“Borrowing from [such writers as] Elizabeth Bishop and Chimako Tada, featuring ghosts and geoglyphs, writing in form and free verse, Kimiko Hahn’s broad and eclectic approach reveals a mind as vast as the terrains it traverses.”—Nicole Sealey, Poetry magazine Opening with forty-three new formally inventive poems and leading the reader back in time through selections from her ten previous volumes, The Ghost Forest offers a contemplative and haunting narrative of a writer’s artistic journey through craft and form while illuminating her personal history. Exploring the mysteries of science, nature, and the experiences of contemporary womanhood, Hahn both reinvents classic Japanese forms and experiments with traditional Western ones. Braided into the poems and narrative thread, a series of photos transforms the new-and-selected into a hybrid autobiography. This arresting collection derives new beauty from long-gone remnants. A Riotous Disorder She mistakes one word for another— Something her brain naturally concocts. Her unruly gray matter and her heart Mistake one word for an other— Razor for river, cistern for sister. Even cock for clock. She mistakes one word for a mother— A safe her brain naturally unlocks.—

For Kimiko Hahn, the language and imagery of science open up magical possibilities for the poet. In her haunting eighth collection inspired by articles from the weekly "Science" section of the New York Times, Hahn explores identity, extinction, and survival using exotic tropes drawn from the realms of astrophysics, mycology, paleobotany, and other rarefied fields. With warmth and generosity, Hahn mines the world of science in these elegant, ardent poems.from "On Deceit as Survival"Yet another species resemblesa female bumble bee,ending in frustrated trysts--or appears to be two fractious maleswhich also attracts--no surprise--a third curious enough to join the fray.What to make of highly evolved Beautybent on deception as survival--

“One of the finest poets of the last fifty years.” —Salt to the Nth, like the truth of an ending unskeined across the crust of the white field. Though it happened only once, I am sending the thought of the thought continuing. To return to the field before the mowing. When a goldfinch swayed on a blue stem stalk, and the wind and the sun stirred the hay. —from “After the Mowing” Cinder: New and Selected Poems gathers for the first time poetry from across Susan Stewart’s thirty-five-year career, including many extraordinary new poems. From brief songs to longer meditative sequences, and always with formal innovation and exquisite precision, Stewart evokes the innocence of childhood, the endangered mysteries of the natural world, and deeply felt perceptions, both acute and shared. “Stewart explores our insatiable desire to remember and make meaning out of this remembering,” Ange Mlinko writes in The Nation. “Stewart’s elegiac bent has broadened, over time, from the personal lyric . . . to what might be called the cultural lyric. Fewer and fewer of her poems reference what she alone remembers; they are about what you and I remember.” Reading across this retrospective collection is a singular experience of seeing the unfolding development of one of the most ingenious and moving lyric writers in contemporary poetry.

A collection of over thirty poems by American poet Kimiko Hahn in which she explores her various identities.

This breakthrough volume by award-winning poet Kimiko Hahn is her most rigorously "female" work to date as she reclaims the female body and reinvents an ancient Chinese correspondence. Mosquito and Ant refers to the style in which nu shu--a nearly extinct script used by Chinese women to correspond with one another--is written. Here in this exciting and totally original book of poems the narrator corresponds with L. about her hidden passions, her relationship with her husband and adolescent daughters, lost loves, and erotic fantasies. Kimiko Hahn's collection takes shape as a series of wide-ranging correspondences that are in turn precocious and wise, angry and wistful. Borrowing from both Japanese and Chinese traditions, Hahn offers us an authentic and complex narrator struggling with the sorrows and pleasures of being a woman against the backdrop of her Japanese-American roots.

Culled from four decades of writing, a volume of multicultural poetry offers insight into the MacArthur fellow's spiritual and political beliefs as well as his journeys throughout America, Japan, Africa, and other regions, in an anthology that includes pieces on such topics as war, prejudice, and George W. Bush.

Mead’s fifth collection candidly and openly explores the long process that is death. These resonant poems discover what it means to live, die, and come home again. We’re drawn in by sorrow and grief, but also the joys of celebrating a long life and how simple it is to find laughter and light in the quietest and darkest of moments.