Travel through the English countryside in this third delightful historical Regency romance in the Governesses series by award-winning author Julia Kelly! When Lady Margaret Rawson is caught trying to elope with the thoroughly unsuitable James Lawrence, Lord and Lady Rawson decide it's time to send their daughter away from the temptations of London. The job of delivering the headstrong girl to the family’s isolated Yorkshire estate naturally falls to her governess, Jane Ephram. It should be an easy task, but with the wild Lady Margaret, nothing ever goes according to plan. To make matters worse, Lord Rawson has made it clear that if anything happens to his daughter along the way, Jane will be dismissed without a letter of reference. When Jane finds Lady Margaret’s inn room empty and the charming Lord Nicholas Hollings’s horse missing one morning, she must embark on an adventure of her own with the devilishly handsome baron. Will Jane and Nicholas find Lady Margaret, the scheming Mr. Lawrence, and the missing horse, or will they discover something else entirely?

An exciting prequel to THE DUKE HEIST. Meet the Wild Wynchesters: This fun-loving, caper-committing family of tight-knit siblings can’t help but find love and adventure! Years ago, Chloe Wynchester and five other uniquely talented orphans were adopted by a wealthy baron with a secret mission: The motley Wynchester family fights for justice from the margins of high society. And the handsome, clever duke Chloe has long admired proves to be her worst enemy… An unscrupulous boarding school is exploiting orphans in a secret workhouse. Baron Vanderbean plots a daring rescue. When illness befalls him, Chloe must take the reins. But how can a lifelong wallflower lead the charge to save the children? ”I want to be a Wynchester!” — Eloisa James

This delightfully charming and saucy Regency era romance, is first in the Governess series in which three best friends are employed as governesses for different families, and all find themselves wanting something they can’t have. Elizabeth Porter is quite happy with her position as the governess for two sneaky-yet-sweet girls when she notices that they have a penchant for falling ill and needing the doctor. As the visits from the dashing and handsome Doctor Edward Fellows become more frequent, Elizabeth quickly sees through the lovesick girls’ ruse. Yet even Elizabeth can’t help but notice Edward’s bewitching bedside manner even as she tries to convince herself that someone of her station would not make a suitable wife for a doctor. But one little kiss won’t hurt...

New York Times and USA Today Bestseller He’s been a bad, bad rake—and it takes a governess to teach him a lesson The accidental governess After her livelihood slips through her fingers, Alexandra Mountbatten takes on an impossible post: transforming a pair of wild orphans into proper young ladies. However, the girls don’t need discipline. They need a loving home. Try telling that to their guardian, Chase Reynaud: duke’s heir in the streets and devil in the sheets. The ladies of London have tried—and failed—to make him settle down. Somehow, Alexandra must reach his heart . . . without risking her own. The infamous rake Like any self-respecting libertine, Chase lives by one rule: no attachments. When a stubborn little governess tries to reform him, he decides to give her an education—in pleasure. That should prove he can’t be tamed. But Alexandra is more than he bargained for: clever, perceptive, passionate. She refuses to see him as a lost cause. Soon the walls around Chase’s heart are crumbling . . . and he’s in danger of falling, hard.

"Orphaned and destitute, gently born Felicia Scott must find a way to keep a roof over her head. No longer able to enter the marriage mart, but also not of the servant class, the only option is to fing a position as governess. After the spoilt seven year old daughter has sent off three governesses in the 18 months since her mother died, the Earl of Standish doubts the young inexperienced Miss Scott could possible manage the position. Since he's desperate and she comes so highly recommended, the earl agrees to give her a chance. Much to everyone's amazement, the beautiful young governess succeeds where the others had failed. The entire household benefits from the calm, included the jaded earl."--Cover.

One of the primary objectives of comparative literature is the study of the relationship of texts, also known as intertextuality, which is a means of contextualizing and analyzing the way literature grows and flourishes through inspiration and imitation, direct or indirect. When the inspiration and imitation is direct and obvious, the study of this rapport falls into the more restricted category of hypertextuality. What the author has labeled a cryptic subtext, however, is an extreme case of hypertextuality. It involves a series of allusions to another text that have been deliberately inserted by the author into the primary text as potential points of reference. This book takes a deep dive into a broad array of literature and film to explore these allusions and the hidden messages therein.