A harrowing portrait of a largely forgotten campaign that pushed one battalion to the limits of human suffering. Despite their lack of jungle training, the 32nd Division’s “Ghost Mountain Boys” were assigned the most grueling mission of the entire Pacific campaign in World War II: to march over the 10,000-foot Owen Stanley Mountains to protect the right flank of the Australian army during the battle for New Guinea. Reminiscent of the classics like Band of Brothers and The Things They Carried, The Ghost Mountain Boys is part war diary, part extreme-adventure tale, and—through letters, journals, and interviews—part biography of a group of men who fought to survive in an environment every bit as fierce as the enemy they faced. Theirs is one of the great untold stories of the war. “Superb.” —Chicago Sun-Times “Campbell started out with history, but in the end he has written a tale of survival and courage of near-mythic proportions.” —America in WWII magazine “In this compelling and sprightly written account, Campbell shines a long-overdue light on the equally deserving heroes of the Red Arrow Division.” —Military.com

Lying due north of Australia, New Guinea is among the world’s largest islands. In 1942, when World War II exploded onto its shores, it was an inhospitable, cursorily mapped, disease-ridden land of dense jungle, towering mountain peaks, deep valleys, and fetid swamps. Coveted by the Japanese for its strategic position, New Guinea became the site of one of the South Pacific’s most savage campaigns. Despite their lack of jungle training, the 32nd Division’s Ghost Mountain Boys were assigned the most grueling mission of the entire Pacific campaign: to march 130 miles over the rugged Owen Stanley Mountains and to protect the right flank of the Australian army as they fought to push the Japanese back to the village of Buna on New Guinea’s north coast. Comprised of National Guardsmen from Michigan and Wisconsin, reserve officers, and draftees from across the country, the 32nd Division lacked more than training—they were without even the basics necessary for survival. The men were not issued the specialized clothing that later became standard issue for soldiers fighting in the South Pacific; they fought in hastily dyed combat fatigues that bled in the intense humidity and left them with festering sores. They waded through brush and vines without the aid of machetes. They did not have insect repellent. Without waterproof containers, their matches were useless and the quinine and vitamin pills they carried, as well as salt and chlorination tablets, crumbled in their pockets. Exhausted and pushed to the brink of human endurance, the Ghost Mountain Boys fell victim to malnutrition and disease. Forty-two days after they set out, they arrived two miles south of Buna, nearly shattered by the experience. Arrival in Buna provided no respite. The 32nd Division was ordered to launch an immediate assault on the Japanese position. After two months of furious—sometimes hand-to-hand—combat, the decimated division finally achieved victory. The ferocity of the struggle for Buna was summed up in Time magazine on December 28, 1942, three weeks before the Japanese army was defeated: “Nowhere in the world today are American soldiers engaged in fighting so desperate, so merciless, so bitter, or so bloody.” Reminiscent of classics like Band of Brothers and The Things They Carried, this harrowing portrait of a largely overlooked campaign is part war diary, part extreme adventure tale, and (through letters, journals, and interviews) part biography of a group of men who fought to survive in an environment every bit as fierce as the enemy they faced.

Jim Brandon has a new house, and boy, is it a pip. Built high on the side of the San Diego mountains by a legendary B-movie actor of the 1930s, Nigel Letters, the house is not only gorgeous, but supposedly haunted. As a writer of horror novels, Jim couldn't be happier. But after a string of ghostly events sets Jim’s teeth on edge and scares the bejesus out of his dog, Jim begins to dig into the house’s history. What he finds is enough to creep out anybody. Even Jim. It seems long-dead Nigel Letters had a few nasty habits back in his day. And unhappily for Jim, the old bastard still has some tricks up his sleeve. As Jim welcomes his ex, Michael, and a bevy of old friends for a two-week visit to help christen the new house, he soon realizes his old friends aren’t the only visitors who have come to call.

A heartbreaking and powerful story about a black boy killed by a police officer, drawing connections through history, from award-winning author Jewell Parker Rhodes. Only the living can make the world better. Live and make it better. Twelve-year-old Jerome is shot by a police officer who mistakes his toy gun for a real threat. As a ghost, he observes the devastation that's been unleashed on his family and community in the wake of what they see as an unjust and brutal killing. Soon Jerome meets another ghost: Emmett Till, a boy from a very different time but similar circumstances. Emmett helps Jerome process what has happened, on a journey towards recognizing how historical racism may have led to the events that ended his life. Jerome also meets Sarah, the daughter of the police officer, who grapples with her father's actions. Once again Jewell Parker Rhodes deftly weaves historical and socio-political layers into a gripping and poignant story about how children and families face the complexities of today's world, and how one boy grows to understand American blackness in the aftermath of his own death.

When he goes to spend the summer with his great-aunt in the family's old house, eleven-year-old Drew is drawn eighty years into the past to trade places with his great-great-uncle who is dying of diptheria.

The powerful and affirming story of a father's journey with his teenage daughter to the far reaches of Alaska Alaska’s Arctic National Wildlife Refuge, home to only a handful of people, is a harsh and lonely place. So when James Campbell’s cousin Heimo Korth asked him to spend a summer building a cabin in the rugged Interior, Campbell hesitated about inviting his fifteen-year-old daughter, Aidan, to join him: Would she be able to withstand clouds of mosquitoes, the threat of grizzlies, bathing in an ice-cold river, and hours of grueling labor peeling and hauling logs? But once there, Aidan embraced the wild. She even agreed to return a few months later to help the Korths work their traplines and hunt for caribou and moose. Despite windchills of 50 degrees below zero, father and daughter ventured out daily to track, hunt, and trap. Under the supervision of Edna, Heimo’s Yupik Eskimo wife, Aidan grew more confident in the woods. Campbell knew that in traditional Eskimo cultures, some daughters earned a rite of passage usually reserved for young men. So he decided to take Aidan back to Alaska one final time before she left home. It would be their third and most ambitious trip, backpacking over Alaska’s Brooks Range to the headwaters of the mighty Hulahula River, where they would assemble a folding canoe and paddle to the Arctic Ocean. The journey would test them, and their relationship, in one of the planet’s most remote places: a land of wolves, musk oxen, Dall sheep, golden eagles, and polar bears. At turns poignant and humorous, Braving It is an ode to America’s disappearing wilderness and a profound meditation on what it means for a child to grow up—and a parent to finally, fully let go.

The inspiration for The Last Alaskans—the hit documentary series now on the Discovery+—James Campbell’s inimitable insider account of a family’s nomadic life in the unshaped Arctic wilderness “is an icily gripping, intimate profile that stands up well beside Krakauer’s classic [Into the Wild], and it stands too, as a kind of testament to the rough beauty of improbably wild dreams” (Men’s Journal). Hundreds of hardy people have tried to carve a living in the Alaskan bush, but few have succeeded as consistently as Heimo Korth. Originally from Wisconsin, Heimo traveled to the Arctic wilderness in his twenties. Now, more than three decades later, Heimo lives with his wife and two daughters approximately 200 miles from civilization—a sustainable, nomadic life bounded by the migrating caribou, the dangers of swollen rivers, and by the very exigencies of daily existence. In The Final Frontiersman, Heimo’s cousin James Campbell chronicles the Korth family’s amazing experience, their adventures, and the tragedy that continues to shape their lives. With a deft voice and in spectacular, at times unimaginable detail, Campbell invites us into Heimo’s heartland and home. The Korths wait patiently for a small plane to deliver their provisions, listen to distant chatter on the radio, and go sledding at 44 degrees below zero—all the while cultivating the hard-learned survival skills that stand between them and a terrible fate. Awe-inspiring and memorable, The Final Frontiersman reads like a rustic version of the American Dream and reveals for the first time a life undreamed by most of us: amid encroaching environmental pressures, apart from the herd, and alone in a stunning wilderness that for now, at least, remains the final frontier.