Enter a world equal parts Dexter and 50 Shades in this first, award winning erotic thriller from A.R. Torre! My life is simple, as long as I follow the rules. 1. Don't leave the apartment. 2. Never let anyone in. 3. Don't kill anyone. I've obeyed these rules for three years. But rules were made to be broken.

Enter a world equal parts Dexter and 50 Shades of Grey in this first award winning erotic thriller from A.R. Torre! My life is simple, as long as I follow the rules. 1. Don't leave the apartment. 2. Never let anyone in. 3. Don't kill anyone. I've obeyed these rules for three years. But rules were made to be broken. Praise for The Girl in 6E: “This is a taut, edgy, thrill ride, powerfully gripping and impossible to turn away from." —David Bell, author of Never Come Back and Cemetery Girl "Dark, edgy, and thrilling in a completely unexpected way." —Lisa Renee Jones, New York Times bestselling author of The Inside Out series “Torre has written a beautifully warped thriller that will be staying with this reviewer for a long time to come." —RT Book Reviews (Top Pick)

"I haven't touched a human in three years. That seems like it would be a difficult task, but it's not. Not anymore, thanks to the internet. I am, quite possibly, the most popular recluse ever. Not many shut-ins have a 200-member fan club, a bank account in the seven-figure range, and hundreds of men lining up to pay for undivided attention. They get satisfaction, I get a distraction. Their secret desires are nothing compared to why I hide... my lust for blood, my love of death. Taking their money is easy. Keeping all these secrets... one is bound to escape. What if you hid yourself away because all you could think of was killing? And what if one girl's life depending on you venturing into society? Enter a world of lies, thrills, fears, and all desires, in this original thriller from A. R. Torre"--

Equal parts Dexter and 50 Shades, this is the eagerly awaited new novel from A. R. Torre, author of the award winning erotic thriller, The Girl in 6E. The rules are the same. I can't open the door. I can't leave. I can't kill anyone. The only difference is, I don't set the rules anymore. Guards in grey uniforms do. It is everything I never wanted and everything I always deserved. I write to you now, from a prison cell. My home for the next twenty to thirty years. That's the going term for murder.

In this chilling psychological thriller debut, one woman’s dark past becomes another’s deadly future. In 2003, sixteen-year-old Rebecca Winter disappeared. She’d been enjoying her summer break: working at a fast-food restaurant, crushing on an older boy and shoplifting with her best friend. Mysteriously ominous things began to happen—a presence in her room at night, periods of blackouts, a feeling of being watched—though Bec remained oblivious of what was to come. Eleven years later she is replaced. A young woman, desperate after being arrested, claims to be the decade-missing Bec. Soon the impostor is living Bec’s life. Sleeping in her bed. Hugging her mother and father. Learning her best friends’ names. Playing with her little brothers. But Bec’s welcoming family and enthusiastic friends are not quite as they seem. As the impostor dodges the detective investigating her case, she begins to delve into the life of the real Bec Winter—and soon realizes that whoever took Bec is still at large, and that she is in imminent danger. Praise for Only Daughter “Twisty, slippery, and full of surprises, this web of lies will ensnare you and keep you riveted until you’ve turned the final page.” —Lisa Unger, New York Times–bestselling author of Ink and Bone “[A] dark and edgy debut. . . . Truly distinctive and tautly told, Only Daughter welcomes a thrilling new voice in crime fiction.” —Mary Kubica, New York Times–bestselling author of The Good Girl “Snoekstra’s excellent debut stands out in the crowded psychological suspense field with smart, subtle red herrings and plenty of dark and violent secrets. Recommend to genre aficionados and readers who enjoyed Lisa Lutz’s The Passenger.” —Library Journal (starred review)

A chilling and spooky Gothic historical thriller reminiscent of Rebecca and The Turn of the Screw, dripping with the dark twists and eerie surprises that are the hallmarks of Edgar Allan Poe, from the New York Times and internationally bestselling author of Citadel. In a remote village near the English coast, residents gather in a misty churchyard. More than a decade into the twentieth century, superstition still holds sway: It is St. Mark’s Eve, the night when the shimmering ghosts of those fated to die in the coming year are said to materialize and amble through the church doors. Alone in the crowd is Constantia Gifford, the taxidermist’s daughter. Twenty-two and unmarried, she lives with her father on the fringes of town, in a decaying mansion cluttered with the remains of his once world-famous museum of taxidermy. No one speaks of why the museum was shuttered or how the Giffords fell so low. Connie herself has no recollection—a childhood accident has erased all memory of her earlier days. Even those who might have answers remain silent. The locals shun Blackthorn House, and the strange spinster who practices her father’s macabre art. As the last peal of the midnight bell fades to silence, a woman is found dead—a stranger Connie noticed near the church. In the coming days, snippets of long lost memories will begin to tease through Connie’s mind, offering her glimpses of her vanished years. Who is the victim, and why has her death affected Connie so deeply? Why is she watched by a mysterious figure who has suddenly appeared on the marsh nearby? Is her father trying to protect her with his silence—or someone else? The answers are tied to a dark secret that lies at the heart of Blackthorn House, hidden among the bell jars of her father’s workshop—a mystery that draws Connie closer to danger . . . closer to madness . . . closer to the startling truth.

Madison. Paul. Stewart. They have accepted the situation. Stewart, because his life is too busy for the sort of obligations that are required in a relationship. Paul, because he loves Madison too much to tell her no. And because her sexual appetite is such that one man has trouble keeping up. So they exist, parallel relationships, each running their own course, with no need for intersection or conflict. Dana sat in the background and waited, saw the relationships, the love, and the moment that it all fell apart. She loves them. Everything else hangs in the balance.