Death hasn't visited Rowan Rose since it took her mother when Rowan was only a little girl. But that changes one bleak morning, when five horses and their riders thunder into her village and through the forest, disappearing into the hills. Days later, the riders' bodies are found, and though no one can say for certain what happened in their final hours, their remains prove that whatever it was must have been brutal. Rowan's village was once a tranquil place, but now things have changed. Something has followed the path those riders made and has come down from the hills, through the forest, and into the village. Beast or man, it has brought death to Rowan's door once again. Only this time, its appetite is insatiable. A YALSA Best Fiction for Young Adults Pick [STAR] "With stylish prose, richly developed characters and well-realized worldbuilding, Templeman plumbs archetypes of folklore to create a compelling blend of mythic elements and realistic teen experience."-Kirkus Reviews, Starred [STAR] "This has both the stylish beauty of those [classic fairy] tales and the chilling darkness that makes them timeless."-The Bulletin, Starred “The legion of Maggie Stiefvater fans out there ought to look this way.”-Booklist

The magnificent title story of this collection of fairy tales for adults describes the strange and uncanny relationship between its extravagantly intelligent heroine--a world renowned scholar of the art of story-telling--and the marvelous being that lives in a mysterious bottle, found in a dusty shop in an Istanbul bazaar. As A.S. Byatt renders this relationship with a powerful combination of erudition and passion, she makes the interaction of the natural and the supernatural seem not only convincing, but inevitable. The companion stories in this collection each display different facets of Byatt's remarkable gift for enchantment. They range from fables of sexual obsession to allegories of political tragedy; they draw us into narratives that are as mesmerizing as dreams and as bracing as philosophical meditations; and they all us to inhabit an imaginative universe astonishing in the precision of its detail, its intellectual consistency, and its splendor. "A dreamy treat.... It is not merely strange, it is wondrous." --Boston Globe "Alternatingly erudite and earthy, direct and playful.... If Scheherazade ever needs a break, Byatt can step in, indefinitely." --Chicago Tribune "Byatt's writing is crystalline and splendidly imaginative.... These [are] perfectly formed tales." --Washington Post Book World

The tyrannous Huntsmen have declared everyone in one village to be outlaws, since they insist on supporting the magical beings of neighbouring Darkwood. Why won’t they accept that magic is an abomination? Far from being abominable, the residents of Darkwood are actually very nice when you get to know them, even Snow the White Knight, who can get a bit tetchy when people remind her she’s a Princess. In order to stop the Huntsmen from wiping out all magical beings, Snow and her friends have to venture into the Badlands of Ashtrie, and seek the support of the Glass Witch – but she has plans of her own, and let’s just say they’re not good ones. Praise for Gabby Hutchinson Crouch: ‘Gabby is one of the funniest writers I know.’ Sarah Millican ‘...very funny. If you like Terry Pratchett, or think gothic fairytales should have more LOLs, ’tis the book for ye.’ Greg Jenner ‘I have read this and it is great. Pratchetty fun for all the family.’ Lucy Porter ‘...magical, surprising and funny.’ Jan Ravens What people are saying about the Darkwood series: ‘Clever and funny and so very very entertaining. I would encourage everyone of every age to go ahead and read Darkwood.’ ‘Completely fabulous, can’t wait for the rest of the series.’ ‘A fun, exciting, action-packed story that once I started reading I couldn't put down.’ ‘I loved the mix of humour and fantasy, the tongue in cheek style of writing and the quirky characters.’ ‘I could go on and on about how much I love this book and why.’ ‘A delightful new mashup of old familiar fairy tale characters and themes, with loads of originality and memorable characters. ... I think this may well turn into one of my all-time favourites.’ ‘...incredible! It made me laugh out loud in several places, but also managed to pull off some intricate themes around power and bigotry – I adored the characters and the fun, genre-savvy writing.’

In this chilling tale of the terrible power of the ties that both bind us and blind us, Gail Bowen has given us her best novel yet. Brimming with the author’s characteristic empathy for the troubled, The Glass Coffin explores the depth of tragedy that a camera’s neutral eye can capture – and cause. Canada’s favourite sleuth, Joanne Kilbourn, is dismayed to learn who it is that her best friend, Jill Osiowy, is about to marry. Evan MacLeish may be a celebrated documentary filmmaker, but he’s a cold fish who not only has already lost two wives to suicide, but has exploited their lives – and deaths – by making acclaimed films about them. Not even Jill appears to be particularly fond of him, and Jo is appalled to learn that her friend is marrying Evan primarily to become stepmother to his teenaged daughter, Bryn. Even Bryn hates her father for having filmed her all of her short life. It’s obvious to Joanne that this is stony ground on which to found a marriage. What is not obvious is that it is about to get bloodsoaked. Intelligent, sympathetic, and harder-edged than earlier novels in the Joanne Kilbourn series, The Glass Coffin is the work of a writer at the top of her form.

Magic is forbidden in Myrsina, along with various other abominations, such as girls doing maths. This is bad news for Gretel Mudd, who doesn’t perform magic, but does know a lot of maths. When the sinister masked Huntsmen accuse Gretel of witchcraft, she is forced to flee into the neighbouring Darkwood, where witches and monsters dwell. There, she happens upon Buttercup, a witch who can’t help turning things into gingerbread, Jack Trott, who can make plants grow at will, the White Knight with her band of dwarves and a talking spider called Trevor. These aren’t the terrifying villains she’s been warned about all her life. They’re actually quite nice. Well... most of them. With the Huntsmen on the warpath, Gretel must act fast to save both the Darkwood and her home village, while unravelling the rhetoric and lies that have demonised magical beings for far too long. Take a journey into the Darkwood in this modern fairy tale that will bewitch adults and younger readers alike. Praise for Gabby Hutchinson Crouch: ‘Gabby is one of the funniest writers I know.’ Sarah Millican ‘...very funny. If you like Terry Pratchett, or think gothic fairytales should have more LOLs, ’tis the book for ye.’ Greg Jenner ‘I have read this and it is great. Pratchetty fun for all the family.’ Lucy Porter ‘...magical, surprising and funny.’ Jan Ravens What people are saying about the Darkwood series: ‘Clever and funny and so very very entertaining. I would encourage everyone of every age to go ahead and read Darkwood.’ ‘Completely fabulous, can’t wait for the rest of the series.’ ‘A fun, exciting, action-packed story that once I started reading I couldn't put down.’ ‘I loved the mix of humour and fantasy, the tongue in cheek style of writing and the quirky characters.’ ‘I could go on and on about how much I love this book and why.’ ‘A delightful new mashup of old familiar fairy tale characters and themes, with loads of originality and memorable characters. ... I think this may well turn into one of my all-time favourites.’ ‘...incredible! It made me laugh out loud in several places, but also managed to pull off some intricate themes around power and bigotry – I adored the characters and the fun, genre-savvy writing.’

A girl makes a secret sacrifice to the faerie king in this lush New York Times bestselling fantasy by author Holly Black. Set in the same world as The Cruel Prince! In the woods is a glass coffin. It rests on the ground, and in it sleeps a boy with horns on his head and ears as pointed as knives.... Hazel and her brother, Ben, live in Fairfold, where humans and the Folk exist side by side. Since they were children, Hazel and Ben have been telling each other stories about the boy in the glass coffin, that he is a prince and they are valiant knights, pretending their prince would be different from the other faeries, the ones who made cruel bargains, lurked in the shadows of trees, and doomed tourists. But as Hazel grows up, she puts aside those stories. Hazel knows the horned boy will never wake. Until one day, he does.... As the world turns upside down, Hazel has to become the knight she once pretended to be. The Darkest Part of the Forest is bestselling author Holly Black's triumphant return to the opulent, enchanting faerie tales that launched her YA career.

In this chilling tale of the terrible power of the ties that both bind us and blind us, Gail Bowen has given us her best novel yet. Brimming with the author’s characteristic empathy for the troubled, The Glass Coffin explores the depth of tragedy that a camera’s neutral eye can capture – and cause. Canada’s favourite sleuth, Joanne Kilbourn, is dismayed to learn who it is that her best friend, Jill Osiowy, is about to marry. Evan MacLeish may be a celebrated documentary filmmaker, but he’s a cold fish who not only has already lost two wives to suicide, but has exploited their lives – and deaths – by making acclaimed films about them. Not even Jill appears to be particularly fond of him, and Jo is appalled to learn that her friend is marrying Evan primarily to become stepmother to his teenaged daughter, Bryn. Even Bryn hates her father for having filmed her all of her short life. It’s obvious to Joanne that this is stony ground on which to found a marriage. What is not obvious is that it is about to get bloodsoaked. Intelligent, sympathetic, and harder-edged than earlier novels in the Joanne Kilbourn series, The Glass Coffin is the work of a writer at the top of her form.