The owner of the bookshop THE VERB TO BE, is a red-haired giant imprisoned in an enormous body and his solitude. One wet afternoon, driving a vanload of new and second-hand books, �tienneVollard knocks down and seriously injures a little girl, �va. In the hospital, he meets �va's mother, Th�r�se, a struggling single parent who lacks maternal instincts and whose dream is to be faraway, alone. Both are haunted by guilt: Th�r�se because of her lateness in collecting her daughter, and Vollard because he did not manage to stop his car on time (even if he knows that he could not have avoided -va: indeed she seemed to throw herself in front of the car). Vollard visits �va regularly while she is in a coma and reads books to her, while Th�r�se spaces her visits out. When �va eventually wakes up, she has become mute and is terribly weakened. A few weeks after �va has been sent to a rehabilitation centre in the Massif de la Chartreuse, Th�r�se gets a job faraway and asks Vollard to visit her daughter on her behalf. Soon, Vollard enjoys their walks in the mountain, where he tells her stories and poems he has memorized and tries to break her out of her mute, impassive shell. However, nothing seems to help "La Petite Chartreuse" - Vollard calls �va that way in reference to the monastic order of the Chartreux - to enjoy life again. She becomes weaker everyday to such a point that Vollard decides to find Th�r�se and to take her back to her daughter before it is too late . . .

Etienne Vollard, owner of the bookshop The Verb To Be, is a red-haired man imprisoned in an enormous body and his solitude. One wet afternoon, driving a vanload of books, he knocks down and seriously injures a little girl, Eva. In the hospital, he meets Eva's mother, Therese, a struggling single parent who lacks maternal instincts and whose dream is to be far away, alone. Both are haunted by guilt: Therese because of her lateness in collecting her daughter, and Vollard because he did not manage to stop his car on time (even if he knows that he could not have avoided Eva). Vollard visits Eva regularly while she is in a coma and reads books to her, while Therese spaces her visits out. When Eva eventually wakes up, she has become mute and is terribly weakened. A few weeks after Eva has been sent to a rehabilitation centre in the Massif de la Chartreuse, Therese gets a job far away and asks Vollard to visit her daughter on her behalf. However, nothing seems to help "La Petite Chartreuse" - Vollard calls Eva that way in reference to the monastic order of the Chartreux - to enjoy life again. She becomes weaker every day to such a point that Vollard decides to find Threse and to take her back to her daughter before it is too late...

Chet Gecko loves a good mystery. Almost more than he loves his fee—stinkbug pie. So when fellow fourth grader Shirley Chameleon asks him to find her missing brother, Billy, Chet expects the case to be as easy a pie. But Billy's disappearance is part of a larger plot, one that involves the Rat Sisters, a riddling junkyard dog, and a vicious Gila monster named Herman. If Chet doesn't solve the case fast, the entire school could be humiliated. Worst of all, Chet might not get his fee. And Chet's hungry. . . .

From the New York Times bestselling author of Are You There God? It’s Me, Margaret and the adult bestseller In the Unlikely Event comes a tale of family, friendship, and pre-teen life like only JUDY BLUME can deliver. The companion to Here’s to You, Rachel Robinson. Can you have more than one best friend? Stephanie’s best friend is Rachel. Since second grade they’ve shared everything, good and bad. But now it’s the start of seventh grade and Alison has just moved to their neighborhood. Stephanie immediately clicks with her—she’s cool and fun and totally humble even though she’s the daughter of a famous actress. Stephanie hopes all three of them can be best friends, but the more she pushes Alison on Rachel, the more Rachel seems to drift away. Is it possible to have two best friends? Or is it true that two’s company, three’s a crowd? “Judy Blume does it again in what may be her best book yet!” –American Bookseller

“Jackson at her best: plumbing the extraordinary from the depths of mid-twentieth-century common. [Just an Ordinary Day] is a gift to a new generation.”—San Francisco Chronicle Acclaimed in her own time for her short story “The Lottery” and her novel The Haunting of Hill House—classics ranking with the work of Edgar Allan Poe—Shirley Jackson blazed a path for contemporary writers with her explorations of evil, madness, and cruelty. Soon after her untimely death in 1965, Jackson’s children discovered a treasure trove of previously unpublished and uncollected stories, many of which are brought together in this remarkable collection. Here are tales of torment, psychological aberration, and the macabre, as well as those that display her lighter touch with humorous scenes of domestic life. Reflecting the range and complexity of Jackson’s talent, Just an Ordinary Day reaffirms her enduring influence and celebrates her singular voice, rich with magic and resonance. Praise for Shirley Jackson “[Jackson’s] work exerts an enduring spell.”—Joyce Carol Oates “Shirley Jackson’s stories are among the most terrifying ever written.”—Donna Tartt “An amazing writer . . . If you haven’t read [Jackson] you have missed out on something marvelous.”—Neil Gaiman “Shirley Jackson is unparalleled as a leader in the field of beautifully written, quiet, cumulative shudders.”—Dorothy Parker “An author who not only writes beautifully but who knows what there is, in this world, to be scared of.”—Francine Prose “The world of Shirley Jackson is eerie and unforgettable.”—A. M. Homes “Jackson enjoyed notoriety and commercial success within her lifetime, and yet it still hardly seems like enough for a writer so singular. When I meet readers and other writers of my generation, I find that mentioning her is like uttering a holy name.”—Victor LaValle

A Hulu Original Series Coming Soon “Riveting, fearless, and vividly original” (Emily St. John Mandel, New York Times bestselling author), this instant New York Times bestseller explores the tension that unfurls when two young Black women meet against the starkly white backdrop of New York City book publishing. Twenty-six-year-old editorial assistant Nella Rogers is tired of being the only Black employee at Wagner Books. Fed up with the isolation and microaggressions, she’s thrilled when Harlem-born and bred Hazel starts working in the cubicle beside hers. They’ve only just started comparing natural hair care regimens, though, when a string of uncomfortable events elevates Hazel to Office Darling, and Nella is left in the dust. Then the notes begin to appear on Nella’s desk: LEAVE WAGNER. NOW. It’s hard to believe Hazel is behind these hostile messages. But as Nella starts to spiral and obsess over the sinister forces at play, she soon realizes that there’s a lot more at stake than just her career. Having joined Wagner Books to honor the legacy of Burning Heart, a novel written and edited by two Black women, she had thought that this animosity was a relic of the past. Is Nella ready to take on the fight of a new generation? “Poignant, daring, and darkly funny, The Other Black Girl will have you stressed and exhilarated in equal measure through the very last twist” (Vulture). The perfect read for anyone who has ever felt manipulated, threatened, or overlooked in the workplace.

Spoiled and vain, Aree cannot decide which of her many silken dresses and lavish jewels to wear to the dance, so she wears them all.