As a ghostwriter, biographer, and lyricist, David Ritz has worked with some of the biggest names in music, such as Aretha Franklin, Ray Charles, and Marvin Gaye. Now, in his inspiring memoir, he shares how writing for these legendary artists led him to faith. Over the last forty-five years, David Ritz has collaborated with some of the biggest stars in music. Working to give a voice to these iconic musicians, he found his own, and following the sacred pulse he calls “The God Groove,” he also found belief in Christ. In his moving memoir, he recalls growing up as a secular Jew in New York and Dallas, and finding himself drawn to the smoky jazz clubs and Pentecostal churches where the music touched something deep in his soul, unlike anything he’d ever felt before. It was this love of music, coupled with an equal passion for words—both language that flowed across the page and language sung out loud—that led him, against all odds, to convince Ray Charles to hire him as a ghostwriter. Through this first project, David learned the art of capturing another’s voice. As Marvin Gaye’s biographer and cowriter of “Sexual Healing,” David learned about Marvin’s father, a charismatic storefront preacher in an ultra-strict Christian sect, but he also saw the visceral love Marvin had for Jesus. David’s conversations with Aretha Franklin, conducted during the two-year process of writing her memoir, yielded further insights into Christianity. Threaded throughout David’s story are in-depth conversations with Willie Nelson, BB King, Janet Jackson, Smokey Robinson, Etta James, Buddy Guy, and Jessi Colter, all of whom shaped his thinking about faith. The God Groove is a moving, deeply personal, and inspiring memoir about the unlikely ways God works—if we listen to Him.

As a ghostwriter, biographer, and lyricist, David Ritz has worked with some of the biggest names in music, such as Aretha Franklin, Ray Charles, and Marvin Gaye. Now, in his inspiring memoir, he shares how writing for these legendary artists led him to faith. Over the last forty-five years, David Ritz has collaborated with some of the biggest stars in music. Working to give a voice to these iconic musicians, he found his own, and following the sacred pulse he calls “The God Groove,” he also found belief in Christ. In his moving memoir, he recalls growing up as a secular Jew in New York and Dallas, and finding himself drawn to the smoky jazz clubs and Pentecostal churches where the music touched something deep in his soul, unlike anything he’d ever felt before. It was this love of music, coupled with an equal passion for words—both language that flowed across the page and language sung out loud—that led him, against all odds, to convince Ray Charles to hire him as a ghostwriter. Through this first project, David learned the art of capturing another’s voice. As Marvin Gaye’s biographer and cowriter of “Sexual Healing,” David learned about Marvin’s father, a charismatic storefront preacher in an ultra-strict Christian sect, but he also saw the visceral love Marvin had for Jesus. David’s conversations with Aretha Franklin, conducted during the two-year process of writing her memoir, yielded further insights into Christianity. Threaded throughout David’s story are in-depth conversations with Willie Nelson, BB King, Janet Jackson, Smokey Robinson, Etta James, Buddy Guy, and Jessi Colter, all of whom shaped his thinking about faith. The God Groove is a moving, deeply personal, and inspiring memoir about the unlikely ways God works—if we listen to Him.

'A jazz-shaped faith ... balances freedom with boundaries, the individual with the group, and traditions with the pursuit of what might be. I have discovered in jazz a way of thinking, living, communicating---a way of being ... a groove.' You don't have to be a jazz musician, or even a jazz connoisseur, for this book to speak to you. If you love God and his Word, and if you've longed to follow Jesus Christ outside the slick corporate structures that some American churches erect, this book is for you. If you want to discover a freer, more genuine expression of Christianity, Finding the Groove will be music to your ears, your heart, and your mind. Using brilliant metaphors from the world of jazz, Robert Gelinas reveals breathtaking possibilities for the body of Christ. What might a 'jazz-shaped faith' look like---and how could it help us fulfill the message of the gospel in a way no method, movement, or structured program ever could? How can understanding the beauty of jazz help you better understand Jesus, his vision for those who follow him, and his heartbeat for a world that is badly out of sync? But this book isn't about music. It is about a passionate, biblical, fully integrated way of looking at life and salvation that will free you to find your own unique groove in the kingdom of God.

A photographic look into the world of vinyl record collectors—including Questlove—in the most intimate of environments—their record rooms. Compelling photographic essays from photographer Eilon Paz are paired with in-depth and insightful interviews to illustrate what motivates these collectors to keep digging for more records. The reader gets an up close and personal look at a variety of well-known vinyl champions, including Gilles Peterson and King Britt, as well as a glimpse into the collections of known and unknown DJs, producers, record dealers, and everyday enthusiasts. Driven by his love for vinyl records, Paz takes us on a five-year journey unearthing the very soul of the vinyl community.

Haraldur the northman once joined Jason on his fabled quest for the Golden Fleece, but now he wants nothing more to do with gods and adventure. Returning to his homeland for the first time in many years, he hopes only to settle down on a farm of his own—until he comes across an impenetrable wall of eldritch fire and a lovesick youth determined to breach the wall at any cost. Behind the towering flames, he is told, lies a beautiful Valkyrie trapped in an enchanted sleep, as well as, perhaps, a golden treasure beyond mortal reckoning. It is the gold that tempts Hal to agree, against his better judgment, to assist the youth in his quest. But to find a way past the fiery wall, they must first brave gnomes, ghosts, and the wrath of the gods themselves. For a mighty battle is brewing, and Hal soon finds himself caught up in a celestial conflict between Thor the Thunderer, Loki the Trickster, and most powerful of all, Wodan, the merciless Lord of Battles!

With a new introduction by Nick Rhodes The talent. The charisma. The videos. From their 1981 hit "Planet Earth" to their latest number-one album, All You Need Is Now, John Taylor and Duran Duran have enchanted audiences around the world. It's been a wild ride, and—for John in particular—dangerous. John recounts the story of the band's formation, their massive success, and his journey to the brink of self-destruction. Told with humor, honesty—and packed with exclusive pictures—In the Pleasure Groove is an irresistible rock-and-roll portrait of a band whose popularity has never been stronger.

Tony Bolden presents an innovative history of funk music focused on the performers, regarding them as intellectuals who fashioned a new aesthetic. Utilizing musicology, literary studies, performance studies, and African American intellectual history, Bolden explores what it means for music, or any cultural artifact, to be funky. Multitudes of African American musicians and dancers created aesthetic frameworks with artistic principles and cultural politics that proved transformative. Bolden approaches the study of funk and black musicians by examining aesthetics, poetics, cultural history, and intellectual history. The study traces the concept of funk from early blues culture to a metamorphosis into a full-fledged artistic framework and a named musical genre in the 1970s, and thereby Bolden presents an alternative reading of the blues tradition. In part one of this two-part book, Bolden undertakes a theoretical examination of the development of funk and the historical conditions in which black artists reimagined their music. In part two, he provides historical and biographical studies of key funk artists, all of whom transfigured elements of blues tradition into new styles and visions. Funk artists, like their blues relatives, tended to contest and contextualize racialized notions of blackness, sexualized notions of gender, and bourgeois notions of artistic value. Funk artists displayed contempt for the status quo and conveyed alternative stylistic concepts and social perspectives through multimedia expression. Bolden argues that on this road to cultural recognition, funk accentuated many of the qualities of black expression that had been stigmatized throughout much of American history.