A celebration of 300 of the finest works of art and expressions of the Christian faith from the millennium between the end of the Roman Empire and the beginning of the Renaissance. Chronologically arranged, each work of art is placed in its social, religious and political context, creating a book for dipping into, as well as an inspiring, authoritative appraisal for this magnificent millennium of artistic culture.

The revival of the art and architecture of the Byzantine Empire.

Serves as both visual and textual record of the exhibition of the same name, surveying the art of the Middle Byzantine period from the restoration of the use of icons by the Orthodox Church in 843 to the occupation of Constantinople by the Crusader forces from the West from 1204 to 1261. Conceived as a sequel to the 1976 exhibition "Age of Spirituality," which focused on the first centuries of Byzantium. Preceding the catalogue, 17 essays treat the historical context, religious sphere, and secular courtly realm of the empire, and the interactions between Byzantium and other medieval cultures. Abundantly illustrated. Annotation copyrighted by Book News, Inc., Portland, OR

In this book, a distinguished team of authors explores the way space, place, architecture, and ritual interact to construct sacred experience in the historical cultures of the eastern Mediterranean. Essays address fundamental issues and features that enable buildings to perform as spiritually transformative spaces in ancient Greek, Roman, Jewish, early Christian, and Byzantine civilizations. Collectively they demonstrate the multiple ways in which works of architecture and their settings were active agents in the ritual process. Architecture did not merely host events; rather, it magnified and elevated them, interacting with rituals facilitating the construction of ceremony. This book examines comparatively the ways in which ideas and situations generated by the interaction of place, built environment, ritual action, and memory contributed to the cultural formulation of the sacred experience in different religious faiths.

The Afterlife in Early Christian Carthage explores how the visionary experiences of early Christian martyrs shaped and informed early Christian ancestor cult and the construction of the cemetery as paradise. Taking the early Christian cemeteries in Carthage as a case study, the volume broadens our understanding of the historical and cultural origins of the early Christian cult of the saints, and highlights the often divergent views about the dead and post-mortem realms expressed by the church fathers, and in graveside ritual and the material culture of the cemetery. This fascinating study is a key resource for students of late antique and early Christian culture.

Inscriptions convey meaning not just by their contents but also by other means, such as choice of script, location, scale, spatial organisation, letterform, legibility and clarity. The essays in this book consider these visual qualities of inscriptions, ranging across the Mediterranean and the Near East from Spain to Iran and beyond, including Norman Sicily, Islamic North Africa, Byzantium, medieval Italy, Georgia and Armenia. While most essays focus on Late Antiquity and the Middle Ages, they also look back at Achaemenid Iran and forward to Mughal India. Topics discussed include real and pseudo-writing, multilingual inscriptions, graffiti, writing disguised as images and images disguised as words. From public texts set up on mountainsides or on church and madrasa walls to intimate craftsmen's signatures, barely visible on the undersides of precious objects, the inscriptions discussed in this volume reveal their meanings as textual and visual devices.

Dr Vlasto reviews the early history of the various Slav peoples (from about AD 500 onwards) and traces their gradual emergence as Christian states within the framework of either West or East European culture. Special attention is paid to the political and cultural rivalry between East and West for the allegiance of certain Slav peoples, and to the degree of cultural exchange within the Slav world, associated in particular with the use of the Slav liturgical language. His examination of all the Slav peoples and extensive use of original source material in many different languages enables Dr Vlasto to give a particularly comprehensive study of the subject.