NOW A MAJOR TV SERIES The electrifying, untold story of the women born into the most deadly and obscenely wealthy of the Italian mafias – and how they risked everything to bring it down. The Calabrian Mafia—known as the ’Ndrangheta—is one of the richest and most ruthless crime syndicates in the world, with branches stretching from America to Australia. It controls seventy percent of the cocaine and heroin supply in Europe, manages billion-dollar extortion rackets, brokers illegal arms deals—supplying weapons to criminals and terrorists—and plunders the treasuries of both Italy and the European Union. The ’Ndrangheta’s power derives from a macho mix of violence and silence—omertà. Yet it endures because of family ties: you are born into the syndicate, or you marry in. Loyalty is absolute. Bloodshed is revered. You go to prison or your grave and kill your own father, brother, sister, or mother in cold blood before you betray The Family. Accompanying the ’Ndrangheta’s reverence for tradition and history is a violent misogyny among its men. Women are viewed as chattel, bargaining chips for building and maintaining clan alliances and beatings—and worse—are routine. In 2009, after one abused ’Ndrangheta wife was murdered for turning state’s evidence, prosecutor Alessandra Cerreti considered a tantalizing possibility: that the ’Ndrangheta’s sexism might be its greatest flaw—and her most effective weapon. Approaching two more mafia wives, Alessandra persuaded them to testify in return for a new future for themselves and their children. A feminist saga of true crime and justice, The Good Mothers is the riveting story of a high-stakes battle pitting a brilliant, driven woman fighting to save a nation against ruthless mafiosi fighting for their existence. Caught in the middle are three women fighting for their children and their lives. Not all will survive.

In this taut and explosive debut novel, one lapse in judgement lands a young mother in a government reform program where custody of her child hangs in the balance.Frida Liu is struggling. She doesn't have a career worthy of her Chinese immigrant parents' sacrifices. She can't persuade her husband, Gust, to give up his wellness-obsessed younger mistress. Only with Harriet, their cherubic daughter, does Frida finally attain the perfection expected of her. Harriet may be all she has, but she is just enough.Until Frida has a very bad day.The state has its eyes on mothers like Frida. The ones who check their phones, letting their children get injured on the playground; who let their children walk home alone. Because of one moment of poor judgment, a host of government officials will now determine if Frida is a candidate for a Big Brother-like institution that measures the success or failure of a mother's devotion.Faced with the possibility of losing Harriet, Frida must prove that a bad mother can be redeemed. That she can learn to be good.A searing page-turner that is also a transgressive novel of ideas about the perils of "perfect" upper-middle-class parenting; the violence enacted upon women by both the state and, at times, one another; the systems that separate families; and the boundlessness of love, The School for Good Mothers introduces, in Frida, an everywoman for the ages. Using dark wit to explore the pains and joys of the deepest ties that bind us, Chan has written a modern literary classic.

In an era of mommy blogs, Pinterest, and Facebook, The Good Mother Myth dismantles the social media–fed notion of what it means to be a “good mother.” This collection of essays takes a realistic look at motherhood and provides a platform for real voices and raw stories, each adding to the narrative of motherhood we don’t tend to see in the headlines or on the news. From tales of mind-bending, panic-inducing overwhelm to a reflection on using weed instead of wine to deal with the terrible twos, the honesty of the essays creates a community of mothers who refuse to feel like they’re in competition with others, or with the notion of the ideal mom—they’re just trying to find a way to make it work. With a foreword by Christy Turlington Burns and a contributor list that includes Jessica Valenti, Sharon Lerner, Soraya Chemaly, Amber Dusick, and many more, this remarkable collection seeks to debunk the myth and offer honest perspectives on what it means to be a mother.

Although the ideals of the 'good mother' change with time, fashion and context, they persist in public policy, the media, popular culture and workplaces; placing pressure on women to conform to particular standards, against which they are judged and judge themselves.The Good Mother demonstrates that prevailing ideas about mothers and motherhood continue to influence the way 'types' of women are represented and the way that all mothers think, act and present themselves.

In this warm and wise book, Alexandra Stoddard not only celebrates what mothers know—and what we would like them to know—she encourages them to attend to their own happiness in the quest to become better mothers. Raising a good child to become a good person begins with a mother's own inner transformation. Don't think if you are a good mother you will automatically be happy, she cautions. Be happy and you will be good at everything that is meaningful and valuable in your life! From giving practical advice, to taking a more philosophical approach, to offering a comforting pat on the back, Stoddard reaches out to mothers with words that will encourage, support, and cheer them on.

Recently divorced, Anna Dunlap has two passionate attachments: her daughter, four-year-old Molly, and her lover, Leo, the man who makes her feel beautiful -- and sexual -- for the first time. Swept away by happiness and passion, Anna feels she has everything she's ever wanted. Then come the shocking charges that would threaten her new love, her new "family" ... that force her to prove she is a good mother.

The Good Mother brings together essays on the contemporary relevance of the 'good mother' in Australia. Although the ideals of the 'good mother' change with time, fashion and context, they persist in public policy, the media, popular culture and workplaces. They place pressure on women to conform to particular standards, against which they are judged and judge themselves. This book captures the diversity of contemporary women's experiences. Chapters address the experiences of executive mothers, mothers working in manual trades, 'yummy mummies' and 'slummy mummies', low income mothers, single mothers, Indigenous mothers, lesbian parents, adoptive mothers and mothers negotiating schools and school choice. The essays demonstrate that while the 'good mother' is no longer exclusively white, heterosexual, economically dependent and child focused, prevailing ideas about mothers and motherhood continue to influence the way 'types' of women are represented and the way that all mothers think, act and present themselves.