Rhyming text tells of a sea serpent that played off the coast of Massachusetts the summer of 1817, but when adventure seekers came from miles around to study the serpent and aggressively hunt it down, the creature eluded capture and remains a mystery even today.

Looking to buy some medieval armour? In the mood for an orchestra of typewriters? Perhaps you’d like to sift through handcrafted cashmere scarves while chatting up Indiana Jones’ lovely co-star? Know where to find America’s oldest baseball diamond, New England’s smallest town, or Grover Cleveland’s impossibly-young (and spitting-image) grandson (think about it)? New England Notebook offers the answers to these questions and more in a blend of the region’s most singular and noteworthy nuggets of history, people, and culture. This is a collection of colorful facts, stories and anecdotes, plus a savvy selection of unusual eats, goods, services and events. Whether it’s finding a little-known museum of Titanic memorabilia, an underwater escape artist, or the smallest bar, both casual readers and dedicated lovers of all things New England will share a hearty—and humorous—sense of, “Who knew?” Written by a native New Englander and WCVB on-air reporter, New England Notebook goes beyond the merely curious, though it offers plenty of intriguing tidbits, unusual museums, fascinating characters, and many pieces of trivia and little-known facts.

In the eight regular journals and three miscellaneous notebooks of this volume is the record of fusions. This period of his life closes, as it opened, with 'acquiescence and optimism.'

François Truffaut (1932-1984) ranks among the greatest film directors and has had a worldwide impact on filmmaking as a screenwriter, producer, film critic, and founding member of the French New Wave. His most celebrated films include The 400 Blows, Shoot the Piano Player, Jules and Jim, Day for Night, and The Last Metro. A Truffaut Notebook is a lively and eclectic introduction to the life and work of this major cinematic figure. In entries as brief as a page, as well as in full-length essays, it examines topics such as Truffaut's mentors, the autobiographical nature of his films, his place in the film tradition, his film criticism, his reputation, his relationships with other directors, and the formal and thematic coherence of his body of work. Sam Solecki also argues for Truffaut's continuing appeal and relevance by examining his influence on filmmakers like Woody Allen, Noah Baumbach, Alexander Payne, Patrice Leconte, and Jean-Pierre Jeunet, and on writers such as Julian Barnes, Ann Beattie, and Salman Rushdie. Because the book returns regularly to the author's shifting responses to Truffaut's work over the last fifty years, it also offers an autobiographical meditation on his own lifelong fascination with film. Consisting of over eighty short entries and essays, as well as provocative lists, dreams, and quizzes, A Truffaut Notebook is an original and exciting text and a model of passionate engagement with cinema.

In 1817, as Gloucester, Massachusetts, was recovering from the War of 1812, something beneath the water was about to cause a stir in this New England coastal community. It was a misty August day when two women first sighted Gloucester's sea serpent, touching off a riptide of excitement among residents that reached a climax when Matt Gaffney fired a direct shot at the creature. Local historian Wayne Soini explores the depths of Gloucester harbor to reveal a treasure-trove of details behind this legendary mystery. Follow as he tracks Justice of the Peace Lonson Nash's careful investigation, the world's first scientific study of this marine animal, and judges the credibility of numerous reported sightings.

Meticulously edited and annotated, Tennessee Williams's notebooks follow his growth as a writer from his undergraduate days to the publication and production of his most famous plays, from his drug addiction and drunkenness to the heights of his literary accomplishments.