Porter challenges the powerful ideology of "Globalism" that is widely subscribed to by the US national security community. Globalism entails visions of a perilous shrunken world in which security interests are interconnected almost without limit, exposing even powerful states to instant war. Globalism does not just describe the world, but prescribes expansive strategies to deal with it, portraying a fragile globe that the superpower must continually tame into order. Porter argues that this vision of the world has resulted in the US undertaking too many unnecessary military adventures and dangerous strategic overstretch. Distance and geography should be some of the factors that help the US separate the important from the unimportant in international relations. The US should also recognize that, despite the latest technologies, projecting power over great distances still incurs frictions and costs that set real limits on American power. Reviving an appreciation of distance and geography would lead to a more sensible and sustainable grand strategy.

Cultural studies scholarship on the television talk show, especially the 'audience discussion' genre, was guardedly hopeful about its democratic or feminist potential. In this exciting new volume, Kathleen Dixon investigates the relationship between the talk genre and democracy, but through a new emphasis on art, broadly defined. The Global Village Revisited: Art, Politics, and Television Talk Shows explores three case studies from Belgium, Bulgaria, and the United States, and reveals how these cases interanimate to produces a new view of the talk show as a global phenomenon, and as a negotiation among the forces of late capitalism, the unnamed but still palpable audience, and the individual rhetors, artists, and technicians who make the shows. Dixon treats the globalization of media and culture as a dynamic process that yields different results according to time and place. While the way in which television talk shows serve democracy may be hard to define precisely, The Global Village Revisited demonstrates the importance and necessity of this question in cultural studies.

1. Technology myths and histories -- 2. Digital stories from the developing world -- 3. Native Americans, networks, and technology -- 4. Multiple voices : performing technology and knowledge -- 5. Taking back our media.

This compelling account charts the historical emergence of vicarious warfare and its contemporary prominence. It contrasts its tactical advantages with its hidden costs and potential to cause significant strategic harm.

The International Council on Pastoral Care and Counselling (ICPCC) met in October 2015 in San Francisco for its 10th International Congress. Recent results from worldwide projects underlined the importance of an exchange within the globalized network. Interreligious encounters in spiritual care and counseling led to new insights, while aspects of social justice brought along new challenges. Sections on technology and internet communication opened a space for new reflections in the realm of spiritual experience. This volume presents documents from a joint meeting of ICPCC with American organizations for Pastoral Care and Counselling. It shows the enduring process of formation of a worldwide community of spiritual counsellors. (Series: Pastoral Care and Spiritual Healing - Spiritualit�¤t interkulturell, Vol. 4) [Subject: Sociology, Pastoral Care]

While globalization unifies the world, divisions re-emerge within it in the form of a spectacular separation between Islam and the West. How can it be that Huntington’s contested idea of a clash of civilizations became such a powerful political myth through which so many people look at the world? Bottici and Challand disentangle such a process of myth-making both in the West and in Muslim majority countries, and call for a renewed critical attitude towards it. By analysing a process of elaboration of this myth that took place in academic books, arts and media, comics and Hollywood films, they show that the clash of civilizations has become a cognitive scheme through which people look at the world, a practical image on the basis of which they act on it, as well as a drama which mobilizes passions and emotions. Written in a concise and accessible way, this book is a timely and valuable contribution to the academic literature, and more generally, to the public debate. As such, it will be an important reference for scholars and students of political science, sociology, philosophy, cultural studies, Middle Eastern politics and Islam.