"It is a special joy to have the complete text of The Gift, a stunning work in the H.D. canon, a work of import for studies in autobiography and the essay, for understanding the spiritual crisis of modernism, and as a climactic work in the career of an extraordinary 20th-century woman writer."--Rachel Blau DuPlessis, Temple University "All students and teachers of American literature will value this book for the light it throws on the poet who is, I believe, the most important female poet in America since Emily Dickinson, and indeed the most important female poet writing in the English language during the 20th century."--Louis L. Martz, Yale University In this complete, unabridged edition of H.D.'s visionary memoir, The Gift, Jane Augustine makes available for the first time the text as H.D. wrote it and intended it to be read, including H.D.’s coda to the book, her "Notes," never before published in its entirety. Written in London during the blitz of World War II, The Gift re-creates the peaceful childhood of Hilda Doolittle in Bethlehem, Pennsylvania, where she was born in 1886. As an antidote to war’s destructiveness, H.D. invokes the mystical Moravian heritage of her mother's family to convey an ideal world peace and salvation that would come through the spiritual power of women--a power that also endowed her with "the gift" of her own art. Although H.D.’s androgynous signature first associated her with early 20th-century Imagist poetics, The Gift exemplifies her continuing innovations in prose. She uses the child-voice, flashback, and stream-of-consciousness techniques reminiscent of Virginia Woolf, Gertrude Stein, and Dorothy Richardson, but expands the genre of memoir through free-associative meditations on myth and her lengthy essayistic "Notes" on Moravian history, emphasizing the pioneer missionaries' rapport with Native Americans.. The Gift is key to intertextual studies of H.D.’s wartime oeuvre and to an understanding of the religious and gender concerns pervading her later work, especially the women-centered poems Trilogy and Helen in Egypt. Augustine’s introduction and annotations, based on extensive research in Moravian archives, provide a biographical and historical context to make this the definitive edition of The Gift, essential to students and scholars of H.D., modernism, and feminist literature.

"Bringing together Writing on the Wall, composed some ten years after H.D's stay in Vienna, and Advent, a journal she kept at the time of her analysis there, Tribute to Freud offers a rare glimpse into the consulting room of the father of psychoanalysis. It may also be the most intimate of H.D.'s works.Compelled by historical as well as personal crises, the poet worked with Freud during 1933-34. The streets of Vienna were littered with tokens dropped like confetti on the city, stating Hitler gives work. Hitler gives bread. Having endured World War I, she was now gathering her resources to face the second cataclysm she knew was approaching. In analysis, Hilda Doolittle explored her Pennsylvania childhood, her relationship with Ezra Pound (inventory of her nom de plume H.D.), Havelock Ellis, D.H. Lawrence, her ex-husband Richard Aldington, and subsequent companion Winifred Ellerman ( Bryher ), as well as her own creative processes.Freud, regarding H.D. as a student as well as a patient, wads hardly the detached presence one might imagine. Revealed here in the poet's words and in his own letters, which comprise an appendix, is the considerate friend, the charming Viennese gentleman--art collector, dog lover, wit--and the pioneer, always revising his ideas and possessed of an insight that could be terrifying in its force."--Publisher's description.

They had been engaged for a period, and what began as a brief romance developed into a lifetime's friendship and collaboration in poetry. Throughout the reminiscence runs H. D's conviction that her life and Pound's had been irrevocably entwined since those early days when they had walked together in the Pennsylvania woods and he wrote for her verse after William Morris, Rossetti, Swinburne, and Chaucer. Twenty-five of these poems, handbound in vellum by Pound and called "Hilda's Book," are published here for the first time as an epilogue to this important and moving document.

"What began in 1959 as a simple homage to the modernist poet H.D. (Hilda Doolittle) developed into an expansive and unique quest for a poetics that would fuel Duncan's great work into the 1960s and 1970s. A meditation on both the roots of modernism and its manifestation in the writings of H.D., Djuna Barnes, Ezra Pound, D.H. Lawrence, Gertrude Stein, William Carlos Williams, Virginia Woolf, and many others, Duncan's wide-ranging work is especially notable for illuminating the role women played in creating literary modernism"--From publisher description.

This late collection, written in the last years of H.D.'s life, is a testament to the fine ear and mythic sense of a poet who is now recognized as one of the greatest of her generation. H. D.’s (Hilda Doolittle, 1884-1961) late poems of search and longing represent the mature achievement of a poet who has come increasingly to be recognized as one of the most important of her generation. The title poem and other long pieces in this collection ("Sagesse" and "Winter Love") were written between 1957 and her death four years later, and are heretofore unpublished, except in fragments. We can see now in proper context her fine ear for the free line, and understand why other poets, such as Denise Levertov, Robert Creeley, and Robert Duncan, find so much to admire in H. D.’s work. As in her earlier books, one level of H.D.’s significant poetic statement derives from her intimate knowledge of and identification with classical Greek and arcane cultures; taken together, these elements make up the poet’s own personal myth. Norman Holmes Pearson, H. D’s friend and literary executor, has contributed an illuminating foreword to this impressive collection. H. D.’s (Hilda Doolittle, 1884-1961) late poems of search and longing represent the mature achievement of a poet who has come increasingly to be recognized as one of the most important of her generation. The title poem and other long pieces in this collection ("Sagesse" and "Winter Love") were written between 1957 and her death four years later, and are heretofore unpublished, except in fragments. We can see now in proper context her fine ear for the free line, and understand why other poets, such as Denise Levertov, Robert Creeley, and Robert Duncan, find so much to admire in H. D.’s work. As in her earlier books, one level of H.D.’s significant poetic statement derives from her intimate knowledge of and identification with classical Greek and arcane cultures; taken together, these elements make up the poet’s own personal myth. Norman Holmes Pearson, H. D’s friend and literary executor, has contributed an illuminating foreword to this impressive collection.

"Your lights are but dank shoals; slate and pebbles and wet shells; and sea weed fastened to the rocks." The book 'Sea Garden' is a collection of poems mainly themed on the sea and its natural scenery, as well as its perils to the sea faring. Some of the poem titles include: "She watches over the sea", "Mid-day", "Pursuit", "The Contest" and "Sea Lily."