A follow-up to two highly successful monographs on the work of one of the most important designers of his generation, showcasing projects completed since the mid-1990s. Neville Brody defined the look of the 1980s music scene as art director of The Face. Since then, Brody consistently proved that he is one of most innovative and shape-shifting graphic designers of the era. While his second monograph was published in 1994, over the last almost three decades Brody has produced a new body of editorial, typographic, information, and interface design of unparalleled boldness and sophistication for global clients that include Samsung, Shiseido, Coca-Cola, the UK’s Channel 4, and Dom Perignon. The Graphic Language of Neville Brody 3 brings this work together in thematic sections that address the key fields of his vibrant design projects, including typographic experimentation, information graphics, cultural subversion, and design systems. Richly illustrated, each project is explored in detail, revealing the work that defined Brody’s recent career across six chapters, from major brands to magazine editorials and features, showing how his design language has evolved since the 1990s. Creating a new generation of fans, this volume shares Brody’s design genius at a time when the originality of work from the 1980s and 1990s across many creative disciplines is finding a new audience. This inspirational volume is essential reading for anyone interested in the evolution of graphic design over the past three decades.

Features 1996 entrants and winners. 460 illustrations, 400 in color.

This is an inventive a well-researched study which explores the production and consumption of graphic design in Europe.

A collection featuring one of the most innovative and controversial of contemporary graphic designers, Carson's career is documented with emphasis on his desire to forge a new aesthetic.

Just My Type is not just a font book, but a book of stories. About how Helvetica and Comic Sans took over the world. About why Barack Obama opted for Gotham, while Amy Winehouse found her soul in 30s Art Deco. About the great originators of type, from Baskerville to Zapf, or people like Neville Brody who threw out the rulebook, or Margaret Calvert, who invented the motorway signs that are used from Watford Gap to Abu Dhabi. About the pivotal moment when fonts left the world of Letraset and were loaded onto computers ... and typefaces became something we realised we all have an opinion about. As the Sunday Times review put it, the book is 'a kind of Eats, Shoots and Leaves for letters, revealing the extent to which fonts are not only shaped by but also define the world in which we live.' This edition is available with both black and silver covers.

"Methods and Applications of Statistics in Clinical Trials, Volume 1: Concepts, Principles, Trials, and Designs "focuses on all the key principles, various clinical trials used and different designs that could be applied for clinical trials. This volume discusses the key statistical concepts that are essential in understanding how to design and construction of clinical trials. This volume provides detailed explanations of statistical concepts such as longitudinal data, missing data, covariates, biased-coin randomization, repeated measurements, and simple randomization, which are used in creating and analyzing the data gleaned from clinical trials. Volume 1 also presents several detailed overviews of various trial designs that can be found within the various phase I-IV trials, such as adaptive, crossover, group-randomized, multicenter, non-inferiority, non-randomized, open-labeled, preference, prevention, and superiority trials. In addition, an overview is presented of various clinical trials that are currently active, including AIDS clinical trials group (ACTG), early cancer & heart disease clinical trials, multiple risk factor intervention trial (MRFIT), and mother to child human immunodeficiency virus transmission trials.

The impact of more than one hundred years of aesthetics, form, and content on developments in graphic communications. This unique history of design, documenting over a century of creative brilliance, has now been brought into the twenty-first century. Showcasing the most influential designs and designers from 1900 to the present, this outstanding collection illustrates how the best ideas perpetuate themselves over time, one great concept inspiring the next. More than one hundred seminal images—one from each year—are shown alongside the works that influenced their creation and the designs that were inspired or evolved from them. Examples include work from both famous and anonymous graphic artists from Toulouse-Lautrec to Milton Glaser and Art Chantry, visually juxtaposing each example to illustrate a theme or artistic device.