When they emerge from Hell, Merle, her friend Junipa who has mirrors for eyes, and Vermithrax the flying stone lion find themselves in Egypt. Of course the Flowing Queen is with them as well, since Merle swallowed her back in Venice. There is something very wrong in Egypt--it is freezing cold, and everything is covered in snow. Winter is here, looking for his lost love, Summer. And another creature is here as well--Seth, the highest of the Horus priests. Betrayed by the pharaoh and his sphinx henchmen, Seth is seeking revenge. Together they travel to the Iron Eye, the vast fortress of the sphinxes.But what does the Flowing Queen want Merle to do there? Meanwhile Serafin, the master thief, the beautiful sphinx Lalapeya, and Eft, the mermaid, are also headed for Egypt. They are traveling underwater, in a submarine piloted by pirates. Serafin is not sure what they can do to the fight the pharaoh, but he knows surrender is not an option. Egypt has captured and enslaved his beloved Venice, and he and the others must fight the empire no matter what the cost. But the final battle will not be one that Serafin has even imagined--and the cost will be high indeed.

New York Times Bestseller An NPR Best Book of the Year Winner of the Chicago Tribune Literary Award Finalist for the Marfield Prize, National Award for Arts Writing "Reads the way Mr. Glass's compositions sound at their best: propulsive, with a surreptitious emotional undertow." —Corinna da Fonseca-Wollheim, New York Times Philip Glass has, almost single-handedly, crafted the dominant sound of late-twentieth-century classical music. Yet in Words Without Music, his critically acclaimed memoir, he creates an entirely new and unexpected voice, that of a born storyteller and an acutely insightful chronicler, whose behind-the-scenes recollections allow readers to experience those moments of creative fusion when life so magically merged with art. From his childhood in Baltimore to his student days in Chicago and at Juilliard, to his first journey to Paris and a life-changing trip to India, Glass movingly recalls his early mentors, while reconstructing the places that helped shape his creative consciousness. Whether describing working as an unlicensed plumber in gritty 1970s New York or composing Satyagraha, Glass breaks across genres and re-creates, here in words, the thrill that results from artistic creation. Words Without Music ultimately affirms the power of music to change the world.

Here begins an extraordinary alliance—and a brutal and tender, shocking, and electrifying adventure to end all adventures. It starts with a simple note. Roger Bascombe regretfully wishes to inform Celeste Temple that their engagement is forthwith terminated. Determined to find out why, Miss Temple takes the first step in a journey that will propel her into a dizzyingly seductive, utterly shocking world beyond her imagining—and set her on a collision course with a killer and a spy—in a bodice-ripping, action-packed roller-coaster ride of suspense, betrayal, and richly fevered dreams.

Merle and her friends Junipa, with mirrors for eyes, and Serafin, a rakish master thief, live in enchanted Venice under Egyptian occupation, and are swept into a dangerous mission to face their destinies.

Poetry. Environmental Studies. Chemically speaking, glass is neither a liquid nor a solid; it has properties of both states of being. It is precisely these kinds of ambiguities of experience, internal and external, that McCabe's crisp yet sonically adroit poems seek to reveal. In a world in which all matter is destined for ruin, we find a speaker who again and again not only holds the elusive present in her fierce attention but also praises the very processes that, while ushering new fruit from the trees, erase all that has been, including the familiar self, which is at every moment already "turning, turning" into something other.

A triumphant tale of a young woman and her difficult childhood, The Glass Castle is a remarkable memoir of resilience, redemption, and a revelatory look into a family at once deeply dysfunctional and wonderfully vibrant. Jeannette Walls was the second of four children raised by anti-institutional parents in a household of extremes.