In this fourth volume of his magnnum opus, von Balthasar considers the metaphysical tradition of the contemplation of Being. He provides major studies of Homer, the Greek Tragedians, Plato and Plotinus and the development of this tradition in the Middle Ages. He then explores the analogy between the metaphysical vision of the Being and the Christian vision of the divine glory of the Trinity. The book is a remarkable attempt to rediscover the ancient vision of Being in all its awesomeness as the context within which the specifically Christian vision, rooted in God's gracious self-revelation, took form and was expressed.

This volume initiates von Balthasar's study of the biblical vision and understanding of God's glory. Starting with the theophanies of the Patriarchal period, it shows how such glory is most fully expressed in the graciousness of the Covenant relationship between and Israel. But the breaking of that relationship by Israel means that in the later books of the Old Testament, the divine glory is seen in God's willingness to bear with his people in the dark side of their history.There is no final version of God's glory in the Old Testament. In the 500 years before Christ the Covenant relation is mofe idea than reality. The vision of the transcendent glory of God which is developed in the later writings, is only fragmentary. It will find its strange and unexpected fulfillment in the new Covenant.

initiates von Balthasar's study of the biblical vision and understanding of God's glory. Starting with the theopanies of the Patriarchal period, it shows how such glory is most fully expressed in the graciousness of the Covenant relationship between God and Israel.

In volumes II and III von Balthasar shows the extraordinary range of his knowledge and expertise in a series of essays designed to illustrate different ways in which theologians have shared their work. What he offers is "a typology of the relationship between beauty and revelation" which shows "that there neither has been nor could be any true great and historically fruitful theology which was not expressly conceived and born under the constellation of beauty and grace." Volume II offers a series of studies of representative figures from the earlier period of Christian theology - Irenaeus, Augustine, Denys, Anselm and Bonventura.

In this volume von Balthasar turns to the works of the lay theologians, the poets and the philosopher theologians who have kept alive the Grand Tradition of Christian theology in writings formally very different from the works of the Fathers and the great Scholastics. This volume contains studies of Dante, John of the Cross, Pascal, Hamann, Soloviev, Hopkins and Peguy.

This is the final volume of this series on "theological dramatic theory" by the great 20th century theologian Balthasar. This series is the second part of Balthasar's trilogy on the good, the beautiful and the true which is his major work. The first series in the trilogy is The Glory of the Lord, and following this Theo-Drama series will be Theo-Logic. In this series "the good" has been the focus. Balthasar maintains that it is in the theater that man attempts a kind of transcendence to observe and to judge his own truth about himself. He sees the phenomenon of theater as a source of fruitfulness for theological reflection on the cosmic drama that involves earth and heaven. This fifth volume is trinitarian, focusing on the mystery of God. He draws heavily on Scripture and many passages from the works of the mystic Adrienne von Spyer. Some of the topics covered include "A Christian Eschotology," "The World is from the Trinity," "Earth moves Heavenward," "The Final Act: A Trinitarian Drama."