Shabti wakes in a barley field with nothing but a hoe in his hand and a head full of fragmented memories. A vicious master torments his days, working in the fields with no way of escape, until a hole suspended in mid-air, leads him to a room. Two shiny gold eyes glitter back at him. Questions. Who is he? And to where does this room lead? Amy arrives in Egypt to join her archaeologist father on an excavation. All around her tombs are unearthed, opened, entered. Left to her own devices, Amy discovers a rock. But not just any rock. A great tawny cat stares back at her from its smooth surface, its shiny gold eyes glittering. Questions. Where did it come from? And what should she do now? When past, present and future collide, it's clear that some things are best left buried ...

Presents a chronological tour of major themes in Western art as reflected by more than two dozen seminal images that use such mediums as paint, sculpture, architecture, performance art, and digital art.

From the former director of the Museum of Arts and Design in New York, a timely and passionate case for the role of the well-designed object in the digital age. Curator and scholar Glenn Adamson opens Fewer, Better Things by contrasting his beloved childhood teddy bear to the smartphones and digital tablets children have today. He laments that many children and adults are losing touch with the material objects that have nurtured human development for thousands of years. The objects are still here, but we seem to care less and know less about them. In his presentations to groups, he often asks an audience member what he or she knows about the chair the person is sitting in. Few people know much more than whether it's made of wood, plastic, or metal. If we know little about how things are made, it's hard to remain connected to the world around us. Fewer, Better Things explores the history of craft in its many forms, explaining how raw materials, tools, design, and technique come together to produce beauty and utility in handmade or manufactured items. Whether describing the implements used in a traditional Japanese tea ceremony, the use of woodworking tools, or the use of new fabrication technologies, Adamson writes expertly and lovingly about the aesthetics of objects, and the care and attention that goes into producing them. Reading this wise and elegant book is a truly transformative experience.

A #1 NEW YORK TIMES BEST SELLER The Selection meets Reign in this dazzling trilogy of interwoven novels about three girls on a quest for freedom and true love from #1 internationally bestselling author Richelle Mead. "Brilliant and original, Mead’s new series starts off with a bang and will leave readers on the edge of their seats until the very end." —School Library Journal For a select group of girls, the Glittering Court offers a shot at a life they’ve only ever dreamed of, one of luxury, glamour, and leisure. To high-born Adelaide, whose wealthy family is forcing her into a loveless marriage, the Glittering Court represents something else: the chance to chart her own destiny, and adventure in an unspoiled, prosperous new land across the sea. After a chance meeting with the dazzling Cedric Thorn, Adelaide poses as a servant to join the crop of impoverished girls he promises to transform into proper ladies. But her familiarity with upper class life comes with a price: she must hide her identity from her new friends, mysterious refugee Mira and fiery former laundress Tamsin, and most importantly, from Cedric himself—even though she’s falling in love with him. Everything begins to crumble when Cedric discovers Adelaide’s ruse, and she catches the eye of a powerful young governor, who wants her for a wife. She didn’t leave the gilded cage of her old life behind just to become someone else's property. But nothing is as daunting—or as wonderful—as the potent, forbidden attraction simmering between Adelaide and Cedric. One that, if acted on, would make them both outcasts in a wild, dangerous, uncharted world, and possibly lead them to their deaths.

It is 1937, and Charles Ashworth, a Canon to the Archbishop of Canterbury, is sent to untangle a web of self-delusion and corruption at the episcopal palace of the charismatic Bishop of Starbridge.

"The Cook's Wedding and Other Stories" by Anton Pavlovich Chekhov (translated by Constance Garnett). Published by Good Press. Good Press publishes a wide range of titles that encompasses every genre. From well-known classics & literary fiction and non-fiction to forgotten−or yet undiscovered gems−of world literature, we issue the books that need to be read. Each Good Press edition has been meticulously edited and formatted to boost readability for all e-readers and devices. Our goal is to produce eBooks that are user-friendly and accessible to everyone in a high-quality digital format.

This carefully edited collection has been designed and formatted to the highest digital standards and adjusted for readability on all devices. Excerpt: "Life is a vexatious trap; when a thinking man reaches maturity and attains to full consciousness he cannot help feeling that he is in a trap from which there is no escape."Ward No. Six (1892) Anton Chekhov (1860–1904) was a Russian physician, dramaturge and author who is often referred to as one of the seminal figures in the birth of early modernism in the theatre. He made no apologies for the difficulties he posed to the readers, insisting that the role of an artist was to ask questions, not to answer them.