Excerpt from The Gospel Story in Art For many years before the present volume was actually begun John LaFarge had cherished the wish to write a book on the representation of the Christian story in art, a work for which few men were so well fitted. Born and educated in the older faith of Christendom, he brought to his task not only the reverence of a believer, but also full knowledge of the widely different forms through which the life of Christ has been expressed by artists. He was familiar with the classic writings of the Western and the older Eastern world, and with the legends and traditions told from father to son by the firesides of Europe, or among the islands of the South Sea. Through early study he so trained bis eye and mind that after fifty years he could recall the composition and colouring of a picture. He did not, however, trust to his memory wholly, and in almost every instance the painting or sculpture mentioned in the following pages was described with an engraving or photograph beside him. The originals could not all be reproduced, but those omitted are brought before us by his comprehensive words. Much of this, his last work, was dictated, with frequent intervals due to pain or weariness, and the end came before he could give it the searching and minute revision he would have wished to bestow upon it. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

The Gospel Story in Art is a beautiful collection of images and commentary that explores the various ways in which artists have depicted the life of Jesus Christ. From the early Christian mosaics of Ravenna to the Renaissance masterpieces of Leonardo da Vinci and Michelangelo, La Farge traces the development of this rich visual tradition. Along the way, he offers insightful commentary on the theological and artistic implications of each work, making this book a valuable resource for art historians, theologians, and anyone interested in the history of Christianity. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Is the Trinity biblical? Is it necessary to affirm God as three persons in one being? Despite a renewed interest in the Trinity in recent years, many Christians, including most evangelicals, either relegate the Son of God to creaturely status or repudiate the personhood of the Holy Spirit. In addition, numerous scholars affirm that the doctrine of the Trinity is not clearly revealed in Scripture. Is the Trinity merely a philosophical construction, or is it essential to orthodox Christianity? Drawing on hermeneutics and biblical and historical theology, Malcolm Yarnell crafts a careful and clear response to these issues through exegesis of pivotal texts from both testaments. He meticulously examines the foundational Hebrew confession known as the Shema, Matthew's great commission, the divine relations in the Gospel of John, Paul's Corinthian benediction, the opening hymn of Ephesians, and the throne room vision of the Apocalypse. Also considered are the relationships of language to revelation and history to metaphysics, along with recent appeals to recover patristic exegesis and the Christian imagination. He also challenges the reader to discern the implications of the Trinity for personal salvation as well as corporate worship.

More than 100 fun and expressive art activities for preschoolers, each with a Bible story to read aloud!