"Glass can be decorative or utilitarian, and its forms often reflect technological innovations and social change. Drawing on an insightful selection from the Yale University Art Gallery and other collections at Yale, American Glass illuminates the vital and often intimate roles that glass has played in the nation's art and culture. Spectacularly illustrated, the publication showcases eighteenth-century mold-blown vessels, nineteenth-century pressed glass, innovative studio work, and luminous stained-glass windows by John La Farge and Louis Comfort Tiffany, the latter reproduced as a lush gatefold. These are considered alongside beguiling objects that broaden our expectations of glass and speak to the centrality of the medium in American life, including one of the oldest complex microscopes in the United States, an early Edison light bulb, glass-plate photography, jewelry, and more. With an essay on the history of collecting American glass and discussions of each object that present new scholarship, this engaging book tells the long and rich history of glass in America--from prehistoric minerals to contemporary sculptures"--Dust jacket front flap.

This publication commemorates the public unveiling of the Sherwin and Shirley Glass Glass Collection at the Flint Institute of Arts in its new wing, dedicated to contemporary craft. Amassed during a ten-year period by Atlanta-based collectors Sherwin and Shirley Glass, this contemporary glass collection represents the greatest achievements by a large and diverse group of important international artists. With glass masterworks by more than 85 artists representing 19 countries around the world, this collection shows an explosion of creativity in the medium of glass from the late 20th through the early 21st century. In this catalog, FIA Executive Director John Henry demonstrates why Flint, Michigan, is an ideal location for a contemporary craft wing; Habatat Galleries founder Ferd Hampson discusses how the Glasses' collecting interests represented a "quest for the best"; and Patricia Grieve Watkinson contextualizes the Glass Glass Collection within international and American glass movements.

Detailed information describes the styles, shapes, colors, and crackling procedures that identify crackle glass and its makers, approximate dates of creation, and fair market value. The "Manufacturer's Identification" and "Most Collectible" guidelines found here make it easy to collect the most desirable pieces.

The Heineman Collection at the The Corning Museum of Glass in Corning, New York, is one of the largest collections of studio glass sculptures and vessels in the United States. Given to The Corning in 2006, this is the first publication documenting this vast new addition to the Museum's collections. The Collection reflects historical developments in the field of contemporary studio glass, and it explores the broad themes of abstraction and material. SELLING POINTS: *Reflecting a deep respect for, and commitment to, artists and their work, the Heineman Collection demonstrates the versatility of one material -- glass -- in exploring and expressing a wide range of ideas in art * The collection includes 240 objects, dating from 1969 to 2005, by 87 artists from the United States, Europe, Australia, and Japan 529 colour & 116b/w illustrations

The Getty Museum’s collection of postclassical European glass represents a well-defined chapter within the history of the medium. These objects—which range in date from the late Middle Ages to the late seventeenth century—originated in important Italian, German, Bohemian, Netherlandish, Silesian, and Austrian centers of production. The sixty-eight pieces presented in this catalogue include vessels made to resemble rock crystal or chalcedony; glass blown into unusually large or remarkably refined shapes; and glass decorated with ornament that is intricately applied, elegantly enameled, or gilded. Each object is described in detail, including provenance, bibliography, and relevant comparative examples. An introductory essay traces the history of European glass from classical times to the present.

"Traces the development of the studio glass movement with entries on thirty outstanding works by twenty six international artists"--Provided by the publisher.

The new novel from the author of Guantanamo Boy. In Cairo, fifteen-year-old Aaron makes a living out of gathering garbage - as a member of the despised Zabbaleen, this is his fate. But Aaron has dreams. Every day he dreams of Rachel, who looks after the ponies who pull the carts piled high with garbage to and from the slum they call home. He dreams that they will make a life together, far from the smells, cruelty and squalor of their daily existence. Aaron's skill at sorting glass is the only thing that keeps him alive. His mother is dead, and his stepfather and stepbrother Elijah subject him to an endless regime of bullying and abuse. He is stuck with them - where else would he go? Shareen, the local beauty, is at once a source of excitement and torment to him. And always there is Rachel - serene, and seemingly untouchable. When Aaron steals some goods from a shop, bringing shame to his family, he is forced to work for the medical wasters - the lowest of the low, who risk their lives sorting through the piles of rubbish from the hospitals.Just as it seems he can sink no further, Aaron makes a choice that will change his life. And when Rachel looks at him in a new light, there may be hope for him, after all. '...has all the elements of a great story', writes the Sun Herald. Reviewed in the Saturday Age.