'Overcoming the war of religion between analytics and continentals with a brand-new metaphysical insight, Graham Harman has restored to philosophy its greatness and value.' Maurizio Ferraris, Italian continental philosopher and author of the Manifesto of New Realism The Graham Harman Reader is the essential compendium of shorter works by one of the most influential philosophers of the twenty-first century. The writings in this volume are split into seven chapters. The first concerns Harman’s resistance to both downward and upward reductionism. The second chapter contains works that develop the specific fourfold structure of Object-Oriented Ontology. In the third, we find Harman’s novel arguments for why causal relations between two entities can only be indirect. The fourth chapter discusses why aesthetics deserves to be called first philosophy. The fifth chapter contains Harman’s underrated contributions to ethics and politics, and the sixth deals with epistemology, mind, and science. A concluding seventh chapter contains several previously unpublished writings not available anywhere else. Written in Harman’s typical clear and witty style, the /Reader/ is an essential resource for veteran readers of Harman and newcomers alike.

The essential compendium of shorter works by one of the most influential philosophers of the twenty-first century. Written in Harman's typical clear and witty style, the Reader is an essential resource for veteran readers of Harman and newcomers alike.

Heidegger Explained is a clear and thorough summary of the philosophy of Martin Heidegger (1889–1976). It gives a fascinating explanation of all stages of Heidegger’s life and career, and shows his entire philosophy to emerge from one simple but profound insight. Many philosophers believe that Heidegger was the greatest philosopher of the twentieth century. His influence has long been felt not just in philosophy, but also in such fields as art, architecture, and literary studies. Yet the great difficulty of Heidegger’s terminology has often scared away interested readers lacking an academic background in philosophy. Author Graham Harman shows that Heidegger is actually one of the simplest and clearest of thinkers. All the diverse topics of his writings, and all the lengthy analyses he gives of past philosophers, boil down to a single powerful idea: being is not presence. In any human relation with the world, our thinking and even our acting do not fully exhaust the world. Something more always withdraws from our grasp. Neither being itself nor individual beings are ever fully “present-at-hand,” in Heidegger’s terminology. This single insight allows Heidegger to revolutionize the phenomenology of his teacher Edmund Husserl. The method of Husserl was to focus entirely on how things present themselves to us as phenomena in consciousness. Heidegger understood that the things are always partly hidden from consciousness, living a secret life of their own. Human beings are not lucid scientific observers staring at the world and describing it, but instead are thrown into a world where light is always mixed with shadow. For Heidegger, the entire history of philosophy has reduced being to some sort of presence, whether by defining it as atoms, consciousness, perfect forms, the will to power, or even God. In this way, past philosophers have all chosen one specific kind of privileged being to represent being itself. Yet this is impossible, since being always partly withdraws from any attempt to define it. For this reason, philosophy needs to make a new beginning, one that would be just as great as the first beginning in ancient Greece. The book ends by shedding new light on Heidegger’s concept of the fourfold, which is so notoriously difficult that most commentators avoid it altogether.

What is reality, really? Are humans more special or important than the non-human objects we perceive? How does this change the way we understand the world? We humans tend to believe that things are only real in as much as we perceive them, an idea reinforced by modern philosophy, which privileges us as special, radically different in kind from all other objects. But as Graham Harman, one of the theory's leading exponents, shows, Object-Oriented Ontology rejects the idea of human specialness: the world, he states, is clearly not the world as manifest to humans. At the heart of this philosophy is the idea that objects - whether real, fictional, natural, artificial, human or non-human - are mutually autonomous. In this brilliant new introduction, Graham Harman lays out the history, ideas and impact of Object-Oriented Ontology, taking in everything from art and literature, politics and natural science along the way. Graham Harman is Distinguished Professor of Philosophy at SCI-Arc, Los Angeles. A key figure in the contemporary speculative realism movement in philosophy and for his development of the field of object-oriented ontology, he was named by Art Review magazine as one of the 100 most influential figures in international art.

As Hölderlin was to Martin Heidegger and Mallarmé to Jacques Derrida, so is H.P. Lovecraft to the Speculative Realist philosophers. Lovecraft was one of the brightest stars of the horror and science fiction magazines, but died in poverty and relative obscurity in the 1930s. In 2005 he was finally elevated from pulp status to the classical literary canon with the release of a Library of America volume dedicated to his work. The impact of Lovecraft on philosophy has been building for more than a decade. Initially championed by shadowy guru Nick Land at Warwick during the 1990s, he was later discovered to be an object of private fascination for all four original members of the twenty-first century Speculative Realist movement. In this book, Graham Harman extracts the basic philosophical concepts underlying the work of Lovecraft, yielding a weird realism capable of freeing continental philosophy from its current soul-crushing impasse. Abandoning pious references by Heidegger to Hölderlin and the Greeks, Harman develops a new philosophical mythology centered in such Lovecraftian figures as Cthulhu, Wilbur Whately, and the rat-like monstrosity Brown Jenkin. The Miskatonic River replaces the Rhine and the Ister, while Hölderlin's Caucasus gives way to Lovecraft's Antarctic mountains of madness.

Tool-Being offers a new assessment of Martin Heidegger's famous tool-analysis, and with it, an audacious reappraisal of Heidegger's legacy to twenty-first-century philosophy. Every reader of Being and Time is familiar with the opposition between readiness-to-hand (Zuhandenheit) and presence-at-hand (Vorhandenheit), but commentators usually follow Heidegger's wishes in giving this distinction a limited scope, as if it applied only to tools in a narrow sense. Graham Harman contests Heidegger's own interpretation of tool-being, arguing that the opposition between tool and broken tool is not merely a provisional stage in his philosophy, but rather its living core. The extended concept of tool-being developed here leads us not to a theory of human practical activity but to an ontology of objects themselves. Tool-Being urges a fresh and concrete research into the secret contours of objects. Written in a lively and colorful style, it will be of great interest to anyone intrigued by Heidegger and anyone open to new trends in present-day philosophy.

Is it possible to get outside your assumptions and know the world for what it is? As the 20th century came to a close, the verdict seemed to be a resounding "no," but in recent years a renaissance in speculative thought has sparked new lines of inquiry into de-centering the human. Other Grounds enters this conversation with a decidedly lively voice and an ambitious project to match. Not only can we believe in a reality uncolored by our imaginations, says Lindsay, we can also experience it.Closely argued yet expansive in its reach, Other Grounds is built on the premise that we are by our very nature de-centered - that more than one agent is at work in the human body, and that this plurality can serve as a gateway to the experience of otherness in general. Leading the reader with a steady hand through the literature on coincident entities, set theory and the kinesthetic work of F.M. Alexander, Lindsay makes the case for the possibility of objects interceding on us from their own grounds. The result is that rare specimen in the annals of critical thought: a book that is as reasoned as it is readable, as sage as it is sardonic, and unmistakably original throughout.TABLE OF CONTENTS //Introduction: You're on the List (Oh, Wait-) - Chapter One: Here Comes Two of You - Chapter Two: A Real Class Act - Chapter Three: Stalking the Wild Implicit - Chapter Four: Personal Effects - Chapter Five: Public Things - Appendix: Greater Than Zero, Less Than Everything