Our century has seen the proliferation of reality shows devoted to ghost hunts, documentaries on hauntings, and horror films presented as found footage. The horror genre is no longer exclusive to fiction and its narratives actively engage us in web forums, experiential viewing, videogames, and creepypasta. These participative modes of relating to the occult, alongside the impulse to seek proof of either its existence or fabrication, have transformed the production and consumption of horror stories. The Ghost in the Image offers a new take on the place that supernatural phenomena occupy in everyday life, arguing that the relationship between the horror genre and reality is more intimate than we like to think. Through a revisionist and transmedial approach to horror this book investigates our expectations about the ability of photography and film to work as evidence. A historical examination of technology's role in at once showing and forging truths invites questions about our investment in its powers. Behind our obsession with documenting everyday life lies the hope that our cameras will reveal something extraordinary. The obsessive search for ghosts in the image, however, shows that the desire to find them is matched by the pleasure of calling a hoax.

Ghost Image is made up of sixty-three short essays—meditations, memories, fantasies, and stories bordering on prose poems—and not a single image. Hervé Guibert’s brief, literary rumination on photography was written in response to Roland Barthes’s Camera Lucida, but its deeply personal contents go far beyond that canonical text. Some essays talk of Guibert’s parents and friends, some describe old family photographs and films, and spinning through them all are reflections on remembrance, narcissism, seduction, deception, death, and the phantom images that have been missed. Both a memoir and an exploration of the artistic process, Ghost Image not only reveals Guibert’s particular experience as a gay artist captivated by the transience and physicality of his media and his life, but also his thoughts on the more technical aspects of his vocation. In one essay, Guibert searches through a cardboard box of family portraits for clues—answers, or even questions—about the lives of his parents and more distant relatives. Rifling through vacation snapshots and the autographed images of long-forgotten film stars, Guibert muses, “I don’t even recognize the faces, except occasionally that of an aunt or great-aunt, or the thin, fair face of my mother as a young girl.” In other essays, he explains how he composes his photographs, and how—in writing—he seeks to escape and correct the inherent limits of his technique, to preserve those images lost to his technical failings as a photographer. With strains of Jean Genet and recurring themes that speak to the work of contemporary artists across a range of media, Guibert’s Ghost Image is a beautifully written, melancholic ode to existence and art forms both fleeting and powerful—a unique memoir at the nexus of family, memory, desire, and photography.

Drawing from a rich corpus of art works, including sarcophagi, tomb paintings, and floor mosaics, Patrick R. Crowley investigates how something as insubstantial as a ghost could be made visible through the material grit of stone and paint. In this fresh and wide-ranging study, he uses the figure of the ghost to offer a new understanding of the status of the image in Roman art and visual culture. Tracing the shifting practices and debates in antiquity about the nature of vision and representation, Crowley shows how images of ghosts make visible structures of beholding and strategies of depiction. Yet the figure of the ghost simultaneously contributes to a broader conceptual history that accounts for how modalities of belief emerged and developed in antiquity. Neither illustrations of ancient beliefs in ghosts nor depictions of afterlife, these images show us something about the visual event of seeing itself. The Phantom Image offers essential insight into ancient art, visual culture, and the history of the image.

* Chosen as a 2020 Kirkus Prize Finalist for Young Readers' Literature! * A Malaysian folk tale comes to life in this emotionally layered, chilling middle grade debut, perfect for fans of The Book of Boy and The Jumbies. I am a dark spirit, the ghost announced grandly. I am your inheritance, your grandmother’s legacy. I am yours to command. Suraya is delighted when her witch grandmother gifts her a pelesit. She names her ghostly companion Pink, and the two quickly become inseparable. But Suraya doesn’t know that pelesits have a dark side—and when Pink’s shadows threaten to consume them both, they must find enough light to survive . . . before they are both lost to the darkness. Fans of Holly Black’s Doll Bones and Tahereh Mafi’s Furthermore series will love this ghostly middle grade debut that explores jealousy, love, and the extraordinary power of friendship.

Bestselling children's book, from award-winning author-illustrator Guido Van Genechten, is now a BOARD BOOK! Perfect for Halloween storytime or any other time! "A little ghost unapologetically makes the most of being different....Different never looked so appealing. " - Kirkus Reviews "A sweet story about outsider friendship that is just slightly scary in places.... it's hard not to be charmed by van Genechten's smiley, rosy-cheeked ghosts, who could give Casper a run for his money in the cuteness department" - Publisher's Weekly Ghost Gilbert is a very special ghost, ever since he was little. When he goes to Ghost school, he quickly makes a lot of new friends. Gilbert always cheerfully takes part in everything. But when the Principal wants him to call "Boooooooh" just like a real ghost, all Gilbert can do is whisper a soft "Bahoo". Will Gilbert ever become a real ghost? A warm picture book about a different and special ghost, about fitting in and being true to yourself.

Political intrigue, greed, betrayal and a high-stakes race against a killer: Photojournalist Sophie Medina is back with a bang Freelance photojournalist Sophie Medina has photographed world leaders, popes and international peace talks. Tonight, the focus of her lens are the 120 guests at a glittering society engagement party in Washington: billionaires, politicians, exiled European royalty . . . and Sophie's old friend Brother Kevin Boyle, controversial environmentalist and Franciscan friar. Rumors are flying about a project that Kevin is working on. A project that could be worth millions, if it falls into the wrong hands. So when Kevin's body is discovered the next day in his monastery's magnificent gardens, Sophie's convinced his death is no accident - even though no else seems to agree. What secrets was Kevin keeping, that were enough to kill for? Sophie embarks on an international treasure hunt that takes her from the US Capitol to London. But with time running out, and a suspect list made up of the rich and powerful, can she find the truth before Kevin's killer finds her? The second Sophie Medina mystery, following Multiple Exposure, is a great choice for readers who like fearless female sleuths and international intrigue.

In the second book of the Nina Tanleven Mysteries, Nina, the world’s number-one sixth-grade ghost buster, embarks on a treasure hunt with help from the ghost of a Civil War soldier Not too long ago, Nina Tanleven would never have thought that her dream vacation could take place at a creaky lodge in New York’s Catskill Mountains. But when her architect father agrees to renovate the three-story inn, it’s the perfect opportunity for Nina and her best friend, Chris, to investigate rumors that the rambling old building is haunted. It isn’t long before they learn the truth: Not only is the place haunted by the ghost of a Confederate soldier, it also holds secrets that lead to a buried treasure! The soldier hid his trove as a gift for the New York abolitionist who cared for him before he died, and his last wish is to see it unearthed. The clock is ticking as Nina and Chris race to solve the phantom’s mysterious clues. But they aren’t the only ones seeking the valuable bounty. Can they manage to find it first? The Ghost Wore Gray is the second book of the Nina Tanleven Mysteries, which begin with The Ghost in the Third Row and continue with The Ghost in the Big Brass Bed. This ebook features an illustrated personal history of Bruce Coville including rare images from the author’s collection.