An ogre, a miracle-working horse, a talking ant, and other fantastic creatures pop up in the most unexpected places in these 6 charming tales from Eastern Europe

Presents retellings of traditional Polish tales including How the princess learned to laugh, Pan Twardowski, Where devils are helpless, and The sorcerer's apprentice.

Jan Pienkowski brings eight of the best-loved Polish folk tales to life with vibrant and witty paper cut illustrations. Jan Pienkowski illustrates eight popular Polish folk tales using the traditional paper cut technique he learned as a child. Featuring classic stories such as "Pan Twardowski", "The Glass Mountain", "The Wawel Dragon" and "The Fern Flower". Jan Pienkowski breathes new life into the magical tales of his homeland. It is a brand-new title from one of the giants of children's illustration. The bold, witty illustrations will appeal to children. It is the perfect way to introduce children to classic Polish folk tales. It is a beautiful jacketed hardback gift book that families will enjoy again and again.

Once upon a time in a fairy tale world, There were magical mirrors and golden slippers;Castles and fields and mountains of glass,Houses of bread and windows of sugar.Frogs transformed into handsome Princes,And big bad wolves into innocent grandmothers.There were evil queens and wicked stepmothers;Sweethearts, true brides, and secret lovers. In the same fairy world, A poor boy has found a golden key and an iron chest, and " We must wait until he has quite unlocked it and opened the lid . . ." A classic collection of timeless folk tales by Grimm Brothers, Grimm' s Fairy Tales are not only enchanting, mysterious, and amusing, but also frightening and intriguing. Delighting children and adults alike, these tales have undergone several adaptations over the decades. This edition with black-and-white illustrations is a translation by Margaret Hunt.

A glass mountain sits in the middle of a city and at the top sits a 'beautiful, enchanted symbol'. Seeking to disenchant it, the narrator must climb the mountain. Confronted by the jeers of acquaintances, the bodies of previous climbers and the claws of a guarding eagle he, slowly, begins to ascend. In true postmodernist form, subject and purpose collide as Donald Barthelme uses one-hundred fragmented statements to destabilise a symbol of his own - literature's conventional forms and practices. With a quest, a princess and an array of knights, Barthelme subverts that most traditional of genres, the fairy-tale; irony, absurdity, and playful self-reflexivity are the champions of this short story.