Traces the history of the guitar pick, shows custom designs by a variety of manufacturers, and offers advice on collecting guitar picks

The role of poetic allusion in classical Greek poetry, to Homer especially, has often largely been neglected or even almost totally ignored. This book, first published in 1990, clarifies the place of Homer in Greek education, as well as adding to the interpretation of many important tragedies. Focussing on the dramatic masterpieces of Aeschylus, Sophocles, and Euripides, and how these writers imitated and alluded to other poetry, the author reveals the immense dependence on Homer which can be seen throughout the corpus of Attic tragedy. It is argued that the practice of the art of allusion indicates certain conventions in fifth-century Athenian education, and perhaps also suggests something in the way of public, political, and historical self-awareness. Invaluable to anyone interested in the reception of Homer in the classical age, and to students of comparative literature and linguistic theory.

Should the dissimilarity between Jesus and early Christianity or between Jesus and Judaism be the central criteria for the historical Jesus? Gerd Theissen and Dagmar Winter argue that the criterion of dissimilarity does not do justice to the single most important result of more than two-hundred years of Jesus research: that the historical Jesus belongs to both Judaism and Christianity. The two authors propose a criterion of historical plausibility so that historical phenomenon under question can be considered authentic so long as it can be plausibly understood in its Jewish context and also facilitates a plausible explanation for its later effects in Christian history. This book is a cooperative project between Dagmar Winter and Gerd Theissen and represents the fruit of many years of their research on the historical Jesus.