From the beginning, Myrna Loy’s screen image conjured mystery, a sense of something withheld. "Who is she?" was a question posed in the first fan magazine article published about her in 1925. This first ever biography of the wry and sophisticated actress best known for her role as Nora Charles, wife to dapper detective William Powell in The Thin Man, offers an unprecedented picture of her life and an extraordinary movie career that spanned six decades. Opening with Loy’s rough-and-tumble upbringing in Montana, the book takes us to Los Angeles in the 1920s, where Loy’s striking looks caught the eye of Valentino, through the silent and early sound era to her films of the thirties, when Loy became a top box office draw, and to her robust post–World War II career. Throughout, Emily W. Leider illuminates the actress’s friendships with luminaries such as Cary Grant, Clark Gable, and Joan Crawford and her collaborations with the likes of John Barrymore, David O. Selznick, Sam Goldwyn, and William Wyler, among many others. This highly engaging biography offers a fascinating slice of studio era history and gives us the first full picture of a very private woman who has often been overlooked despite her tremendous star power.

Diana McLellan reveals the complex and intimate connections that roiled behind the public personae of Greta Garbo, Marlene Dietrich, Tallulah Bankhead, and the women who loved them. Private correspondence, long-secret FBI files, and troves of unpublished documents reveal a chain of lesbian affairs that moved from the theater world of New York, through the heights of chic society, to embed itself in the power structure of the movie business. The Girls serves up a rich stew of film, politics, sexuality, psychology, and stardom.

Now, Voyager, Stella Dallas, Leaver Her to Heaven, Imitation of Life, Mildred Pierce, Gilda…these are only a few of the hundreds of “women’s films” that poured out of Hollywood during the thirties, forties, and fifties. The films were widely disparate in subject, sentiment, and technique, they nonetheless shared one dual purpose: to provide the audience (of women, primarily) with temporary liberation into a screen dream—of romance, sexuality, luxury, suffering, or even wickedness—and then send it home reminded of, reassured by, and resigned to the fact that no matter what else she might do, a woman’s most important job was…to be a woman. Now, with boundless knowledge and infectious enthusiasm, Jeanine Basinger illuminates the various surprising and subversive ways in which women’s films delivered their message. Basinger examines dozens of films, exploring the seemingly intractable contradictions at the convoluted heart of the woman’s genre—among them, the dilemma of the strong and glamorous woman who cedes her power when she feels it threatening her personal happiness, and the self-abnegating woman whose selflessness is not always as “noble” as it appears. Basinger looks at the stars who played these women and helps us understand the qualities—the right off-screen personae, the right on-screen attitudes, the right faces—that made them personify the woman’s film and equipped them to make believable drama or comedy out of the crackpot plots, the conflicting ideas, and the exaggerations of real behavior that characterize these movies. In each of the films the author discusses—whether melodrama, screwball comedy, musical, film noir, western, or biopic—a woman occupies the center of her particular universe. Her story—in its endless variations of rags to riches, boy meets girl, battle of the sexes, mother love, doomed romance—inevitably sends a highly potent mixed message: Yes, you women belong in your “proper place” (that is, content with the Big Three of the women’s film world—men, marriage, and motherhood), but meanwhile, and paradoxically, see what fun, glamour, and power you can enjoy along the way. A Woman’s View deepens our understanding of the times and circumstances and attitudes out of which these movies were created.

This story alternates focusing on the life of the Pennington family, a group of simple ranchers, and Grace Evans, a young Hollywood actress. As Grace struggles to find work in Hollywood, she meets a director who will change the course of her life forever. Amidst the glamour, there is a dark side to Hollywood that Grace will soon fall prey to. Meanwhile, life on the ranch is not uncomplicated either. The reach of drugs and greed knows no bounds.

During the 1960s, many models, Playboy centerfolds, beauty queens, and Las Vegas showgirls went on to become "decorative actresses" appearing scantily clad on film and television. This well illustrated homage to 75 of these glamour girls reveals their unique stories through individual biographical profiles, photographs, lists of major credits and, frequently, in-depth personal interviews. Included are Carol Wayne, Edy Williams, Inga Neilsen, Thordis Brandt, Jo Collins, Phyllis Davis, Melodie Johnson, and many equally unforgettable faces of sixties Hollywood.

Life at the top of the A-list is fabulous, but it’s a long way to the ground if you fall—and the cameras are always waiting to publicly humiliate you if you do. Jessica, Mary Anne, Lydia, and Celeste have stayed at the top by sticking together. The last time they collaborated on a project, the film was a huge success, launching über-agent Jessica’s boutique management company, making Mary Anne the hottest new screenwriter in Hollywood, landing Lydia the top spot at Worldwide Pictures, and solidifying Celeste’s position as the queen of Tinseltown. But this time, as these powerful movie mavens are called to the set, each of them has a lot more to lose. At thirty (ahem . . . thirty-six), actress Celeste Solange is starting to feel her age. Tiny lines are beginning to appear near her eyes, and she’s wondering how long she can hold on to her A-list status. But that’s not her biggest problem—not by a long shot. A compromising DVD she made with her husband during the wild early days of their marriage is making the rounds, threatening to break out onto the Internet and ruin her image and her career. So Celeste turns to her girlfriends for help—good thing they’re some of the most powerful players in town. Mary Anne, Lydia, and Jessica have troubles of their own. Mary Anne has started seeing Holden Humphrey, the hottest leading man in Hollywood, and everyone in America is watching—including his crazy young stalker, who wants Mary Anne out of the picture. Lydia is busy running a studio, putting out fires, and playing politics with the big mouths and big egos of the entertainment elite, and now someone is trying to blackmail her. Jessica is juggling a family, a demanding career, and an even more demanding list of clients. And meanwhile, publicist Kiki Dee seems to have a hand in all the secrets . . . and she’s willing to do anything to keep her spot at the top of the Hollywood PR machine. Can the Hollywood Girls Club hold their lives together and get a film made amid all the craziness? That’s life in Hollywood—where the right friends, and the secrets they know, can make or break a career. From the Hardcover edition.

Angela Clark fell head over heels for New York, but will the sun-drenched glamour of Hollywood win her heart?