Champion of Chinese classics and the growth of the Chinese poetic tradition, Song Lin is one of China’s most innovative poets. When the Tiananmen protest exploded in Beijing in June 1989, Song led student demonstrations in Shanghai and was imprisoned for almost a year before leaving China soon afterwards. This selection of poems, made by the translator Dong Li and the poet himself, spans four decades of poetic exploration, with a focus on poems written during the poet’s long stay in France, Singapore, Argentina, and more recently, his return to China. As a result of his wanderings, Song Lin may be thought of as an international poet, open to an unusual extent to influences – though informed by the classics and a thorough study of the Chinese language, his poetry weaves through American, French, and Latin-American traditions. His influences are the modernists, the surrealists, the romantics, the deep imagists and the objectivists—but what distinguishes Song is his ability to absorb them all, and make them his own. From the experience of displacement and exile, his poetry continues to open and expand its horizons.

Dr. Waters is one of a new breed of analysts for whom the interpenetration of politics, culture, and national development is key to a larger integration of social research. Race, Class, and Political Symbols is a remarkably cogent examination of the uses of Rastafarian symbols and reggae music in Jamaican electoral campaigns. The author describes and analyzes the way Jamaican politicians effectively employ improbable strategies for electoral success. She includes interviews with reggae musicians, Rastafarian leaders, government and party officials, and campaign managers. Jamaican democracy and politics are fused to its culture; hence campaign advertisements, reggae songs, party pamphlets, and other documents are part of the larger picture of Caribbean life and letters. This volume centers and comes to rest on the adoption of Rastafarian symbols in the context of Jamaica's democratic institutions, which are characterized by vigorous campaigning, electoral fraud, and gang violence. In recent national elections, such violence claimed the lives of hundreds of people. Significant issues are dealt with in this cultural setting: race differentials among Whites, Browns, and Blacks; the rise of anti-Cubanism; the Rastafarians' response to the use of their symbols; and the current status of Rastafarian ideological legitimacy.

First published in 2006. Cities are sites of multiple meanings and symbols, ranging from statues and street names to festivals and architecture. Some­ times the symbolic side of urbanism is so strong that it outshines reality - then we speak of hypercity. Urban symbolic ecology and hypercity studies are relatively new fields that deal with the production, distribution and consumption of symbols and meanings in urban space, timely concerns in an era of increasing globalization and competition between mega-urban regions. This volume presents a detailed introduction to the new fields, followed by case studies of the cultural layer of symbolism in Brussels (Belgium), Cape Town (South Africa), Cuenca (Ecuador), Delft (The Netherlands), Kingston (Jamaica), Ljubljana (Slovenia), Paris (France) and cities in Italy and Indonesia. It amply demonstrates that the time has come for urban symbolic ecology and hypercity studies to be included in regular urban studies training in the fields of anthropology, sociology, social geography and architecture.

With the publication of the landmark volumes The Birds of South America: The Oscine Passerines and The Birds of South America: The Suboscine Passerines, Robert S. Ridgely and Guy Tudor established themselves as the leading authorities on the songbirds of South America. Reviewers hailed the volumes as the essential reference works for professional ornithologists and avocational birders alike, and they remain the only volumes that provide full scientific coverage of the continent's passerines. Recognizing the need for a more compact guide that birders can take into the field, Ridgely and Tudor have now extracted and updated the essential identification information from The Birds of South America to create the Field Guide to the Songbirds of South America. This definitive guide is filled with indispensable features: 121 color plates that present Guy Tudor's magnificently detailed paintings of more than 1,500 species of songbirds, including more than 400 that were not illustrated in BOSA 160 additional color illustrations of subspecies and females Extensively updated color range maps for all of the species in the field guide, prepared by Robert S. Ridgely with technical assistance from Maria Allen and Terry Clarke, appear opposite the plates for each bird family Robert S. Ridgely's authoritative accounts of nearly 2,000 species that cover each bird's abundance, habitat, and range; elevational preference; taxonomic or nomenclatural changes; plumage description; general behavior and voice; and range beyond South America, if applicable