A quiet philatelist, George H. Kaestlin joined the original Rossika Society in 1935 along with the better known Theo B. Lavroff and K. Szymanowski. Whereas Lavroff contributed significantly to Russian philately as an author and researcher and Szymanowski was an avid collector, Kaestlin collected privately. Born in Moscow, circa 1893, Kaestlin arrived in England in 1939. After World War II, When the original Rossika dissolved, he did not join the newly reconstituted Rossica Society of the United States. He never wrote for any philatelic magazine, never joined the London-based British Society of Russian Philately, and never showed his material at any exhibition. Thus he managed to elude notice in the literature of the times and receded into obscurity. Kaestlin’s exceedingly remarkable contribution, however, is found in the quality and scope of his collection and in the preservation of the treasures he acquired (many from the legendary Fabergé collection). Kaestlin’s attention to detail and fastidious collecting habits are evident in the layout and handwriting in his albums. His collection, donated to the Smithsonian Institution in 1984 by his niece Vera Madeleine Kaestlin-Bock, includes more than 1,250 album pages on which he organized more than 14,000 Imperial Russian and zemstvo stamps. The quality of the stamps is outstanding. With the publication of this book, Kaestlin can finally take his place among the greats of Russian philately. The G.H. Kaestlin Collection of Imperial Russian and Zemstvo Stamps is one of the greatest museum collections outside of Russia.

This is the 2nd edition of a book about the history of the postal service in the Caucasus and the issue of the first rare postage stamp on the territory of the Russian Empire and Georgia in 1857. There are only a few copies of the Tiflis stamp. It is one of the rarest and most expensive stamps on the planet. The book will be useful to everyone who is interested in the history of Russia, Georgia, the Caucasus, collectors, philatelists.

Every stamp and piece of mail tells a story. In fact, each often tells multiple stories, ranging from concept to art design to production to usage, often with tales of politics, history, technology, biography, genealogy, economics, geography, disaster, and triumph. The lens of philately offers a fresh and engaging story of American history, culture, and identity, and it can also help deepen the understanding of world cultures. The William H. Gross Stamp Gallery, opened at the Smithsonian National Postal Museum in September 2013, has many such stories to tell. Chief philately curator Cheryl R. Ganz guides readers through some of the gallery's nearly 20,000 objects that together illustrate the history of our nation's postal operations and postage stamps.

For stamp collectors and lovers of history alike, this book is a fascinating catalog of the stamps used by the rural populace of czarist Russia. From the humblest village post office to the grandest cities of the empire, these stamps offer a glimpse into daily life in a vanished world. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Chicago's 1933 world's fair set a new direction for international expositions. Earlier fairs had exhibited technological advances, but Chicago's fair organizers used the very idea of progress to buoy national optimism during the Depression's darkest years. Orchestrated by business leaders and engineers, almost all former military men, the fair reflected a business-military-engineering model that envisioned a promising future through science and technology's application to everyday life. But not everyone at Chicago's 1933 exposition had abandoned notions of progress that entailed social justice and equality, recognition of ethnicity and gender, and personal freedom and expression. The fair's motto, "Science Finds, Industry Applies, Man Conforms," was challenged by iconoclasts such as Sally Rand, whose provocative fan dance became a persistent symbol of the fair, as well as a handful of other exceptional individuals, including African Americans, ethnic populations and foreign nationals, groups of working women, and even well-heeled socialites. Cheryl R. Ganz offers the stories of fair planners and participants who showcased education, industry, and entertainment to sell optimism during the depths of the Great Depression. This engaging history also features eighty-six photographs--nearly half of which are full color--of key locations, exhibits, and people, as well as authentic ticket stubs, postcards, pamphlets, posters, and other it

A real estate lease agreement is one of the biggest financial obligations of any company. The tenant must review the lease to make sure it is sound from both business and legal perspectives. Written in a conversational style for the non-lawyer business executive, Tenant Leasing 101 offers companies the essential strategies and tips to help simplify the negotiation of their next lease.

An inside look at the obsessive, secretive, and often bizarre world of high-profile stamp collecting, told through the journey of the world’s most sought-after stamp. When it was issued in 1856, it cost a penny. In 2014, this tiny square of faded red paper sold at Sotheby’s for nearly $9.5 million, the largest amount ever paid for a postage stamp at auction. Through the stories of the eccentric characters who have bought, owned, and sold the one-cent magenta in the years in between, James Barron delivers a fascinating tale of global history and immense wealth, and of the human desire to collect. One-cent magentas were provisional stamps, printed quickly in what was then British Guiana when a shipment of official stamps from London did not arrive. They were intended for periodicals, and most were thrown out with the newspapers. But one stamp survived. The singular one-cent magenta has had only nine owners since a twelve-year-old boy discovered it in 1873 as he sorted through papers in his uncle’s house. He soon sold it for what would be $17 today. (That’s been called the worst stamp deal in history.) Among later owners was a fabulously wealthy Frenchman who hid the stamp from almost everyone (even King George V of England couldn’t get a peek); a businessman who traveled with the stamp in a briefcase he handcuffed to his wrist; and John E. du Pont, an heir to the chemical fortune, who died while serving a thirty-year sentence for the murder of Olympic wrestler Dave Schultz. Recommended for fans of Nicholas A. Basbanes, Susan Orlean, and Simon Winchester, The One-Cent Magenta explores the intersection of obsessive pursuits and great affluence and asks why we want most what is most rare.