind the traumatic events of her youth. But Clodagh soon learns that you can never entirely escape your past. In the aftermath of the incident on the pylon--one of the great electrified structures that dot the English countryside like so many gargantuan grasshoppers--Clodagh goes off to university, moves into a basement flat arranged by her unsympathetic family, and finds freedom trekking across London's rooftops with a gang of neighborhood misfits. As she begins a thrilling relationship with a fellow climber, however, both Clodagh and the reader are haunted by the memory of the pylon and of the terrible thing that happened there--and by the eerie sense that another tragedy is just a footfall away.

A 2015 Michael L. Printz Honor Book Winner of the 2014 Boston Globe-Horn Book Award for Fiction "Raunchy, bizarre, smart and compelling." --Rolling Stone “Grasshopper Jungle is simultaneously creepy and hilarious. Reminds me of Kurt Vonnegut’s in “Slaughterhouse Five,” in the best sense.” --New York Times Book Review In the small town of Ealing, Iowa, Austin and his best friend, Robby, have accidentally unleashed an unstoppable army. An army of horny, hungry, six-foot-tall praying mantises that only want to do two things. This is the truth. This is history. It’s the end of the world. And nobody knows anything about it. You know what I mean. Funny, intense, complex, and brave, Grasshopper Jungle brilliantly weaves together everything from testicle-dissolving genetically modified corn to the struggles of recession-era, small-town America in this groundbreaking coming-of-age stunner.

How can grasshoppers help parents and feeding professionals teach anxious eaters about new foods? Marsha Dunn Klein, an internationally-known feeding therapist, provides the answer in this book--highlighting that most anxious eaters do not enjoy the sensations and varibility of new foods. In seeking to help them, she asks what you'd need to do to help yourself try a worrisome new food, such as a grasshopper. Drawing on her own experience trying grasshoppers while learning Spanish in Mexico, she personalizes the struggle of children to find new food enjoyment, providing a goldmine of practical, proven, and compassionate strategies for parents and professionals who work with anxious eaters. Learn how to: - find peace and enjoyment during mealtimes; - find ways to help anxious eaters fearlessly try new foods; - navigate the sensory variations in food smells, tastes, textures looks, sounds: and - help anxious eaters (and their parents) develop a more positive relationship with food. Because parents are absolutely central to mealtime success, the author incorporates parent insights throughout the book. Using encouragement, novelty, and fun, she invites everyone back to the table with a sensitive and pressure-free approach.

Chandler State University is the one thing keeping the dusty, Western town of Chandler on the map. Now that its basketball program has fallen apart, CSU’s only claim to fame is its Gravinics Department, dedicated to the study of an obscure European country—its mythology, its extraordinarily difficult language, and especially its bizarre star poet, Henderson. Having discovered Henderson’s poetry in a trash bin, Stanley Higgs becomes the foremost scholar of the poet’s work, accepts a position at Chandler State University, achieves international academic fame, marries the Dean’s daughter, and abruptly stops talking. With all of academia convinced that Higgs is formulating a great truth, the university employs Orwellian techniques to record Higgs’s every potential utterance and to save its reputation. A feckless Gravinics language student, Samuel Grapearbor, together with his long-suffering girlfriend Julia, is hired to monitor Higgs during the day. Over endless games of checkers and shared sandwiches, a uniquely silent friendship develops. As one man struggles to grow up and the other grows old, The Grasshopper King, in all of his glory, emerges. In this debut novel about treachery, death, academia, marriage, mythology, history, and truly horrible poetry, Jordan Ellenberg creates a world complete with its own geography, obscene folklore, and absurdly endearing -characters—a world where arcane subjects flourish and the smallest swerve from convention can result in -immortality. Jordan Ellenberg was born in Potomac, Maryland in 1971. His brilliance as a mathematical prodigy led to a feature in The National Enquirer, an interview with Charlie Rose on CBS’s Nightwatch, and gold medals at the Math Olympiad in Cuba and Germany. He is now an Assistant Professor of Math at Princeton University and his column, "Do the Math," appears regularly in the online journal Slate. This is his first novel.

Work and play are both important, in this fresh, heartwarming take on a classic fable from Aesop. Full color.