A young doe nudges her small fawn toward tall reeds that line the creek banks. She has been feeding on sweet clovers thru the early morning hours. Soon, she and other night creatures will return to the woods. There, they will remain until darkness returns once more.

A new anthology of twenty ghostly tales of Yuletide terror, collected from rare Victorian periodicals Seeking to capitalize on the success of Charles Dickens's A Christmas Carol (1843), Victorian newspapers and magazines frequently featured ghost stories at Christmas time, and reading them by candlelight or the fireside became an annual tradition, a tradition Valancourt Books is pleased to continue with our series of Victorian Christmas ghost stories. This third volume contains twenty tales, most of them never before reprinted. They represent a mix of the diverse styles and themes common to Victorian ghost fiction and include works by once-popular authors like Ellen Wood and Charlotte Riddell as well as contributions from anonymous or wholly forgotten writers. This volume also features a new introduction by Prof. Simon Stern. "Before me, with the sickly light from the lantern shining right down upon it, was--a cloven hoof! Then the awfulness of the compact I had made came to my mind with terrible force ..." - Frederick Manley, "The Ghost of the Cross-Roads" "By the fireplace there was a large hideous pool of blood soaking into the carpet, and leaving ghastly stains around. I am not ashamed to confess that my brain reeled; the mysterious horror overcame me ..." - Lillie Harris, "19, Great Hanover Street" "A fearful white face comes to me; a horrible mask, with features drawn as in agony--ghastly, pale, hideous! Death or approaching death, violent death, written in every line. Every feature distorted. Eyes starting from the head. Thin lips moving and working--lips that are cursing, although I hear no sound." - Hugh Conway, "A Dead Man's Face"

Former NYPD officer and current ghost hunter Jason Medina travels up the Hudson River to a hotbed of paranormal activity. The quiet New York suburb of Yonkers hides a history of hauntings. Now converted into apartments, old Public School 13 is the site of strange apparitions that may be ghosts of former students and teachers who died in a tragic fire. The Boyce Thompson Institute’s lofty goal of solving world hunger was never met, and unfulfilled spirits are said to lurk in its abandoned laboratory. Wealthy colonial landowners still watch over stately historic homes like Philipse Manor Hall. Even the iconic Untermyer Park is a playground for the otherworldly. Local ghost investigator Jason Medina reveals these and other ghosts of Yonkers.

When Mrs. Putney seeks Nancy Drew’s help in recovering her stolen jewelry, the search for the thieves takes the teen-age detective and her friends Bess and George to the colorful French Quarter of New Orleans. But the quest is hampered by the strange behavior of Mrs. Putney, and two young women who are being victimized by so-called spirits. How can Nancy fight these unseen perpetrators of a cruel hoax? And how can she help the gullible victims when the spirits warn them not to have anything to do with Nancy?

An exciting moment for any crafter is when they are able to take the love for crafts and turn it into real money. Selling your crafts enables you to make money doing what you love, along with the convenience of setting your own hours and working from home.

Who's that? Is someone there? A whisper of air brushes your cheek. Then all is still. Maybe it was just the wind. Or maybe it wasn't. . . . Maybe you've just been visited by the late Ida Day lurking in the basement of Hutchinson's public library or the widow Tarot staring forlornly from an upstairs window at Fort Scott, or the phantom Earl floating behind the scenes in Concordia's Brown Grand Theater. And maybe the horrific Albino Woman truly does haunt Topeka, turning romantic nights into nightmares. . . . maybe. Pursuing the stories behind these and other spectral manifestations, Lisa Hefner Heitz has traveled the state in search of its ghostly folklore. What she has unearthed is a fascinating blend of oral histories, contemporary eye-witness accounts, and local legends. Creepy and chilling, sometimes humorous, and always engaging, her book features tales about ghosts, poltergeists, spook lights, and a host of other restless spirits that haunt Kansas. Heitz's spine-tingling collection of stories raps and taps and moans and groans through a wealth of descriptions of infamous Kansas phantoms, as well as disconcerting personal experiences related by former skeptics. Many of these ghosts, she shows, are notoriously linked to specific structures or locations, whether it is an eighteenth-century mansion in Atchison or a deep--some have claimed bottomless--pool near Ashland. The evanescent apparitions of these tales have frightened and at times amused Kansans throughout the state's long history. Yet this is the first book to capture for posterity the lively antics of the state's ghostly denizens. Besides preserving a colorful and imaginative, if intangible, side of the state's popular heritage, Heitz supplies ghost-storytellers with ample hair-raising material for, well, eternity. Maybe that person breathing softly behind you has another such story to share. Oh, no one's there? Perhaps it really was just the breeze off the prairie.