Savour the familiar scent of clove and tobacco … for this is the aroma of Indonesia’s history. Soeraja is dying. On his deathbed he calls for Jeng Yah, a woman who is not his wife. His three sons, Lebas, Karim and Tegar – heirs to Kretek Djagad Raja, Indonesia’s largest clove cigarette empire – are shocked, and their mother is consumed by jealousy. So begins the brothers’ search into the deepest recesses of Java for Jeng Yah, to fulfil their father’s dying wish and to learn the truth about the family business and its secrets. Cigarette Girl is more than just a love story and the soul-searching journey of three brothers. Set on the island of Java the story follows the evolution of a family’s kretek, or clove cigarette, business from its birth in the Dutch East Indies of the early 1940s, and it takes readers through three generations of Indonesian history, from the Dutch colonial era to the Japanese occupation, the struggle for independence and the bloody coup of 1965 in which half a million Indonesians were hunted down and killed. Rich in detail, with characters who struggle to right the wrongs of past generations, their relationships torn apart by the viciousness of revolution and politics, Cigarette Girl introduces readers to the history of Indonesia through clove cigarettes and unrequited love.

Compelling and heartrending, this personal memoir chronicles the author's decision not to put her mother, who has Alzheimer's and Parkinson's disease, in "one of those homes" and relays the far-reaching consequences this choice has on her entire family. Detailing the challenges of reversing roles and learning to mother one's own mother, this refreshing and entertaining autobiography will help those struggling with their own decisions on elder care in the home. It touches on the importance of relationships—such as how they impact our souls and beliefs about ourselves and the quality of life—and explores the larger questions of faith, hope, and ultimately death.

West, still attired in khaki uniform, but wearing the red chevron of honourable discharge on his left sleeve, sat in the Club writing room, his feet comfortably elevated, endeavouring to extract some entertainment from the evening paper. The news was not particularly interesting, however, and finally, obsessed with the feeling that it would soon be time for him to seriously contemplate the procuring of suitable employment, the young man turned the sheet about rather idly, and ran his eyes down the columns devoted to classified advertising. Half way down the first column, under the head of "miscellaneous," he paused and read a paragraph with some interest; then read it over again, emitting a soft whistle between his teeth. "Well, by Jove!" he said to himself slowly, "That doesn't sound so bad either; out of the ordinary, at least. Say, Thompson," and he turned to a tall young fellow busily writing at the adjoining desk, and shoved the paper under his eyes, ...

Anglophone Imogene Jackson grew up in an English suburb on the uneasy edge of a francophone world. At the age of nineteen she quit college to marry a shoemaker from the close-knit French village of Saint-Ange-du-Lac. For ten years she has lived with her husband, Thomas, above his family's historic shoe shop, immersed in village life. When Thomas dies in a car accident, she is shattered and her hard-won mastery of the French language deserts her. Isolated and grief-stricken, she retreats to her childhood home. There she discovers that a petty drug dealer she knows from the village has rented a ramshackle farmhouse, nicknamed the "Apple House," at the corner of her parents' street and befriended her easily influenced brother Petey. Her childhood obsession with the old house resurfaces and she finds herself confronting events from both her recent and more distant past as her two worlds collide. Set in 1970s Quebec and written with a gentle humour, The Apple House is an intimate portrait of life during a time of great change.

Mariam thought it was going to be a weekend of relaxation. She has her little brother to take care of, but she can handle that without much of a problem. That all changes when Vince gets sick, and Mariam has no choice but to call the family doctor. John and Nick decide tonight is perfect to burglarize a house. They stake the place out and are delighted to find the only people inside are a teenager and a young boy – an easy in-and-out job. Or so they think. What ensues is a battle between the siblings that are home alone and the two bad men. Little do any of them know someone else plans to make a house call of their own. The ultimate 90s throwback—who put a slasher film in the Home Alone case at Blockbuster? It was Ty Schwamberger, splicing the best of the VHS era together! —Nick Mamatas, author of The Second Shooter and Sabbath “Dark, edgy, and quickly paced, Ty Schwamberger’s House Call is an unsettling, don’t-answer-the-door chiller that’s sharp as a razor, and just as deadly.” —Greg F. Gifune, author of Midnight Solitaire and God Machine

A psychological mystery centered on the murder of two showgirls in 1930s St. Paul, Minnesota. A man is arrested and everything points to his guilt, but Lieutenant Horner is convinced the man is innocent. By the author of In the Deep Midwinter.