The Book of Matiytyahu, written originally in Hebrew, was the only document accepted by the Netzarim as the authentic story of Ribi Eashoa. We are redeeming the Original (1st-century pre-Christian) B'nai Ysrael Ha'Derech of historical Ribi Eashoa before the Roman Hellenist Apostasy of 135CE.

The Nazarene Gospel Restored is Robert Graves's major work on the life of Jesus, written in collaboration with the distinguished Hebrew scholar Joshua Podro. The research and writing occupied them for over ten years, in a working relationship compounded, in John W. Presley's phrase, 'of argument, scholarship and mutual respect', in which the imaginative writer and the Hebraist drew on their vast knowledge of the ancient world to reveal an extraordinary new, 'true' story of Jesus. The result is, as Graves wrote to T.S. Eliot, 'a very long, very readable, very strange book', and one that Presley argues is as central to Graves's thought as The White Goddess. The Nazarene Gospel Restored was controversial when first published: the Church Times refused to advertise it, reviews were hostile, and Graves twice sued for libel. In the twenty-first century it is possible to read it in the context of a continuing engagement with the historical Jesus, both scholarly and popular. In this new edition, John W. Presley gives a detailed account of the composition and reception of the book, setting it in the context of Graves's writing and of biblical scholarship. The inclusion of Graves's Foreword and annotations for a project revised edition make this an indispensable resource.

The publication of the King James version of the Bible, translated between 1603 and 1611, coincided with an extraordinary flowering of English literature and is universally acknowledged as the greatest influence on English-language literature in history. Now, world-class literary writers introduce the book of the King James Bible in a series of beautifully designed, small-format volumes. The introducers' passionate, provocative, and personal engagements with the spirituality and the language of the text make the Bible come alive as a stunning work of literature and remind us of its overwhelming contemporary relevance.

In Critical History of the Text of the New Testament, 17th century Oratorian Richard Simon (1638-1712), ‘father’ of modern biblical criticism, surveys the genuineness, accuracy, authority, and reliability of all then known sources of the New Testament. He makes rigorous, objective, and expert use of a staggering quantity of material relating to the text—Greek and Latin manuscripts, early versions, quotations from the Old Testament in the New, from the Church Fathers and other commentators of all periods. Though in his day Simon was contradicted, opposed, persecuted, and silenced, it is precisely because, three centuries ago, he dared to be different, and because of his knowledge and his scrupulously “scientific” approach, that his work deserves to reach a wider audience.

Over the course of his career, singer-songwriter Michael Card has explored the depths of Scripture by bringing together biblical study and the power of the imagination. Now he sheds light on the life of Jesus through forty lyrical reflections on the four Gospels, leading us to a place where Jesus becomes real and we can hear him with both hearts and minds.