“I wish with all my heart that you were in school. I love my country, Daughter, but here we have been robbed of our most precious gifts: thought and imagination. Only in an atmosphere of peace and security can artists, poets, and writers flourish. Without our artists and storytellers, we have no history, and without history our future is unmoored—we drift. It is art, never war, that carries culture forward.”

The New York Times bestseller, written by a former reporter for ABC News, that People magazine called “a transporting, enlightening book” tells the story of a fearless young entrepreneur who brought hope to the lives of dozens of women in war-torn Afghanistan Former ABC journalist Gayle Tzemach Lemmon tells the riveting true story of Kamila Sidiqi and other women of Afghanistan in the wake of the Taliban’s fearful rise to power. In what Greg Mortenson, author of Three Cups of Tea, calls “one of the most inspiring books I have ever read,” Lemmon recounts with novelistic vividness the true story of a fearless young woman who not only reinvented herself as an entrepreneur to save her family but, in the face of ferocious opposition, brought hope to the lives of dozens of women in war-torn Kabul.

Winner, Silver Medal in the Multicultural Category, 2018 IBPA Benjamin Franklin Awards Fifteen years ago, Rangina Hamidi decided to dedicate her life to helping rebuild her native Kandahar, Afghanistan. The Taliban had been driven out by American forces following 9/11, but Kandahar was a shambles. Tens of thousands of women, widowed by years of conflict, struggled to support themselves and their families. Rangina started an entrepreneurial enterprise, using the exquisite traditional embroidery of Kandahar, to help women work within the cultural boundaries of Pashtunwali to earn their living and to find a degree of self-determination. Thus Kandahar Treasure was born. This book traces the converging paths of traditional khamak embroidery and the 300 brave women who have found in it a way to build their lives. The late, award-winning photojournalist Paula Lerner was dedicated to telling the stories of women in Afghanistan. Her remarkable images throughout the book show Afghan women's profound struggle, strength, and beauty.

The New York Times–bestselling account of an elite team of female soldiers is “compelling. . . . In battle as in life, these women refuse to quit” (Christian Science Monitor). In 2010, the Army created Cultural Support Teams, a secret pilot program to insert women alongside Special Operations soldiers battling in Afghanistan. Their presence had a calming effect on enemy households, but more importantly, the CSTs were able to search adult women for weapons and gather crucial intelligence. They could build relationships—woman to woman—in ways that male soldiers in an Islamic country never could. In Ashley’s War, Gayle Tzemach Lemmon uses on-the-ground reporting and a finely tuned understanding of the complexities of war to tell the story of CST-2, a unit of women hand-picked from the Army to serve in this highly specialized role. The pioneers of CST-2 proved for the first time that women might be physically and mentally tough enough to become Special Ops. The price of professional acceptance was personal loss and social isolation: the only people who really understand the women of CST-2 are each other. At the center of this story is a friendship and the shared perils of up-close combat. At the heart of the team is the tale of a beloved and effective soldier, Ashley White. “An unforgettable story of female soldiers breaking the brass ceiling. . . . This book will inspire you.” —Sheryl Sandberg, #1 International bestselling author of Lean In “A tremendous story. . . . Very moving.” —The Daily Show with Jon Stewart “Ashley’s War shares the remarkable stories of one of the first teams of women serving in the U.S. Army Special Operations Command.” —Senator John McCain

Written with compassion, intelligence and insight, A Bed of Red Flowers is a profoundly moving portrait of life under occupation and the unforgettable story of a family, a people and a country. "The picnic of the red flower" is a traditional time of celebration for Afghans. One of Nelofer Pazira's earliest memories is of people gathering in the countryside to admire the tulips and poppies carpeting the landscape. It is the mid-1970s, and her parents are building a future for themselves and their young children in the city of Kabul. But when Nelofer is just five the Communists take power and her father, a respected doctor, is imprisoned along with thousands of other Afghans. The following year, the Russians invade Afghanistan, which becomes a police state and the center of a bloody conflict between the Soviet army and American-backed mujahidin fighters. A climate of violence and fear reigns. For Nelofer, there is no choice but to grow up fast. At eleven, she and her friends throw stones at the Russian tanks that stir up dust and animosity in the streets of Kabul. As a teenager she joins a resistance group, hiding her gun from her parents. Her emotional refuge is her friendship with her classmate Dyana, with whom she shares a passion for poetry, dreams and a better life. After a decade of war, Nelofer's family escapes across the mountains to Pakistan and later to Canada, where she continues to write to Dyana. When her friend suddenly stops writing, Nelofer fears for Dyana's life. With lyrical, narrative prose, A Bed of Red Flowers movingly tells Pazira's haunting story, as well as Afghanistan's story as a nation.

The director of the American-Afghan war describes how he orchestrated the defeat of the Taliban in the region by forging separate alliances with warlords, Taliban dissidents, and the Pakistani intelligence service.

A young woman poses for the cover of a magazine. A Canadian soldier serving in Kandahar falls in love with her photograph and sends her an email. The Darling of Kandahar tells an astonishing story of love, loss, and displacement against the background of the war in Afghanistan, of the founding of the city of Montreal and of a city now crowded with immigrants. When Felicia Mihalis first novel appeared in French in 2002, it was compared to Marie-Claire Blaiss masterpiece, A Season in the Life of Emmanuel. Making her English-language dbut with The Darling of Kandahar, Mihali now joins Nancy Huston as one of the few writers working in English as well as French.