A Wall Street Journal and Times Literary Supplement Book of the Year | Long-listed for the Plutarch Award A bold new biography of the legendary painter John Singer Sargent, stressing the unruly emotions and furtive desires that drove his innovative work and defined the transatlantic, fin de siècle culture he inhabited. A great American artist, John Singer Sargent is also an abiding enigma. While dressing like a businessman and crafting a highly respectable persona, he scandalized viewers on both sides of the Atlantic with the frankness and sensuality of his work. He charmed the nouveaux riches as well as the old money, but he reserved his greatest sympathies for Bedouins, Spanish dancers, and the gondoliers of Venice. At the height of his renown in Britain and America, he quit his lucrative portrait-painting career to concentrate on allegorical murals with religious themes—and on nude drawings of male models that he kept to himself. In The Grand Affair, the historian Paul Fisher offers a vivid life of the buttoned-up artist and his unbuttoned work. Sargent’s nervy, edgy portraits exposed illicit or dark feelings in himself and his sitters—feelings that high society on both sides of the Atlantic found fascinating and off-putting. Fisher traces Singer’s life from his wandering trans-European childhood to the salons of Paris, and the scandals and enthusiasms he caused, and on to London. There he mixed with eccentrics and aristocrats, and the likes of Henry James and Oscar Wilde, while at the same time forming a close relationship with a lightweight boxer who became his model, valet, and traveling partner. In later years, Sargent met up with his friend and patron Isabella Stewart Gardner around the world and devoted himself to a new model, the African American elevator operator and part-time contortionist Thomas McKeller, who would become the subject of some of Sargent’s most daring and powerful work. Illuminating Sargent’s restless itinerary, Fisher explores the enigmas of fin de siècle sexuality and art, fashioning a biography that grants the man and his paintings new and intense life.

Fans of Louise Douglas, Dinah Jeffries and Kristin Hannah will love this compelling and enthralling read from bestselling author Charlotte Bingham. The 1950s are brought vividly to life - as is the real battle between desire and duty that Ottilie faces. A real page-turner! 'The author perfectly evokes the atmosphere of a bygone era... ' -- Woman's Own 'This is great summer escapism from an award-winning romantic novelist' -- CHOICE 'I couldn't put it down' -- ***** Reader review 'Absolutely riveting' -- ***** Reader review 'A wonderful read' -- ***** Reader review ******************************************************************************* SOME THINGS NEED SAVING...BUT AT WHAT COST? Ottilie Cartaret is born in London into a family of boys dominated by their genial mother, Ma O'Flaherty. For the first four years of her life, all Ottilie knows is love until, that is, the erring father of the boys, sends enough money from America for the O'Flahertys to move to what Ma imagines will be rural bliss in Cornwall. True, St Elcomb is by the sea and in 1950s Britain is certainly rural but, for the O'Flahertys, it is not bliss. Never mind their poverty - the enmity of the local people is what proves insuperable. Ottilie is ultimately adopted by Mr and Mrs Cartaret, a wealthy couple who run the Grand Hotel in St Elcomb. Here she becomes pampered and spoilt, not just by her adopted parents but by all the visitors to the hotel. Times however are changing and not just for Ottilie but for the hotel too, and as the regulars to the now decaying hotel die off, the Cartarets find they are unable to adapt to modern ways. There is no doubt that Ottilie is their greatest asset and they live to rejoice in the day they adopted but is Ottilie perhaps expected to sacrifice too much herself to save the Grand?

Ottilie Cartaret is born in London into a family of boys dominated by their genial mother, Ma O'Flaherty. For the first four years of her life, all Ottilie knows is love until, that is, the erring father of the boys, the ever absent Mr O'Flaherty, sends enough money from America for the O'Flahertys to move to what Ma imagines will be rural bliss in Cornwall. True, St Elcomb is by the sea and in 1950s Britain is certainly rural but, for the O'Flahertys, it is not bliss. Never mind their poverty or the damp cottage which Ma has bought for them, the enmity of the local people is what proves insuperable. The family unit having been destroyed by Ma's death, Ottilie is adopted by Mr and Mrs Cartaret, a wealthy couple who run the Grand Hotel in St Elcomb. It is to these palatial surroundings that Ottilie is removed, away from her brothers and everything which she loves. Here she becomes pampered and spoilt, not just by her adopted parents but by all the visitors to the hotel, with the exception of their mysterious annual guest whom Ottilie nicknames 'GREY LADY'. Times however are changing and not just for Ottilie but for the hotel too, and as the regulars to the now decaying hotel die off, the Cartarets find they are unable to adapt to modern ways. That Ottilie becomes their greatest asset and they live to rejoice in the day they adopted her is undoubted, but that Ottilie perhaps sacrifices too much herself to save the Grand is something she soon comes to realize...

Making it up the aisle was the easy part: Rebecca "Bex" Porter must survive her own scandals and adjust to royal British life in this "positively delicious" follow-up to The Royal We that's "just as fun, charming, and delightful as the first" (Taylor Jenkins Reid). After a scandalous secret turns their fairy-tale wedding into a nightmare, Rebecca "Bex" Porter and her husband Prince Nicholas are in self-imposed exile. The public is angry. The Queen is even angrier. And the press is salivating. Cutting themselves off from friends and family, and escaping the world's judgmental eyes, feels like the best way to protect their fragile, all-consuming romance. But when a crisis forces the new Duke and Duchess back to London, the Band-Aid they'd placed over their problems starts to peel at the edges. Now, as old family secrets and new ones threaten to derail her new royal life, Bex has to face the emotional wreckage she and Nick left behind: with the Queen, with the world, and with Nick's brother Freddie, whose sins may not be so easily forgotten—nor forgiven.

This book was a total delight -- Cat Sebastian, author of Two Rogues Make a Right on Best Laid Plaids Have kilt, will travel. Sweden, 1930 Two years ago, Dr. Ainsley Graham proved the existence of ghosts and fell in love—hard to top that. But a trip to Sweden to research at a prestigious university for the summer is nothing to sneeze at, especially since his partner, psychologist Joachim Cockburn, will be teaching alongside him. A change of scenery might be just the thing. Their idyllic trip to Sweden is interrupted by a ghost with a proclivity for rude hand gestures and graphic curse words—and a ghastly history begging to be investigated. Life among the living is complicated, too, by a gruff professor who can’t take his eyes off Ainsley, and an enticing new job offer for Joachim. What starts as an adventurous trip abroad turns into mayhem, murder, and…a magical moose? And everyone—well, perhaps not the moose—is a suspect in the death of the ghostly young man who brings them together to expose secrets, loves lost, and a crime that will shock them all. Kilty Pleasures Book 1: Best Laid Plaids Book 2: Where There’s a Kilt, There’s a Way

As a child growing up in the concrete canyons of New York City, Bruce Aiken dreamed of someday living at the end of a long dirt road. Little did he know that this road would lead over five miles down a narrow, steep trail into the depths of another canyon--the Grand Canyon. Nor could he predict that he would live in this unlikely place for over thirty years. In a remote side canyon along a stream that ultimately flows into the Colorado River, Bruce and his wife Mary raised three children while he tended Grand Canyon National Park's precious water supply at Roaring Springs . . . and painted. Out of this intimate relationship between the artist and his muse came a body of work unparalleled in the annals of Grand Canyon landscape painters. With a style labeled by some art critics as "authoritative realism," these paintings reveal the multifaceted beauty of one of the world's most alluring wonders through the eyes of someone who can truly call it home. As Bruce says, "My main idea is to paint scenes that say, 'I was here. I saw this. This is a first-hand experience.' Grand Canyon is not only big and beautiful, it's pristine living . . . it's still wild to me." With an introduction by James Ballinger, Director of the Phoenix Art Museum, this volume showcases some of Aiken's most stunningly beautiful pieces. A must-have for anyone interested in the Grand Canyon, intrigued by the unique life of the artist, or captivated by gorgeous art.