The Goetia is the most famous grimoire after the Key of Solomon. The owner of this handbook of sorcery was Dr. Thomas Rudd, the most important scholar-magician of the early seventeenth century, and a magical successor to Dr. John Dee. The Goetia of Dr. Rudd explains how the 72 angels of the Shemhamphorash are used to evoke and safely bind demons--material that has not been made available in any previous edition. This rare volume contains a transcription of a hitherto unpublished manuscript of the Lemegeton and includes illustrations drawn from rare manuscripts held in the British Library.

Compiled from original manuscripts and fragments in the British Museum Library, Joseph Peterson's new presentation is the most complete and accurate edition of this famous magical grimoire, "The Lesser Key of Solomon the King." He goes to great length to establish the provenance of each part, and possible derivative works, including critical analyses of all major variations, utilizing fresh translations of earlier magical texts such as Johann Trithemius's Steganographia, The Archidoxes of Magic by Paracelsus, and newly discovered Hebrew manuscripts of the original Key of Solomon. Abundantly illustrated, Peterson includes reproductions of the original magical circles, tools, and seals of the spirits with variations of certain drawings from various sources and notae missing from earlier editions. Source list. Appendicies. Index.

Limited leather quarter bound collector's edition. Solomonic magic is a major part of the grimoire tradition. This volume is about the methods of Solomonic magic used in Alexandria and how they have been passed via Byzantium (the Hygromanteia), to the manuscripts of the Latin Clavicula Salomonis and its English incarnation as the Key of Solomon. Jewish techniques like the use of pentacles, oil and water skrying were added along the way, but Solomonic magic (despite its name) remained basically a classical Greek form of magic. Amazingly, this transmission has involved very few changes and the technology of magic has remained firmly intact. The emphasis in this book is upon specific magical techniques such as the invocation of the gods, the binding of demons, the use of the four demon Kings, and the construction of the circle and lamen. The requirements of purity, sexual abstinence, and fasting have changed little in the last 2000 years, and the real reasons for that are explained. The use of amulets, talismans and phylacteries or lamens is outlined along with their methods of construction. The structure of a Solomonic evocation puts into perspective the reasons for each step, the use of thwarting angels, achieving invisibility, sacrifice, love magic, treasure finding, and the binding, imprisoning and licensing of spirits. The facing directions and timing of evocations have always been crucial, and these too have remained consistent. Practical considerations such as choice of incense, the timing of the cutting of the wand, utilisation of rings and statues, use of the Table of Evocation, or the acquisition of a familiar spirit are also explained. Techniques of Solomonic Magic is thus a follow on book from Techniques of Graeco-Egyptian Magic. This volume is based on the magicians own handbooks rather than the opinions of theologians, historians, anthropologists, sociologists or legislators. The emphasis is on what magicians actually did and why. Tools used by magicians in 7th century Alexandria, 15th century Constantinople and 19th century London are very much the same. More than 70 illustrations (many in colour) of magical equipment like the wand, the sword, wax images and magical gems, drawn from a wide range of manuscripts are reproduced and examined. This is the most detailed analysis of Solomonic magic, from the inside, ever penned.

An original, beautifully produced work (see specifications, photos, and video below) that explores the “star demons” and their correspondences in magic and astrology as revealed in the medieval grimoires and classical esoteric texts. Includes: A translucent, velum dustjacket Three-piece genuine cloth case cover, with ¼ black cloth on the binding edge and red cloth material over heavy-weight binders board Three different hits of stamping, including gold and black designs on the boards with blind stamp frames and gold stamping on the spine A black endsheet is used to bind the text block to the case, with rounded back, headbands, and a ribbon marker Smythe-sewn binding Printed on quality, archival (acid-free), 55# natural colored paper, in soy ink Stellas Daemonum offers an in-depth analysis of the spirits that appear in several late medieval and early modern grimoires. The book unravels these texts’ mythical, etymological, magical, and religious dimensions and, most importantly, draws out their astrological correspondences. The author shows how the spirit entities featured in these goetic grimoires can be best understood by studying the celestial nature apparent in the ancient concept of the daimon and through an extensive study of ninety-three of the spirits featured in the medieval and Renaissance texts. The book also explores how Judeo-Christian traditions ultimately “demonized” such expressions due to their polytheistic roots and made punishable by death any attempts to reconnect with them.

Group ritual has been a cornerstone of spiritual practice since time immemorial, yet its history and importance have often been overlooked by occultists of the modern age. This book is the first comprehensive presentation of group-oriented rites for modern magicians inspired by the works of Aleister Crowley. It contains rituals written by Crowley for his own magic circles, many of them unpublished during his lifetime, plus rare ancient texts that were Crowley's own inspiration. The rituals are newly edited and explained by Rodney Orpheus, who brings to this volume decades of experience in performing and teaching Aleister Crowley's rituals within Crowley's magical order Ordo Templi Orientis. He introduces each ritual with a clear overview, setting each in its historical context and explaining its function and mode of operation, and includes detailed notes on the setting and performance of each one. Whether absolute beginner or seasoned expert, magicians of all paths will find this volume to be an eminently workable and extremely powerful grimoire spanning centuries from ancient Mithraic and Bacchanalian rites, Goetia, and Gnosticism, right up to present day Crowleyan invocations and sexual magick.

Quite simply the most popular of all Medieval grimoires devoted to the evocation and control of spirits. This edition is claimed to be compiled from manuscript copies in the British Museum and contains a great many spirit sigils.

Touch Me Not is an Austrian manuscript compendium of the black magical arts, completed c. 1795. Unique and otherworldly, it evokes a realm of visceral dark magic. As the co-editor of this volume Hereward Tilton notes, the manuscript "appears at first sight to be a 'grimoire' or magician's manual intended for noviciates of black magic. Psychedelic drug use, animal sacrifice, sigillary body art, masturbation fantasy and the necromantic manipulation of gallows-corpses count among the transgressive procedures it depicts. With their aid hidden treasures are wrested from guardian spirits, and the black magician's highest ambition--an infernal transfiguration and union with the Devil--can be fulfilled." Hidden for decades within the Wellcome Library collection, Touch Me Not is published here as a full-color facsimile. The German and Latin texts have been translated by Hereward Tilton and Merlin Cox, scholars who have explored the sources for the various elements and provided copious references. Tilton provides an introduction that lays out the context for the survival of this extraordinary manuscript.