The first great modern migration of the Jewish people, from the Old World to America, has been often and expertly chronicled, but until now the second great wave of Jewish migration has been overlooked. After World War II, spurred by a postwar economic boom, American Jews sought new beginnings in the nation's South and West. There, they shaped a new, postwar style of American Judaism for the second half of the twentieth century. Today these sun-soaked, entrepreneurial communities contribute greatly to the American Jewish landscape. In this book, the vibrant Jewish culture of Los Angeles and Miami comes to life through Moore's skillful weaving of individual voices, dreams, and accomplishments.

For two years, Oriana Paredes has been a spy among the social elite of the Golden City, reporting back to her people, the sereia, sea folk banned from the city's shores. When her only confidante is murdered, Oriana's quest for vengeance finds her crossing paths with Duilio Ferreira, a police consultant who has been investigating the disappearance of a string of servants from the city's wealthiest homes. Duilio also has a secret: He is a seer and his gifts have led him to Oriana. Together they must expose a twisted plot of dark magic at the heart of the Golden City.

Will and his friends return to the City of the Tripods—and risk their lives—in this second book of a classic alien trilogy ideal for fans of Rick Yancey’s The 5th Wave and Margaret Peterson Haddix’s Shadow Children series. When Will and his friends arrived at the White Mountains, they thought everything would be okay. They’d found a safe haven where the mechanical monsters called Tripods could not find them. But once there, they wonder about the world around them and how they are faring against the machines. In order to save everyone else, Will and his friends want to take down the Tripods once and for all. That means journeying to the Tripod capital: the City of Gold and Lead. Although the journey will be difficult, the real danger comes once Will is inside the city, where Tripods roam freely and humans are even more enslaved than they are on the outside. Without anyone to help him, Will must learn the secrets of the Tripods—and how to take them down—before they figure out that he’s a spy…and he can only pretend to be brainwashed for so long.

Fleeing her mother’s murderers, a London teenager discovers an underground world of thieves and ghosts in this dark urban fantasy series debut. Jasmine Towne and her mother have always been taken care of by men known only as the Uncles. But Jazz was raised to always beware. And she discovers why on the day she finds her paranoid mother murdered. Her mother’s last words, scrawled in her own blood, demand action: JAZZ HIDE FOREVER. Seeking cover in the London Underground, Jazz slips through a mysterious gate—and seemingly through time. Inside an abandoned city of bomb shelters and forgotten Tube stations, she finds temporary refuge with a gang of petty thieves. But flashes of the past, spectral and haunting, share the tunnels with no regard for the living. Now Jazz must ask herself a difficult question: how long can she hide from the terrors of both her worlds? "Magical realism at its finest…with mystery, magic, ghosts and a fascinating subterranean world.”—Sfrevu.com

Carl Barks's greatest creation: The miserly, excessively wealthy Scrooge McDuck, whose giant money bin, lucky dime, and constant wrangles with his nemeses the Beagle Boys are well-known to and beloved by young and old. This volume starts off with "Only a Poor Old Man," the defining Scrooge yarn (in fact his first big starring story) in which Scrooge's plan to hide his money in a lake goes terribly wrong. Two other long-form classics in this volume include "Tralla La La" (also known as "The Bottlecap Story," in which Scrooge's intrusion has terrible consequences for a money-less Eden) and "Back to the Klondike" (Barks disciple Don Rosa's favorite story, a crucial addition to Scrooge's early history, and famous for a censored bar brawl that was restored in later editions). Also in this volume are the full-length "The Secret of Atlantis," and over two dozen more shorter stories and one-page gags.

Tarzan rescues the stranger Valthor from the murderous "shiftas". On his way home he is seized by Nemone's warriors and is taken prisoner to the amazing City of Gold

This fascinating book examines the particular importance of cities in Spanish and Hispanic-American culture as well as the different meanings that artists and cartographers invested in their depiction of New and Old Wold cities and towns. Kagan maintains that cities are both built human structures and human communities, and that representations of the urban form reflect both points of view. He discusses the peculiar character of Spain's empire of towns; the history and development of the cityscape as an independent artistic genre, both in Europe and the Americas; the interaction between European and native mapping traditions; differences between European maps of urban America and those produced by local residents, whether native or creole; and the urban iconography of four different New World towns. Lavishly illustrated with a variety of maps, pictures, and plans, many reproduced here for the first time, this interdisciplinary study will be of interest to general readers and to specialists in art history, cartography, history, urbanism, and related fields.