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John Milton is, next to William Shakespeare, the most influential English poet, a writer whose work spans an incredible breadth of forms and subject matter. The Complete Poetry and Essential Prose of John Milton celebrates this author’s genius in a thoughtfully assembled book that provides new modern-spelling versions of Milton’s texts, expert commentary, and a wealth of other features that will please even the most dedicated students of Milton’s canon. Edited by a trio of esteemed scholars, this volume is the definitive Milton for our time. In these pages you will find all of Milton’s verse, from masterpieces such as Paradise Lost–widely viewed as the finest epic poem in the English language–to shorter works such as the Nativity Ode, Lycidas,, A Masque and Samson Agonistes. Milton’s non-English language sonnets, verses, and elegies are accompanied by fresh translations by Gordon Braden. Among the newly edited and authoritatively annotated prose selections are letters, pamphlets, political tracts, essays such as Of Education and Areopagitica, and a generous portion of his heretical Christian Doctrine. These works reveal Milton’s passionate advocacy of controversial positions during the English Civil War and the Commonwealth and Restoration periods. With his deep learning and the sensual immediacy of his language, Milton creates for us a unique bridge to the cultures of classical antiquity and medieval and Renaissance Christianity. With this in mind, the editors give careful attention to preserving the vibrant energy of Milton’s verse and prose, while making the relatively unfamiliar aspects of his writing accessible to modern readers. Notes identify the old meanings and roots of English words, illuminate historical contexts–including classical and biblical allusions–and offer concise accounts of the author’s philosophical and political assumptions. This edition is a consummate work of modern literary scholarship.

An unprecedented gathering of more than 300 Native writers was held in Norman, Oklahoma, in 1992. The Returning the Gift Festival brought more Native writers together in one place than at any other time in history. "Returning the Gift," observes co-organizer Joseph Bruchac, "both demonstrated and validated our literature and our devotion to it, not just to the public, but to ourselves." In compiling this volume, Bruchac invited every writer who attended the festival to submit new, unpublished work; he then selected the best of the more than 200 submissions to create a collection that includes established writers like Duane Niatum, Simon Ortiz, Lance Henson, Elizabeth Woody, Linda Hogan, and Jeanette Armstrong, and also introduces such lesser-known or new voices as Tracy Bonneau, Jeanetta Calhoun, Kim Blaeser, and Chris Fleet. The anthology includes works from every corner of the continent, representing a wide range of tribal affiliations, languages, and cultures. By taking their peoples' literature back to them in the form of stories and songs, these writers see themselves as returning the gift of storytelling, culture, and continuance to the source from which it came. In addition to contributions by 92 writers are two introductory chapters: Joseph Bruchac comments on the current state of Native literature and the significance of the festival, and Geary Hobson traces the evolution of the event itself.

This Is The First Comprehensive Anthology Of English Verse Written By Indians, Compiled And Edited By One Who Himself Was A Poet And A Critic Of Distinction. Such A Volume Is Of Considerable Historical Value And Contemporary Interest, For English Has Been For More Than 150 Years, And Continues To Be, A Vehicle Of Creative Expression For Many Of Our Poets And Writers. The Anthology Includes Selections From 108 Poets From Derozio And Toru Dutt Of The Last Century To A.K. Ramanujan And Kamala Das Of The Recent Times.

A collection of poems evoking the world and feelings of childhood.

This anthology is intended, in general, for anyone who wishes to acquaint himself with English poetry and, in particular, for the student-reader in undergraduate courses who may wish to have some of the best poems in the English language in one handy selection. In selecting for this book from the great bulk of English poetry, the editors have been guided by the notion that space should be given only to those poets who are acknowledge masters of imaginative writing, whatever their subject matter might be. From the poets so chosen, particular poems were selected for their characteristic excellence of substance and form. Wherever possible the pieces are complete; where space would not allow completeness, as in the case of dramatic pieces, enough has been given to suggest the nature of the total poem. In the course of their work the editors have been struck by the incisive implication Matthew Arnold's belief in the 'best that has been thought and said' that the best said is commonly the best thought. They have, however, kept their eyes steadily on both the abilities and the limitations of students when they are faced with a piece of creative writing and that, too, in a language which is not their own. Their minds are accustomed, accustomed, perhaps, to work best at a literal-that is an unimaginative-level. The editors have, therefore, offered the sort of material which may be readily understood and immediately enjoyed. They have also tried to show the student-reader the characteristic types of poetry which have been written in the English language. The poets are arranged almost chronologically so that he can see how tastes and forms have changed even though the basic characteristics have remained constant. If he has to read poetry well, he must know what its characteristics are and what the poet is attempting to do. He must not expect the fully developed situations of the novel, the play, or even the short story. Rather, he should look for sudden bursts of insight into some corner of human experience, More important, possibly, he should look forward to sharing briefly in the experience itself. For it is part of the magic of poetry that at one and the same time it can tell you about experience and make you feel its peculiar significance. The Poems and poetic extracts have been taken from a wide variety of sources, and no attempt has been made to establish definitive texts. Where possible, however, they have been checked for accuracy with texts in Oxford or other authorized editions. Spelling and capitalization, with few exceptions, have been modernized. The Metaphysicals of the seventeenth century and the neo-classical satirists of the Augustan Age have been adequately represented. To our many colleagues whose suggestions and interpretations we have requisitioned, we most gratefully acknowledge our indebtedness, wishing that space allowed us to name each one. More particularly we thank, forunflagging help and encouragement, Professor George Shepperson of Edinburgh University; Dr. D.E. Rhodes of the British Museum Library, London; Dr. T.P. Chitanand of Bombay University; Dr. Tulsi Ram of M.D. University; Rohtak; Dr. Awadhesh Sharma of Bhagalpur University; Rosewita Prasad and Pratima, both students in the Post-Graduate Dept. of English, Patna University.