Charlie Howard, gentleman thief and famous crime-writer, has gone straight. But holing himself up in a crumbling palazzo in Venice in an attempt to concentrate on his next novel hasn't got rid of the itch in his fingers. And to make matters worse, a striking Italian beauty has just broken into his apartment and made off with his most prized possession, leaving a puzzling calling card in its place.It looks as though kicking the habit of a lifetime will be much more of a challenge than Charlie thought. Sneaking out into Venice's maze of murky canals, and trying not to relish being back on the job too much, Charlie's efforts to be reunited with his treasured first-edition of The Maltese Falconquickly embroil him in a plot that is far bigger and more explosive than he could ever have imagined. But by the time he finds himself bundling his first ever hostage into a trunk on a speedboat and on the run from the poliziahe has to admit that he is in way too deep.

Charlie Howard travels the globe writing suspense novels for a living, about an intrepid burglar named Faulks. To supplement his income---and to keep his hand in---Charlie also has a small side business: stealing for a very discreet clientele on commission. When a mysterious American offers to pay Charlie 20,000 euros if he steals two small monkey figurines to match the one he already has, Charlie is suspicious; he doesn't know how the American found him, and the job seems too good to be true. And, of course, it is. Although the burglary goes off without a hitch, when he goes to deliver the monkeys he finds that the American has been beaten to near-death, and that the third figurine is missing. Back in London, his long-suffering literary agent, Victoria (who is naive enough to believe he actually looks like his jacket photo), tries to talk him through the plot problems in both his latest manuscript and his real life---but Charlie soon finds himself caught up in a caper reminiscent of a Cary Grant movie, involving safe-deposit boxes, menacing characters, and, of course, a beautiful damsel in distress. Publishers Weekly called Chris Ewan's The Good Thief's Guide to Amsterdam one of the "best books for grownups."

Chris Ewan's The Good Thief's Guide to Vegas is the next caper in a series that's being called "impressive... comic...fresh" (Publishers Weekly--starred review). Charlie Howard isn't only a part-time crime writer and part-time thief; he's also a magician. For his next trick, he'll relieve Josh Masters, the famous illusionist vying for the affections of Charlie's friend Victoria, of $60,000 in casino chips stashed in his hotel safe. Revenge would be sweet—if there weren't a dead redhead floating in Masters' bathtub and if Masters hadn't just disappeared in a puff of smoke after cheating at roulette. Convinced that Charlie was in on the scam, the casino's owners give him an impossible mission: either pull off an elaborate heist to reimburse the house for every dollar his "accomplice" made off with, or enjoy a one-way trip into the desert.

A brilliant thriller from the author of the acclaimed Good Thief's Guide series asks, how can a beautiful woman simply vanish? When Rob Hale wakes up in a hospital after a motorcycle crash, his first thought is for the gorgeous blonde, Lena, who was on the back of his bike. The doctors and police, however, insist that he was alone at the scene. The shock of the accident must have made him imagine Lena, especially since his description of her resembles his late sister, Laura. Convinced that Lena is as real as he is, Rob teams up with Rebecca Lewis, a London-based PI who has a mysterious connection to Laura—and learns that even a close-knit community like the Isle of Man can hide dangerous secrets that will not stay safe forever. Chris Ewan's Safe House "is an exciting, well crafted thriller, with flashes of real humour and insight." (SJ Bolton).

The moment I'd scanned the outside of the building, I turned to Bruno and said, "First impressions, it looks straightforward." Looking back, I can't help but wonder what I was thinking. I mean, put that line at the opening of a crime novel and it's practically a guarantee that everything is about to get complicated. Charlie Howard—globe-trotting mystery writer, professional thief, and poor decision maker—is in Paris. Flush with the success of his latest book reading, not to mention a few too many glasses of wine, Charlie agrees to show a complete novice how to break into an apartment in the Marais. Fast-forward twenty-four hours and Charlie's hired to steal an ordinary-looking oil painting—from the exact same address. Mere coincidence? Charlie figures there's no harm in finding out—until a dead body turns up in his living room and he finds himself evading the law while becoming caught up in a quite outrageous heist. And that's before Charlie's literary agent, Victoria (who's naive enough to assume that he looks like his author photo), finally decides they should meet face-to-face. Nobody ever said a life of suspense was easy, but in Chris Ewan's The Good Thief's Guide to Paris, Charlie, the most disarmingly charming burglar since Cary Grant, soon finds things are getting way out of control.

Richly imagined, gothically spooky, and replete with the ingenious storytelling ability of a born novelist, The Good Thief introduces one of the most appealing young heroes in contemporary fiction and ratifies Hannah Tinti as one of our most exciting new talents. NAMED ONE OF THE BEST BOOKS OF THE YEAR BY The New York Times Book Review • The Washington Post • San Francisco Chronicle • Kirkus Reviews Winner of the Center for Fiction First Novel Prize and an American Library Association Alex Award Twelve year-old Ren is missing his left hand. How it was lost is a mystery that Ren has been trying to solve for his entire life, as well as who his parents are, and why he was abandoned as an infant at Saint Anthony’s Orphanage for boys. He longs for a family to call his own and is terrified of the day he will be sent alone into the world. But then a young man named Benjamin Nab appears, claiming to be Ren’s long-lost brother, and his convincing tale of how Ren lost his hand and his parents persuades the monks at the orphanage to release the boy and to give Ren some hope. But is Benjamin really who he says he is? Journeying through a New England of whaling towns and meadowed farmlands, Ren is introduced to a vibrant world of hardscrabble adventure filled with outrageous scam artists, grave robbers, and petty thieves. If he stays, Ren becomes one of them. If he goes, he’s lost once again. As Ren begins to find clues to his hidden parentage he comes to suspect that Benjamin not only holds the key to his future, but to his past as well. Praise for The Good Thief "Every once in a while—if you are very lucky—you come upon a novel so marvelous and enchanting and rare that you wish everyone in the world would read it, as well. The Good Thief is just such a book—a beautifully composed work of literary magic."—Elizabeth Gilbert, author of Eat, Pray, Love "Darkly transporting . . . [In] The Good Thief, the reader can find plain-spoken fiction full of traditional virtues: strong plotting, pure lucidity, visceral momentum and a total absence of writerly mannerisms. In Ms. Tinti’s case that means an American Dickensian tale with touches of Harry Potterish whimsy, along with a macabre streak of spooky New England history."—New York Times

You can't keep a good thief down . . . Charlie Howard is back and robbing the city of Berlin blind, until he witnesses a murder being committed right before his eyes Charlie Howard, part-time writer, part-time thief, has been engaged in a veritable spree of larceny and misappropriation since moving to Berlin, Germany. He's supposed to be working on his next novel. But high rent and a love for thrill-seeking has been hard on his word count. But Charlie's larcenous binge is interrupted by the call to duty—on behalf of Her Majesty's Government. Four embassy employees are suspected of stealing a sensitive item. Charlie is to break into their homes, find the culprit and recover the stolen property. But there's a catch. The item is so sensitive, Charlie isn't told what he's looking for. Not its size, not its weight, nothing. He's only told that he'll recognize it when he sees it. Charlie has been a successful thief because he follows his own rules, the first being "Don't get caught." Well, after he enters the first suspect's home, he has to add a new rule: "Don't admire the view." As Charlie stares across the street, he sees something he really wishes he hadn't—a woman being murdered. And that's just for starters. What follows is a wild adventure in the former cauldron of spies. With The Good Thief's Guide to Berlin, Chris Ewan shows why he was voted as one of America's favorite British authors by a Huffington Post poll. Clever and wildly entertaining, this is a mystery series that is "big fun" (The Seattle Times).