An Extraordinarily Moving Tale Of A Small-Town Schoolteacher. The New Novel From The Winner Of The Commonwealth Writers Prize For Best First Novel Vasu Master Has Recently Retired From His Job In A Local School. Away From The Familiar Circumscribed World Of School, Principal And Classroom, He Begins To Relive Incidents From The Past And Discover In His Own Halting But Imaginative Way The Nature Of Teaching, Teacher And Pupil. This Process Of Self-Discovery Is Speeded Up By The Arrival Of Mani, Who Cannot-Or Will Not-Speak. Vasu Master Tells The Reticent Child One Fantastic Story After The Other As He Faces Up To The Biggest Challenge Of His Life: Can He Teach (Or Heal) Mani? Using Fantasy, Fable And A Host Of Wonderfully Imagined Characters-And The Gentle, Humane And Philosophic Voice Of Vasu Master-The Author Creates A Richly Textured And Complex Work That Eloquently Explores The Human Condition And The Underlying Principles Of All Human Action.

Winner Of The 1993 Commonwealth Writers&Rsquo; Prize For Best First Book What Makes A Dutiful Daughter, Wife, Mother? What Makes A Good Indian Woman? Devi Returns To Madras With An American Degree, Only To Be Sucked In By The Old Order Of Things&Mdash;A Demanding Mother&Rsquo;S Love, A Suitable But Hollow Marriage, An Unsuitable Lover Who Offers A Brief Escape. But The Women Of The Hoary Past Come Back To Claim Devi Through Myth And Story, Music And Memory. They Show Her What It Is To Stay And Endure, What It Is To Break Free And Move On.Sita Has Been The Ideal Daughter-In-Law, Wife And Mother. But Now That She Has Arranged A Marriage For Her Daughter She Has To Come To Terms With An Old Dream Of Her Own. Mayamma Knows How To Survive As The Old Family Retainer, Bending The Way The Wind Blows. But, Through Devi, She Too Can See A Different Life. A Subtle And Tender Tale Of Women'S Lives In India, This Award-Winning Novel Is Structured With The Delicacy And Precision Of A Piece Of Music. Fusing Myth, Tale And The Real Voices Of Different Women, The Thousand Faces Of Night Brings Alive The Underworld Of Indian Women&Rsquo;S Lives. &Lsquo;

&Lsquo;Githa Hariharan&Rsquo;S Fiction Is Wonderful&Mdash;Full Of Subtleties And Humour And Tenderness&Rsquo; &Mdash;Michael Ondaatje Mala&Rsquo;S Home In Delhi Is Empty, Save For A Lifetime Of Sketches Left Behind By Her Late Husband Asad And The Memories They Conjure. Sifting Through Them On Restless Afternoons And Sleepless Nights, Mala Summons Ghosts From Her Childhood, Relives The Heady Days Of Love And Optimism When Asad And She Robustly Defied Social Conventions To Build A Life Together&Mdash;And Struggles To Understand How Events Far Removed Could So Easily Snatch Away The Certainties They Had Always Taken For Granted. As Their Story Unfolds, Others Emerge: Of Sara, Mala And Asad&Rsquo;S Daughter, Who, Unable To Commit To A Cause That Will Renew Her Faith In Her Parents&Rsquo; Ideals And Her Own, Embarks On A Search For Purpose That Brings Her From Mumbai To Ahmedabad, The Venue Of Recent Carnage. Of Yasmin, Whom Sara Meets Across A Lately Created &Lsquo;Border&Rsquo;, A Survivor Of Mayhem Secretly Dreaming Of College And The Miraculous Return Of Her Missing Brother, Akbar, As She Navigates Menacing By-Lanes To Reach Her School Safely Every Day. Of Innumerable Other Lives Trapped In Limbo&Mdash;Some Caught In A Mesh Of Memory, Anguish And Hate, Others Seeking Release In Private Dreams And Valiant Hopes. Marked By An Astonishing Clarity Of Observation And Deep Compassion, Fugitive Histories Exposes The Legacy Of Prejudice That, Sometimes Insidiously, Sometimes Perceptibly, Continues To Affect Disparate Lives In Present-Day India. In Prose That Is At Once Elegant, Playful And Startlingly Inventive, Githa Hariharan Portrays With Remarkable Precision The Web Of Human Connections That Binds As Much As It Divides.

&Lsquo;The Powerless Must Have A Dream Or Two, Dreams That Break Walls, Dreams That Go Through Walls As If They Are Powerless.&Rsquo; A Magical Tour De Force By A Writer At The Height Of Her Powers, When Dreams Travel Weaves Round Scheherazade&Mdash;Or Shahrzad Of The Thousand And One Nights&Mdash;A Vibrant, Inventive Story About That Old Game That&Rsquo;S Never Played Out: The Quest For Love And Power. The Curtain Opens On Four Figures, Two Men And Two Women. There Is The Sultan Who Wants A Virgin Every Night; There Is His Brother, Who Makes An Enemy Of Darkness And Tries To Banish It; And There Are Their Ambitious Brides, The Sisters Shahrzad And Dunyazad, Aspiring To Be Heroines&Mdash;Or Martyrs. Travelling In And Out Of These Lives To Spellbinding Effect Is A Range Of Stories, Dark, Poetic And Witty By Turns, Spanning Medieval To Contemporary Times. With Its Sharp And Lively Blend Of Past And Present, Its Skilful Reworking Of The Historical Tradition, And Its Controlled Use Of Evocative Language, Githa Hariharan&Rsquo;S Multi-Voiced Narrative Assumes The Significance Of Modern Myth.

I have gone through Dr. Rajesh Latane and Dr. Shehjad Sidiquii book entitled, “Feminist Perspective in Githa Hariharan’s Novels”, the book consisted Seventh Chapters the first chapter presents. The rise and development of feminism has been sharply focused. Further, a brief profile of life and works of Githa Hariharan is also put forth. A round-up review of major novels crafted by Githa Hariharan is neatly presented. Besides, literary influence on Githa Hariharan has also been given. Second to sixth chapters writer deal with the feminist perspective of Githa Hariharan novels like in “The Thousand Faces of Night”, “The Ghosts of Vasu Master”, “When Dreams Travel”, “In Times of Siege” and “Fugitive Histories”. The author has also significantly pointed out Githa Hariharan’s use of myth, fable, parable, fantasy, tradition, modernity, etc. as fictional techniques in an effective way. Besides, the novelist’s discussion on “Women’s Issues” is vividly presented through the technique of third person narration. The book has really presented the novelist’s works affected by the “otherness” and “opposition”. The study also investigates Githa Hariharan’s use of meta-fiction, inter-text and magic realism – unique features of post-colonial novel just to bring the feminist discourse in the forefront. A book is really acknowledged when it become a source material for the future researchers and comparatives. Dr. Latane and Dr. Shehjad’s book has that potential. I heartily wish a good reception to the book.

What does a medieval city in South India have in common with Washington D.C.? How do people in Kashmir imagine the freedom they long for? To whom does Delhi, city of grand monuments and hidden slums, actually belong? And what makes a city, or any place, home? In ten intricately carved essays, renowned author Githa Hariharan tackles these questions and takes readers on an eye-opening journey across time and place, exploring the history, landscape, and people that have shaped the world’s most fascinating and fraught cities. Inspired by Italo Calvino’s playful and powerful writing about journeys and cities, Harihan combines memory, cultural criticism, and history to sculpt fascinating, layered stories about the places around the world—from Delhi, Mumbai, and Kashmir to Palestine, Algeria, and eleventh-century Córdoba, from Tokyo to New York and Washington. In narrating the lives of these place’s vanquished and marginalized, she plumbs the depths of colonization and nation-building, poverty and war, the fight for human rights and the day-to-day business of survival. “In essays that bespeak a thoroughly cosmopolitan sensibility, Githa Hariharan not only takes us on illuminating tours through cities rich in history, but gives a voice to urban people from all over the world—Kashmir, Palestine, Delhi—trying to live with basic human dignity under circumstances of dire repression or crushing poverty.” —JM Coetzee “Hariharan’s writing in spare, punctuated with passages of brilliant clarity and compassion.” —Verve "She can do magic… Hariharan's greatest gift is the ability to weave story, poetry and magic into the simplest of sentences, so that reading her is an effortless pleasure." —India Today Born in Coimbatore, India, Githa Hariharan grew up in Bombay and Manila. She was educated in those two cities and later in the United States. She has worked as a staff writer for WNET-Channel 13 in New York, an editor for Orient Longman, a freelance professional editor for a range of academic institutions and foundations, and visiting professor at a number of international universities. Her first novel, The Thousand Faces of Night (1992) won the Commonwealth Writers' Prize for best first book in 1993. Her other novels include The Ghosts of Vasu Master (1994), When Dreams Travel (1999), In Times of Siege (2003), and Fugitive Histories (2009). She has also published a highly acclaimed short story collection, The Art of Dying, and a book of stories for children, The Winning Team. Her essays and fiction have also been included in anthologies such as Salman Rushdie's Mirrorwork: 50 Years of Indian Writing 1947-1997. She lives in New Delhi.