From the publishers of The Unofficial Guide to Walt Disney World "A Tourist's Best Friend!" - Chicago Sun-Times "Indispensable" - The New York Times Five Great Features and Benefits offered ONLY by The Unofficial Guide : Over 50 detailed profiles of hotels rated and ranked for value and quality The best restaurants for every taste and budget All the details on London's attractions - which ones are worth your while, and how much time to budget for the must-sees Money-saving tips, including how to get into museums for free or reduced prices, and how to tour London on a double-decker bus for a All the details on how to enjoy London with your kids

As the practice of fashion curation extends into commercial galleries, public and retail spaces, and even to the individual self, professional concepts of 'curating' are undergoing rapid change. Today, everyone is seemingly able to 'curate', but where does this leave the traditional understanding of curation as clothing collected and displayed in a museum? This thought-provoking volume explores the practice of fashion curating in the 21st century, bridging the gap between methods of display and notions of 'the curatorial' in fashion exhibitions, commercial settings, and the virtual world. From fashion's earliest forays into the museum to creative collaborations between luxury fashion brands and artists, this book challenges understandings of fashion curation by drawing on the palpably new spaces, places, and actors in today's curating scene. Exploring poetic and performative museum displays in venues such as the V&A, Somerset House, MoMu and the Royal Ontario Museum, alongside the ways that brands such as Dior, Chanel and Louis Vuitton have made use of 'the curatorial' in their own commercial strategies, Fashion Curating asks pressing questions about controversial funding and collaboration from the commercial fashion sector, and the limitations of producing exhibitions that are at the same time critical and popular. Bringing together approaches from fashion curators, designers and world-renowned academics, curation is positioned as a critical practice that opens up new ways of conceptualizing and theorizing fashion, challenging how we think and what we already know.

"Royal palaces, stylish shops, museums, pubs, detailed maps, 100s of color photos"--Cover.

This collection of fourteen essays by distinguished art and cultural historians examine points of similarity and difference in British and American art collecting. Half the essays examine the trends that dominated the British art collecting scene of the nineteenth century. Others focus on American collectors, using biographical sketches and case studies to demonstrate how collectors in the United States embellished the British model to develop their own, often philanthropic approach to art collecting.

Highlights the history, culture, and contemporary life of the city and offers detailed walking tours of historic areas and complete visitor information.

This unique blend of memoir and history takes “a multi-layered look at jigsaw puzzles . . . charming [and] fascinating” (Publishers Weekly, starred review). Award-winning author Margaret Drabble weaves her own story into a history of games, in particular jigsaws, which have offered her and many others relief from melancholy and depression. Alongside curious facts and discoveries—for example, that the 1929 stock market crash was followed by a boom in puzzle sales—Drabble introduces us to her beloved Auntie Phyl, and describes childhood visits to the house in Long Bennington on the Great North Road, their first trip to London together, the books they read, and the jigsaws they completed. With penetrating sketches of her parents, siblings, and children, Drabble shares her thoughts on the importance of childhood play, art and writing, aging and memory. And she does so with her customary intelligence, energy, and wit.

This catalogue covers around 200 pieces of jewellery dating from the 1850s to the 1980s, products of the American company Tiffany & Co. The essays chart the early years of the store, its transformation into a world leader and its re-establishment as a worldwide brand after 1945.