p.p1 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.9px Arial; color: #424242} No other pin-up cartoon artist over a 30-year period was as prolific or as omnipresent as Bill Wenzel. Virtually every humor and men's magazine, ranging from Judge in the mid-'40s to Sex to Sexy in the '60s and '70s, boasted two, if not a dozen, of Wenzel's pin-up cartoons. Quick with pen and ink, Wenzel was equally adept with the brush, and nowhere was this more evident than in his work for the Humorama line of girlie digests.

by Alex Chun & Jacob Covey For more than 40 years, Dan DeCarlo best known for his definitive renditions of Archie Comics' Betty and Veronica, two of comics' most beloved icons. But before joining Archie and unbeknownst to many, DeCarlo has honed his skills as a good girl artist for the Humorama line of digest magazines. Following the immensely popular The Pin-Up Art of Dan DeCarlo, this second volume once again displays DeCarlo's sexiest Humorama pin-up cartoons, and continues Fanatagraphics' dedication to showcasing the best of the classic pin-up cartoonists.

An artist for Playboy magazine since the early 1960s, Doug Sneyd's scintillating cartoon works are now collected in this stunning art book. Featuring the most lush, sumptuous, striking, and hilarious of Doug's full-page cartoons, readers will be charmed with the lovely scantily (and even non-) clad "Sneyd" girls and the one-line jokes they so ably illustrate. This book includes a foreword by Playboy founder Hugh Hefner, an introduction by Lynn Johnston, cartoonist of the nationally syndicated strip For Better or For Worse, and reflections from the artist himself!

During the 1950s, under the Humorama banner, Abe Goodman churned out scores of cheap digest-sized magazines that featured cheesecake photos and single panel pin-up cartoons. The digests featured the likes of Playboy's Jack Cole, Archie's Dan DeCarlo and glamour girl legend Bill Ward. In addition to these three pin-up cartooning luminaries, other notable who contributed to the pages of the Humorama digests included longtime illustrator Jefferson Machamer; Basil Wolverton, who influenced a generation of underground cartoonists; Mad's Dave Berg ("The Lighter Side"); and future syndicated cartoonists George Crenshaw ("Belvedere"), Bill Hoest ("The Lockhorns") and Brad Anderson ("Marmaduke").

Trafficking is big business and those involved show no remorse, have no mercy, only a deadly intent to protect their income. Afina is a young Romanian girl with high expectations when she arrives in Brighton but she has been tricked and there is no job, only a life as a sex slave. Facing a desperate future, Afina tries to escape and a young female police officer, who comes to her aid, is stabbed. Powell's life has been torn apart for the second time and he is determined to find the man responsible for his daughter's death. Action, violence and sex abound in this taut thriller about one of today's worst crimes.

America, 2031. TV star Reuben Flagg is drafted to protect citizens of Chicago as a Plexus Ranger, having pretended to be one onscreen. The inexperienced Flagg must tackle an American blighted by a biased and oppressive media, dubious 'wars', widespread political corruption and environmental disaster.

When the life of Don Flowers was cut short in 1968 by the ill effects of emphysema, he left behind a career in newspaper cartooning that spanned more than four decades as well as one of the most fluid lines to grace the comics page. His cartoons evoked the art of Russell Patterson and Hank Ketcham, and nowhere was this more evident than in his quintessential single-panel pin-up cartoon, the aptly named Glamor Girls: Whether blondes or brunettes, showgirls or housewives, Flowers rendered his comely protagonists with equal aplomb. p.p1 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.9px Arial; color: #424242}