Hafez (1325-1389), the great lyric Persian poet is known for his ghazals. He has published about 500 ghazals and 42 Rubaiyees. Themes of his ghazals are the beloved, faith, and exposing hypocrisy. His most popular book, Divan-e Hafez, is a pinnacle of Persian literature and is to be found in the homes of most Iranian people. Persian poetry lovers learn Hafez's poems by heart and still use them as proverbs and sayings. Adaptations, imitations and translations of his ghazals exist in all major languages. All Hafez's ghazals are provided in this bilingual book in Persian and English languages. The translation appearing in this collection is by Henry Wilberforce Clarke (1840 - 1905). This book can be useful for Persian and English language speakers and enjoyable for poetry lovers of any age.

Connoisseurs of world literature need to spend some time acquainting themselves with the Divan of Hafiz, one of the foremost collections of Persian verse. Scholars agree this volume has exerted a singularly important influence on Middle Eastern culture, akin to Shakespeare's role in the sphere of Western letters.

The present volume is the first of four volumes that (together with the appendix) contain the 573 poems of the entire collection of ghazals presented by Wilberforce-Clarke; of these 486 are in the main body of the four volumes and are accompanied by the original Farsi and a transliteration in 'roman' script.

Join Hafiz and His Incomparable Love Poems If like me, you too fall in this trip, Hold the wine and cup upon your lap. We are lovers, burning our tracks, Join us if you can put up with the crap. گر همچو من افتاده ی این دام شوی ای بس که خراب باده و جام شوی ما عاشق و رند و مست وعالم سوزیم با ما منشین اگرنه بدنام شوی The Divan-e Hafiz is a treasured collection of poetry by the legendary Persian poet, Shamsuddin Mohammad Hafiz Shirazi. Known for his masterful ghazals, Hafiz's body of work includes around 500 ghazals and 42 Rubaiyees, cementing his legacy as one of the most celebrated poets in Persian literature. The Divan-e Hafiz is a staple in the homes of many Iranians, who memorize its poems and use them as proverbs and sayings. His poetry of intimate divine love has spread far and wide, with adaptations, imitations, and translations of the Divan-e Hafiz found in many languages. The translation featured in this book is by Henry Wilberforce Clarke (1840 - 1905), and it presents the ghazals in both Persian and English, making it a valuable resource for both Persian and English speakers, as well as poetry lovers of all ages. The Divan-e Hafiz is more than just a language learning resource, it is a window into the rich culture and literature of Persia. Its poems offer ample opportunities for students of the Persian language and literature to expand their abilities and deepen their understanding of the culture. It is also a perfect gift for those who appreciate Persian poetry. Published By: The Persian Learning Center www.persianbell.com

Poetry. Middle Eastern Studies. Translated from the Farsi by Geoffrey Squires. Thought by many to be untranslatable, the great 14th century Persian poet Hafez, who has been celebrated by figures as different as Goethe, Emerson, and Bunting, has at last found the voice in English that he deserves. Geoffrey Squires, who lived in Iran for three years, gives powerful insight into that culture with these translations of the work of one of its iconic figures. Based on 248 ghazals (just over half the Divan), this is one of the most comprehensive translations ever to appear and also one of the most varied, revealing aspects of the work courtly, lyrical, satirical, mystical that will surprise and delight many. Squires brings a poet's ear to the task, capturing the energy, wit and beauty of the original which after all this time still speaks to us. He also breaks new ground in terms of translation strategy, using short interstitial prose pieces to punctuate and point the text. Detailed background notes are provided, and there is an extensive bibliography in Farsi, English and French. "Geoffrey Squires' translations of Hafez are not only beautiful (and they are) but innovate a new approach to the translation and presentation of poets from the distant and exotic past. In finding fresh means to show Hafez in context, Squires composes a work both faithful to Hafez and with a narrative power that opens a true dialogue between present and past. His Hafez in that sense sets a new standard for our time and for years to come." Jerome Rothenberg "In their careful, musical, painterly pointing of difference in similarity, stress inside equanimity and singularity breaking the continuum, Geoff Squires' Hafez translations weave a shimmering, moire fabric from the old and the new, the strange and the deceptively familiar. Squires is the best of hosts, too, offering small, genial and always useful interventions, tiny palate-cleansers of data or abstract form, which arrive before you knew you needed them. If Paul Blackburn had improvised a verbal riff on Astrophil and Stella, and Brian Coffey had written it down, they might have come close to, but would never equal, the marvelous sensual minimalism of Hafez and Squires." Peter Manson "Geoffrey Squires is a poet of note. What strikes me is his capacity to put into words what is fluid or elusive, writing characterized by the innerness of its language. This explains why he has an affinity with Hafez. His long absorption in the world of Iran has led him to the masterpieces of its literature. Analyzing Hafez in the light of his predecessors such as 'Ayn al Qozat, he explores among other themes the mystic gulf between belief and faith. A richly mature work, this translation brings a new lustre to the jewel that is Hafez." Charles- Henri de Fouchecour"

The Persian Sufi poet Hafiz (1326–1390) is a towering figure in Islamic literature—and in spiritual attainment as well. Known for his profound mystical wisdom combined with a sublime sensuousness, Hafiz was the supreme master of a poetic form known as the ghazal (pronounced "guzzle"), an ode or song consisting of rhymed couplets celebrating divine love. In this selection of his poems, wine and the intoxication it brings are the image that expresses this love in all its joyful abandon, painful longing, bewilderment, and surrender. Through ninety-five free-verse renditions, we gain entry into the mystical world of Hafiz's Winehouse, with its happy minstrels, its bewitching Winebringer, and its companions in drunken longing whose hearts cry out, "More wine!" Thomas Rain Crowe brings a new dimension to our growing appreciation of Hafiz and his wise drunkard's advice to the seekers of God: In this world of illusion, take nothing other than this cup of wine; In this playhouse, don't play any games but love.