Although contemporary migration in and from Africa can be understood as a continuation of earlier forms of interregional and international migration, current processes of migration seem to have taken on a new quality. This volume argues that one of the main reasons for this is the fact that local worlds are increasingly measured against a set of possibilities whose referents are global, not local. Due to this globalization of the personal and societal horizons of possibilities in Africa and elsewhere, in many contexts migration gains an almost inevitable attraction while, at the same time, actual migration becomes increasingly restricted.Based on detailed ethnographic accounts, the contributors to this volume focus on the imaginations, expectations, and motivations that propel the pursuit of migration. Decentering the focus of much of migration studies on the receiving societies, the volume foregrounds the subjective aspect of migration and explores the impact which the imagination and practice of migration have on the sociocultural conditions of the various local settings concerned.

"Between 1850 and 1950, the Indian Ocean teemed with people, commodities and ideas ... Sugata Bose finds in these intricate social and economic webs evidence of the interdependence of the peoples of the lands beyond the horizon, from the Middle East to East Africa to Southeast Asia"--Jacket.

The multiauthored book accompanying the World on the Horizon exhibition organized by Krannert Art Museum is the first interdisciplinary study of Swahili visual arts and their historically deep and enduring connections to eastern and central Africa, the port towns of the western Indian Ocean, Europe, and the United States. At once exhibition catalogue and scholarly inquiry, the publication features eighteen essays in a mix of formats - personal reflections, object biographies, as well as more in-depth critical treatments - and includes never before published images of works from the National Museums of Kenya and Bait Al Zubair Museum in Oman. By approaching the east African coast as a vibrant arena of global cultural convergence, these essays offer compelling new perspectives on the situated yet mobile and deeply networked social lives of Swahili objects. Moving between the broader structural relations of political economic change to more intimate narratives through which such change is experienced, the essays throw light on the ways in which the material fabric of the arts structure Swahili people's sense of self and community in an ever-changing world of oceanic and terrestrial movement.

ONE OF THE BEST BOOKS OF THE YEAR: THE NEW YORK TIMES • NPR • THE GUARDIAN From pole to pole and across decades of lived experience, National Book Award-winning author Barry Lopez delivers his most far-ranging, yet personal, work to date. Horizon moves indelibly, immersively, through the author’s travels to six regions of the world: from Western Oregon to the High Arctic; from the Galápagos to the Kenyan desert; from Botany Bay in Australia to finally, unforgettably, the ice shelves of Antarctica. Along the way, Lopez probes the long history of humanity’s thirst for exploration, including the prehistoric peoples who trekked across Skraeling Island in northern Canada, the colonialists who plundered Central Africa, an enlightenment-era Englishman who sailed the Pacific, a Native American emissary who found his way into isolationist Japan, and today’s ecotourists in the tropics. And always, throughout his journeys to some of the hottest, coldest, and most desolate places on the globe, Lopez searches for meaning and purpose in a broken world.

'Superb' Sunday Times 'Revolutionary' Alice Roberts 'Hugely important' Jim Al-Khalili _______________ A radical retelling of the history of science that foregrounds the scientists erased from history In this major retelling of the history of science from 1450 to the present day, James Poskett explodes the myth that science began in Europe. The blinkered Western gaze focusing on individual 'genius' - Copernicus, Newton, Darwin, Einstein - was only one part of the story. The reality was an utterly global, non-linear pattern of cross-fertilization, competition, cooperation and outright conflict. Each rupture in history carved fresh channels for global exchange. Here, for the first time, Poskett celebrates how scientists from Africa, America, Asia and the Pacific were integral to this very human story. We meet Graman Kwasi, the African botanist who discovered a new cure for malaria; Hantaro Nagaoka, the Japanese scientist who first described the structure of the atom; and Zhao Zhongyao, the Chinese physicist who discovered antimatter. _______________ 'Remarkable. Challenges almost everything we know about science in the West' Jerry Brotton, author of A History of the World in 12 Maps 'Perspective-shattering' Caroline Sanderson, The Bookseller, 'Editor's Choice' 'Horizons upends traditional accounts of the history of science' Rebecca Wragg Sykes, author of Kindred 'Poskett deftly blends the achievements of little-known figures into the wider history of science . . . brims with clarity' Chris Allnutt, Financial Times

In the current era we have the ability to wage global war, interact economically and culturally with any part of the world, and communicate with each other in real time. Our horizons are now global. Time and space have contracted. This text takes the change in our horizons as a key feature of modern international relations, examining how international politics and the relations between nations and states have become global politics. Rather than survey a large array of issues and theories, Spruyt provides students with particular "tools of the trade" and with different perspectives to understand given empirical puzzles. Each section of the book discusses key theories, which may be useful in understanding the issues in question, and then applies them to empirical cases in order to demonstrate how theory relates to practice. Case studies allow for both an historical and comparative approach.

The society that produced the glories of Renaissance art was a multi-faceted one. on the one hand it produced the tender work of Giotto and the brilliance of Leonardo; on the other it encompassed the atrocities of Borgia, the fanaticism of Savonarola and the cynicism of Machiavelli. Civil disorder, political violence, religious discord and deep-seated corruption provided a setting in which genius flowered and where virtuosity originality and an explosive energy shone through in politics, in art, in thought and even in murder. Here, in this vivid survey, the whole sweep of renaissance achievement is brilliantly portrayed and analysed by Professor Plumb, assisted by a distinguished team of historians, including Kenneth Clark, Hugh Trevor-Roper, and Garrett Mattingly - and by over sixty illustrations of contemporary masterpieces.