It was famously stated by the English philosopher Thomas Hobbes that "the Papacy is but the ghost of the deceased Roman Empire, sitting crowned upon the grave thereof"."The Ghost of Rome" explores that concept in detail, utilizing a character-driven narrative to bring life to the final years of the greatest empire the world has ever known. It is the rare work of fiction that informs even as it entertains, illuminating an era that is often derided as the decline of an empire rather than the birth of a kingdom As Rome fell into disrepair, the Kingdom of Christ emerged. It was a transition so seamless that one can only be intrigued by the machinations that allowed the improbable rise of Christianity from a lone hilltop in Judea to conquer the Roman world inside of 350 years. It is a series as ambitious in its aim as it is broad in its scope. It puts you in the shoes of those who lived it, bringing life to many of Roman History's most overlooked contributors while offering the reader a front row view of the rise of the barbarian, the fall of Rome, and the emergence of Christianity as a legitimate superpower.

Stories of ghostly spirits who return to this world to warn of danger, to prophesy, to take revenge, to request proper burial, or to comfort the living fascinated people in ancient times just as they do today. In this innovative, interdisciplinary study, the author combines a modern folkloric perspective with literary analysis of ghost stories from classical antiquity to shed new light on the stories' folk roots. The author begins by examining ancient Greek and Roman beliefs about death and the departed and the various kinds of ghost stories which arose from these beliefs. She then focuses on the longer stories of Plautus, Pliny, and Lucian, which concern haunted houses. Her analysis illuminates the oral and literary transmission and adaptation of folkloric motifs and the development of the ghost story as a literary form. In her concluding chapter, the author also traces the influence of ancient ghost stories on modern ghost story writers, a topic that will interest all readers and scholars of tales of hauntings.

Drawing from a rich corpus of art works, including sarcophagi, tomb paintings, and floor mosaics, Patrick R. Crowley investigates how something as insubstantial as a ghost could be made visible through the material grit of stone and paint. In this fresh and wide-ranging study, he uses the figure of the ghost to offer a new understanding of the status of the image in Roman art and visual culture. Tracing the shifting practices and debates in antiquity about the nature of vision and representation, Crowley shows how images of ghosts make visible structures of beholding and strategies of depiction. Yet the figure of the ghost simultaneously contributes to a broader conceptual history that accounts for how modalities of belief emerged and developed in antiquity. Neither illustrations of ancient beliefs in ghosts nor depictions of afterlife, these images show us something about the visual event of seeing itself. The Phantom Image offers essential insight into ancient art, visual culture, and the history of the image.

NATIONAL BESTSELLER For millennia, Carthage’s triumph over Rome at Cannae in 216 B.C. has inspired reverence and awe. No general since has matched Hannibal’s most unexpected, innovative, and brutal military victory. Now Robert L. O’Connell, one of the most admired names in military history, tells the whole story of Cannae for the first time, giving us a stirring account of this apocalyptic battle, its causes and consequences. O’Connell brilliantly conveys how Rome amassed a giant army to punish Carthage’s masterful commander, how Hannibal outwitted enemies that outnumbered him, and how this disastrous pivot point in Rome’s history ultimately led to the republic’s resurgence and the creation of its empire. Piecing together decayed shreds of ancient reportage, the author paints powerful portraits of the leading players, from Hannibal—resolutely sane and uncannily strategic—to Scipio Africanus, the self-promoting Roman military tribune. Finally, O’Connell reveals how Cannae’s legend has inspired and haunted military leaders ever since, and the lessons it teaches for our own wars.

The ancient Romans quite literally surrounded themselves with the dead: masks of the dead were in the atria of their houses, funerals paraded through their main marketplace, and tombs lined the roads leading into and out of the city. In Roman literature as well, the dead occupy a prominent place, indicating a close and complex relationship between literature and society. The evocation of the dead in the Latin authors of the first century BCE both responds and contributes to changing socio-political conditions during the transition from the Republic to the Empire. To understand the literary life of the Roman dead, The Ghosts of the Past develops a new perspective on Latin literature's interaction with Roman culture. Drawing on the insights of sociology, anthropology, and performance theory, Basil Dufallo argues that authors of the late Republic and early Principate engage strategically with Roman behaviors centered on the dead and their world in order to address urgent political and social concerns. Republican literature exploits this context for the ends of political competition among the clan-based Roman elite, while early imperial literature seeks to restage the republican practices for a reformed Augustan society. Calling into question boundaries of genre and literary form, Dufallo's study will revise current understandings of Latin literature as a cultural and performance practice. Works as diverse as Cicero's speeches, Propertian elegy, Horace's epodes and satires, and Vergil's Aeneid appear in a new light as performed texts interacting with other kinds of cultural performance from which they might otherwise seem isolated.

"Roman Ghosts is an English translation of Luigi Malerba's late novel, "Fantasmi romani," which was published in Italian in 2006. The work offers a view of contemporary Rome with a critique of its middle-class society"--