In her author's note, Marion Winik writes that in Mexico on the Day of the Dead, people build altars to their loved ones . . . they go to the cemetery and stay all night, praying, singing, drinking, wailing. They tell the sad stories and the nob...

In her author's note, Marion Winik writes that in Mexico on the Day of the Dead, "people build altars to their loved ones . . . they go to the cemetery and stay all night, praying, singing, drinking, wailing. They tell the sad stories and the noble ones; they eat cookies shaped like skeletons. They celebrate and mourn at once." Striking that balance, The Glen Rock Book of the Dead presents snapshot portraits of The Jeweler, The Driving Instructor, The Bad Influence, The Queen of New Jersey—and roughly fifty others who have touched Winik's life, from her son's second grade teacher to Keith Haring. Tied together by the inimitable, poignant voice of Winik, these losses form not only an autobiography but a story of our time, delivering a lyrical journey that ultimately raises the spirits.

Marion Wink is esteemed for bringing humor and wit to that most unavoidable of subjects: death. At last, Winik's critically acclaimed, cult favorites, Glen Rock Book of the Dead and Baltimore Book of the Dead, have been carefully combined in their proper chronological order, revealing more clearly than ever before the character hidden throughout these stories: Winik herself. Featuring twelve additional vignettes along with a brand–new introduction, The Big Book of the Dead continues Winik's work as an empathetic, witty chronicler of life.

"These essays on a woman's wild ride through life give us Marion's bracing tonic–of–truth voice in splendid form—her voice that is always brilliantly funny, intelligent, brave, haunting, and full of surprises, revelations, and wise, wild connections. At this point, I don't think I could live without it. If you don't know her yet, your life is about to get better." —Naomi Shihab Nye Whether she is writing about the vagaries of family vacations on land and sea, about getting her tubes tied and the importance of a woman's right to choose, or her battles with her rebel pyromaniac teenage son, Marion Winik is searingly honest and unfailingly witty in the face of adversity. In this collection of essays, a treat for dedicated fans and new readers alike, Winik explores domesticity, midlife, and aging. A brand new final section brings Above Us Only Sky—originally published in 2005—up to date with essays from her award–winning column in the Baltimore Fishbowl, taking us through experiences with blended families, adult children, and empty nest.

The National Public Radio commentator reflects on her relationship with her late husband, their 1983 meeting at Mardi Gras, falling in love with a gay man, their marriage and children, the horrors of AIDS, and their final moments together as she helped her husband die.

With the open honesty we have come to expect from Marion Minik--from her previous books, magazine articles, and commentary on NPR's "All Things Considered"--this refreshing new book takes readers through the mishaps and serendipity that make up daily life in raising a family.

Combining the insight of Anna Quindlen and the comic storytelling of Garrison Keillor with her own singularly outrageous humor, a commentator on NPR's All Things Considered takes us on a tour of the minefield of chance and circumstance that make up a life. "Winik's voice is so true and clear and compassionate, we're happy to listen to any story she wants to tell." —Los Angeles Times Book Review Along the way, she offers razor-sharp takes on everything from adolescence in suburban New Jersey ("Yes, I wanted to be a wild teenage rebel, but I wanted to do it with my parents' blessing") to hellish houseguests and bad-news boyfriends; from the joys of breastfeeding in public to the sometimes-salvation of motherhood. Candid, passionate, and breathtakingly funny, Marion Winik maintains an unshaken belief that following one's heart is more important than following the rules—and a conviction that the secrets we try to hide often contain the deepest truths. "A born iconoclast, an aspiring artiste, a feminist vegetarian prodigal daughter, from early youth I considered myself destined to lead a startling life far outside the bounds of convention. I would be famous, dangerous, brilliant and relentlessly cool: a sort of cross between Emma Goldman, Jack Kerouac, and Georgia O'Keeffe.... So where did this station wagon come from?" —from Telling