From the Gothic to the contemporary, glass has transformed the structural, formal and philosophical principles of artchitecture. In The Glass State, Annette Fierro views the many meanings of transparency in architecture. Specifically, she analyzes the transparent monumental buildings that were built in Paris between 1981 and 1988 as part of Francois Mitterand's program of Grands Projets. The Grands Projets provide a rare opportunity to study a finite set of buidings constructed of similar materials, in the same time period, in a specific urban landscape, and with related ideological missions.

Fundamentals of Inorganic Glasses, Third Edition, is a comprehensive reference on the field of glass science and engineering that covers numerous, significant advances. This new edition includes the most recent advances in glass physics and chemistry, also discussing groundbreaking applications of glassy materials. It is suitable for upper level glass science courses and professional glass scientists and engineers at industrial and government labs. Fundamental concepts, chapter-ending problem sets, an emphasis on key ideas, and timely notes on suggested readings are all included. The book provides the breadth required of a comprehensive reference, offering coverage of the composition, structure and properties of inorganic glasses. - Clearly develops fundamental concepts and the basics of glass science and glass chemistry - Provides a comprehensive discussion of the composition, structure and properties of inorganic glasses - Features a discussion of the emerging applications of glass, including applications in energy, environment, pharmaceuticals, and more - Concludes chapters with problem sets and suggested readings to facilitate self-study

Describes and interrelates the following processes: cooperative alpha processes in a cold liquid, structural relaxation in the glass near Tg, the Johari-Goldstein beta process, the Williams-Götze process in a warm liquid, fast nonactivated cage rattling and boson peak, and ultraslow Fischer modes.

THE STORY IS all true and happened to me and is mine. Tony’s mom, Al, is a terrific single mother who works as a dancer at the Kitty Kat Club. Twelve-year-old Tony is a budding artist, inspired by backstage life at the club. When some of his drawings end up in an art show and catch the attention of the social services agency, Al and Tony find themselves in the middle of a legal wrangle and a media circus. Is Al a responsible mother? It’s the case of the stripper vs. the state, and Al isn’t giving Tony up without a fight. Once again Gary Paulsen proves why he’s one of America’s most-beloved writers. The Glass Café is a fresh and funny exploration of motherhood, art, and the wiles of storytelling—all told by Tony, in his own true voice.

This pedagogical and self-contained text describes the modern mean field theory of simple structural glasses. The book begins with a thorough explanation of infinite-dimensional models in statistical physics, before reviewing the key elements of the thermodynamic theory of liquids and the dynamical properties of liquids and glasses. The central feature of the mean field theory of disordered systems, the existence of a large multiplicity of metastable states, is then introduced. The replica method is then covered, before the final chapters describe important, advanced topics such as Gardner transitions, complexity, packing spheres in large dimensions, the jamming transition, and the rheology of glass. Presenting the theory in a clear and pedagogical style, this is an excellent resource for researchers and graduate students working in condensed matter physics and statistical mechanics.

A triumphant tale of a young woman and her difficult childhood, The Glass Castle is a remarkable memoir of resilience, redemption, and a revelatory look into a family at once deeply dysfunctional and wonderfully vibrant. Jeannette Walls was the second of four children raised by anti-institutional parents in a household of extremes.

2005 CHOICE Outstanding Academic Title Through the Reading Glass explores the practices and protocols that surrounded women's reading in eighteenth-century France. Looking at texts as various as fairy tales, memoirs, historical romances, short stories, love letters, novels, and the pages of the new female periodical press, Suellen Diaconoff shows how a reading culture, one in which books, sex, and acts of reading were richly and evocatively intertwined, was constructed for and by women. Diaconoff proposes that the underlying discourse of virtue found in women's work was both an empowering strategy, intended to create new kinds of responsible and not merely responsive readers, and an integral part of the conviction that domestic reading does not have to be trivial.