As an introduction to modern myth, The Golden Horns masterfully encompasses a wide circle of historical and literary materials. John Greenway first establishes the theoretical base of his discussion by examining the nature of time in Norse mythic consciousness. After suggesting several ways in which the mythic apprehension of reality conditioned medieval Icelandic narrative, he then elaborates on the dialectical relationship between myth and reason. Maintaining that myth is neither true nor false but always either expressive or not, the author then traces the origin, rise, and fall of two great modern myths of northern birth: seventeenth century Swedish Gothicism and the Ossianic craze of the eighteenth century--both of which illustrate the singular tension in the modern mind between mythic imperatives and the impulse to de-mythologize. Finally, The Golden Horns traces the romantic belief in a "new mythology" which synthesizes myth and reason from its early acceptance through its eventual repudiation. In his conclusions about the state of myth in the modern world, Greenway postulates that we have inherited the romantic respect for myth as truth but lack the romantic faith in transcendence necessary to establish myth's reality. Consequently, we express our mythic consciousness of who we are in quasi-scientific language, consciously manipulating mythic symbols for social control.

Travelling through the wartorn Balkans with her husband on what proved to be a wholly useless diplomatic mission to Constantinople, Mary Wortley Montagu (1689-1762) left a vivid, informative, clever account of her adventures in the mysterious, sophisticated culture of Ottoman palaces, bathing places and courts which - even as her husband's career was falling apart - she could not have enjoyed more. Great Journeys allows readers to travel both around the planet and back through the centuries – but also back into ideas and worlds frightening, ruthless and cruel in different ways from our own. Few reading experiences can begin to match that of engaging with writers who saw astounding things: Great civilisations, walls of ice, violent and implacable jungles, deserts and mountains, multitudes of birds and flowers new to science. Reading these books is to see the world afresh, to rediscover a time when many cultures were quite strange to each other, where legends and stories were treated as facts and in which so much was still to be discovered.

"Published to coincide with the exhibition 'Other soundings: selected works by John Hejduk, 1954-1997' at the Canadian Centre for Architecture"--Front flap.

Learn some amazing facts relating to over 300 animals.

The former FDIC Chairwoman, and one of the first people to acknowledge the full risk of subprime loans, offers a unique perspective on the greatest crisis the U.S. has faced since the Great Depression.

In this sequel to A River of Royal Blood, Eva and Isa must find a way to work together if they want to save their queendom in the thrilling conclusion to this royal fantasy duology. Now on the run, Eva is desperate for answers about her transformation and her true heritage. Along with Aketo, a small contingent of guards, and the sister she could not kill, Eva flees Ternain in hopes of finding friends and allies to the north--not to mention Baccha--to help her decide what to do next. Princess Isa is a difficult, unremorseful captive, and Eva knows better than to trust her sister, but she wants to. Despite their history, Eva is convinced that to survive the growing unrest in the queendom, she and her sister must make peace. Since the Entwining ceremony, Eva's and Isa's lives have been bonded, and each can only die by the other's hand. This perhaps provides an opening for a truce and a more hopeful future for both the sisters and the queendom, if only Isa would see reason and give up the battle for the throne. With the two princesses on the run, the Queendom of Myre is on the brink of a revolution. And without Baccha to guide and train her magick, Eva must find a way not only to survive her own metamorphosis, but to unite all the people of Myre, including her sister, by finally taking the Ivory Throne.

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