Daniel Graber was born 13 May 1779 in France. He was a descendant of one Peter Graber who was born 1680 and lived near Fountaine, France. Daniel married Mary (Marie) Frey 20 January 1800 in Couthenans, France. They immigrated to America in 1834, settled near Louisville, Ohio and were the parents of eleven children. Descendants lived in Ohio, Indiana, Michigan and elsewhere.

"This book traces composer Kurt Weill's changing relationship with the idea of "America." Throughout his life, Weill was fascinated by the idea of America. His European works such as The Rise and Fall of the City of Mahagonny (1930), depict America as a capitalist dystopia filled with gangsters and molls. But in 1935, it became clear that Europe was no longer safe for the Jewish Weill, and he set sail for New World. Once he arrived, he found the culture nothing like he imagined, and his engagement with American culture shifted in intriguing ways. From that point forward, most his works concerned the idea of "America," whether celebrating her successes, or critiquing her shortcomings. As an outsider-turned-insider, Weill's insights into American culture are somewhat unique. He was more attuned than native-born citizens to the difficult relationship America had with her immigrants. However, it took him longer to understand the subtleties in other issues, particularly those surrounding race relations. Weill worked within transnational network of musicians, writers, artists, and other stage professionals, all of whom influenced each other's styles. His personal papers reveal his attempts to navigate not only the shifting tides of American culture, but the specific demands of his institutional and individual collaborators"--

This book offers a comprehensive portrait of French and American journalists in action as they grapple with how to report and comment on one of the most important issues of our era. Drawing on interviews with leading journalists and analyses of an extensive sample of newspaper and television coverage since the early 1970s, Rodney Benson shows how the immigration debate has become increasingly focused on the dramatic, emotion-laden frames of humanitarianism and public order. In both countries, less commercialized media tend to offer the most in-depth, multi-perspective and critical news. Benson challenges classic liberalism's assumptions about state intervention's chilling effects on the press, suggests costs as well as benefits to the current vogue in personalized narrative news, and calls attention to journalistic practices that can help empower civil society. This book offers new theories and methods for sociologists and media scholars and fresh insights for journalists, policy makers and concerned citizens.

The story of West Indian immigrants to the United States is generally considered to be a great success. Mary Waters, however, tells a very different story. She finds that the values that gain first-generation immigrants initial success--a willingness to work hard, a lack of attention to racism, a desire for education, an incentive to save--are undermined by the realities of life and race relations in the United States. Contrary to long-held beliefs, Waters finds, those who resist Americanization are most likely to succeed economically, especially in the second generation.

Malcolm, an orphaned field mouse, is considered a nuisance by his house-mouse relatives who live at 65 Rodent Row, Mouse-Town Estates, in the gloomy basement of Balmoral Castle. He is a misfit who does poorly at school and is bullied by his cousins. While house mice serve as collectors within the castle walls, Malcolm yearns to follow in his daddie's paw-steps and become an explorer of the outside world. While collecting in the royal kitchen one afternoon, Malcolm is discovered by Chief Castle Cook. In his mad dash to escape, Malcolm inadvertently exposes the MI Mouse-Way Ramp 3 to human eyes. Disaster strikes! Royal staff board up mouse holes and bait traps with poison. Mouse-Town Estates is threatened with death and starvation. Malcolm seizes the opportunity to try to save the house-mouse community and to explore the outside world at the same time. Will Malcolm survive four fat royal corgis, being trapped in the royal handbag, arrest and imprisonment to save the day? Will Malcolm realize his dream of becoming an explorer field mouse? Or will Her Majesty the Queen succeed in chopping off his head?

During the nineteenth century, white Americans sought the cultural transformation and physical displacement of Native people. Though this process was certainly a clash of rival economic systems and racial ideologies, it was also a profound spiritual struggle. The fight over Indian Country sparked religious crises among both Natives and Americans. In The Gods of Indian Country, Jennifer Graber tells the story of the Kiowa Indians during Anglo-Americans' hundred-year effort to seize their homeland. Like Native people across the American West, Kiowas had known struggle and dislocation before. But the forces bearing down on them-soldiers, missionaries, and government officials-were unrelenting. With pressure mounting, Kiowas adapted their ritual practices in the hope that they could use sacred power to save their lands and community. Against the Kiowas stood Protestant and Catholic leaders, missionaries, and reformers who hoped to remake Indian Country. These activists saw themselves as the Indians' friends, teachers, and protectors. They also asserted the primacy of white Christian civilization and the need to transform the spiritual and material lives of Native people. When Kiowas and other Native people resisted their designs, these Christians supported policies that broke treaties and appropriated Indian lands. They argued that the gifts bestowed by Christianity and civilization outweighed the pains that accompanied the denial of freedoms, the destruction of communities, and the theft of resources. In order to secure Indian Country and control indigenous populations, Christian activists sanctified the economic and racial hierarchies of their day. The Gods of Indian Country tells a complex, fascinating-and ultimately heartbreaking-tale of the struggle for the American West.

Muktar, an eleven-year-old refugee living in a Kenyan orphanage, dreams of tending camels again, as he did with his nomadic family in Somalia, and has a chance to prove himself when a traveling librarian with an injured camel arrives at his school.